Yamaha DM2000 Instrukcja obsługi

E

Owner’s Manual

Keep This Manual For Future Reference.

WARNING: THIS APPARATUS MUST BE EARTHED

IMPORTANT

THE WIRES IN THIS MAINS LEAD ARE COLOURED IN

ACCORDANCE WITH THE FOLLOWING CODE:

GREEN-AND-YELLOW : EARTH

BLUE : NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus may

not correspond with the coloured markings identifying the terminals in

your plug, proceed as follows:

The wire which is coloured GREEN and YELLOW must be

connected to the terminal in the plug which is marked by the letter E

or by the safety earth symbol or coloured GREEN and YELLOW.

The wire which is coloured BLUE must be connected to the terminal

which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the

terminal which is marked with the letter L or coloured RED.

* This applies only to products distributed by YAMAHA KEMBLE

MUSIC (U.K.) LTD.

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC

requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST

be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with

these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with

other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may

cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all

installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the

problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on

different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in

is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer

authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service

Division, 6600 Orangethorpe Ave, Buena Park, CA 90620

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

NEDERLAND THE NETHERLANDS

● Dit apparaat bevat een lithium batterij voor geheugen

back-up.

● Raadpleeg uw leverancier over de verwijdering van de

batterij op het moment dat u het apparaat ann het einde

van de levensduur afdankt of de volgende Yamaha Service

Afdeiing:

Yamaha Music Nederland Service Afdeiing

Kanaalweg 18-G, 3526 KL UTRECHT

Te l. 030-2828425

● Gooi de batterij niet weg, maar lever hem in als KCA.

● This apparatus contains a lithium battery for memory

back-up.

● For the removal of the battery at the moment of the

disposal at the end of the service life please consult your

retailer or Yamaha Service Center as follows:

Yamaha Music Nederland Service Center

Address: Kanaalweg 18-G, 3526 KL

UTRECHT

Te l: 030-2828425

● Do not throw away the battery. Instead, hand it in as small

chemical waste.

ADVARSEL!

Lithiumbatteri—Eksplosionsfare ved fejlagtig

håndtering. Udskiftning må kun ske med batteri

af samme fabrikat og type. Levér det brugte

batteri tilbage til leverandoren.

VARNING

Explosionsfara vid felaktigt batteribyte. Använd

samma batterityp eller en ekvivalent typ som

rekommenderas av apparattillverkaren.

Kassera använt batteri enligt fabrikantens

instruktion.

VAROITUS

Paristo voi räjähtää, jos se on virheellisesti

asennettu. Vaihda paristo ainoastaan

laitevalmistajan suosittelemaan tyyppiin. Hävitä

käytetty paristo valmistajan ohjeiden

mukaisesti.

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DM2000—Owner’s Manual

Important Information

Warnings

•Connect this unit’s power cord only to an AC outlet of the type stated in this Owner’s Man-

ual or as marked on the unit. Failure to do so is a ﬁre and electrical shock hazard.

•Do not allow water to enter this unit or allow the unit to become wet. Fire or electrical shock

may result.

•Do not place heavy objects, including this unit, on top of the power cord. A damaged power

cord is a ﬁre and electrical shock hazard. In particular, be careful not to place heavy objects

on a power cord covered by a carpet.

•Do not place a container with liquid or small metal objects on top of this unit. Liquid or

metal objects inside this unit are a ﬁre and electrical shock hazard.

•This unit is equipped with a dedicated ground connection to prevent electrical shock.

Before connecting the power plug to an AC outlet, be sure to ground the unit. If the power

cord has a three-pin plug, it will provide sufﬁcient grounding so long as the AC outlet is

grounded correctly.

•Do not scratch, bend, twist, pull, or heat the power cord. A damaged power cord is a ﬁre

and electrical shock hazard.

•Do not remove the unit’s cover. You could receive an electrical shock. If you think internal

inspection, maintenance, or repair is necessary, contact your dealer.

•Do not modify the unit. Doing so is a ﬁre and electrical shock hazard.

•If lightning begins to occur, turn off the power switch of the unit as soon as possible, and

unplug the power cable plug from the electrical outlet.

•If there is a possibility of lightning, do not touch the power cable plug if it is still connected.

Doing so may be an electrical shock hazard.

•Use only the included power cord for this unit. Using other types may be a ﬁre and electrical

shock hazard.

•The DM2000 has six rear-panel slots for installing mini-YGDAI cards. For technical rea-

sons, certain card combinations are not supported. Before installing any cards, check the

Yamaha web site to if your card is compatible. Installing cards that are not endorsed by

Yamaha may cause electrical shock, ﬁre, or damage to the unit.

•If the power cord is damaged (i.e., cut or a bare wire is exposed), ask your dealer for a

replacement. Using the unit with a damaged power cord is a ﬁre and electrical shock hazard.

•If you notice any abnormality, such as smoke, odor, or noise, or if a foreign object or liquid

gets inside the unit, turn it off immediately. Remove the power cord from the AC outlet.

Consult your dealer for repair. Using the unit in this condition is a ﬁre and electrical shock

hazard.

• Should this unit be dropped or the cabinet be damaged, turn the power switch off, remove

the power plug from the AC outlet, and contact your dealer. If you continue using the unit

without heeding this instruction, ﬁre or electrical shock may result.

Cautions

•Keep this unit away from the following locations:

—Locations exposed to oil splashes or steam, such as near cooking stoves, humidiﬁers, etc.

—Unstable surfaces, such as a wobbly table or slope.

—Locations exposed to excessive heat, such as inside a car with all the windows closed, or

places that receive direct sunlight.

—Locations subject to excessive humidity or dust accumulation.

•Hold the power cord plug when disconnecting it from an AC outlet. Never pull the cord. A

damaged power cord is a potential ﬁre and electrical shock hazard.

•Do not touch the power plug with wet hands. Doing so is a potential electrical shock hazard.

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DM2000—Owner’s Manual

•This unit has ventilation holes along the front underside and at the rear to prevent the inter-

nal temperature from rising too high. Do not block them. Blocked ventilation holes are a

ﬁre hazard. In particular, do not operate the unit while it’s on its side, is upside down, or

while it’s covered with a cloth or dust sheet.

•If you are using the optional MB2000 Peak Meter Bridge, do not hold only the MB2000

when you move the entire unit. Otherwise, the meter angle may be deformed or damaged,

the main unit may malfunction, or you may be injured if the unit falls.

•This unit is heavy. Use two or more people to carry it.

•When you transport or move the DM2000 with the MB2000 attached, do not permit

impact or stress on the cable connector that connects the MB2000 to the DM2000. Other-

wise, malfunction may occur.

•To relocate the unit, turn the power switch off, remove the power plug from the AC outlet,

and remove all connecting cables. Damaged cables may cause ﬁre or electrical shock.

•If you know you will not use this unit for a long period of time, such as when going on vaca-

tion, remove the power plug from the AC outlet. Leaving it connected is a potential ﬁre haz-

ard.

•The inside of the unit should be cleaned periodically. Dust accumulation inside the unit

may cause malfunction and is a potential ﬁre hazard. Consult your dealer for information

about cleaning.

•To prevent electrical shock when cleaning the unit, remove the power plug from the AC out-

let.

Operating Notes

• XLR-type connectors are wired as follows: pin 1–ground, pin 2–hot (+), and pin 3–cold (–).

•Insert TRS phone jacks are wired as follows: sleeve–ground, tip–send, and ring–return.

•The performance of components with moving contacts, such switches, rotary controls, fad-

ers, and connectors, deteriorates over time. The rate of deterioration depends on the oper-

ating environment and is unavoidable. Consult your dealer about replacing defective

components.

•Using a mobile telephone near this unit may induce noise. If noise occurs, use the telephone

away from the unit.

•If the message “WARNING Low Battery!” appears when you turn on this unit, contact your

dealer as soon as possible about replacing the internal data backup battery. The unit will still

operate correctly, but data other than the presets will be lost.

•Before replacing the batteries, back up your data to a memory card, or another unit by using

MIDI Bulk Dump.

•The digital circuits of this unit may induce a slight noise into nearby radios and TVs. If noise

occurs, relocate the affected equipment.

•When connecting D-sub cables, be sure to tighten the screws on both sides of the connector

securely. To disconnect the cable, loosen the screws completely, then remove the cable by

holding the connector part. Do not remove the plug by pulling the cable while the screws

are still attached. Otherwise, the connector may be damaged, leading to malfunction.

•When you change the wordclock settings on any device in your digital audio system, some

devices may output noise, so turn down your power amps beforehand, otherwise your

speakers may be damaged.

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DM2000—Owner’s Manual

SmartMedia Handling Precautions

•The CARD slot is for use with SmartMedia only. Never attempt to insert any other type of

storage media.

•Use only SmartMedia of the type speciﬁed in this

Owner’s Manual

.

•Store SmartMedia in a place free from extreme temperatures, humidity, dust, and dirt.

•Always store SmartMedia in its original case.

•Write only on the designated area.

•When handling SmartMedia, be careful not to touch the gold contacts. Fingerprints,

smudges, scratches, or dirt can affect performance.

• Fingerprints and dust should be removed by wiping gently using a soft, dry cloth. Do not

use benzene, thinner, cleaning detergent, or a chemical cloth.

•If SmartMedia is stored in a cold place (e.g., overnight in a car), and then moved to a

warmer environment, or if the temperature rises sharply, condensation may form on the

surface, which may affect performance. In this case, the SmartMedia should be allowed to

acclimatize for about one hour before use.

•Insert SmartMedia carefully into the CARD slot, with the gold contacts facing upward.

•Do not bend or twist SmartMedia.

•Do not under any circumstances attempt to use SmartMedia that is cracked or warped.

Doing so may seriously damage the CARD slot.

•Do not remove SmartMedia while saving or loading data. Doing so may cause data lose.

• Data stored on SmartMedia can be protected against inadvertent overwriting by attaching

a write-protect sticker (supplied with SmartMedia).

Interference

The DM2000 uses high-frequency digital circuits that may cause interference on radio and

television equipment located nearby. If interference is a problem, relocate the affected

equipment. Using a mobile telephone near the unit may induce noise. In this case use the

telephone away from the unit.

DM2000 Exclusion of Certain Responsibility

Manufacturer, importer, or dealer shall not be liable for any incidental damages including

personal injury or any other damages caused by improper use or operation of the DM2000.

Trademarks

ADAT MultiChannel Optical Digital Interface is a trademark and ADAT and Alesis are reg-

istered trademarks of Alesis Corporation. Apogee is a trademark of Apogee Electronics, Inc.

Apple, Mac, and Power Macintosh are registered trademarks and Mac OS is a trademark of

Apple Corporation, Inc. HUI is a trademark of Mackie Designs, Inc. Intel and Pentium are

registered trademarks of Intel Corporation. Nuendo is a registered trademark of Steinberg

Media Technologies AG. Pro Tools is a trademark or registered trademark of Digidesign

and/or Avid Technology, Inc. SmartMedia is a trademark of Toshiba, Corp. Sony is a regis-

tered trademark of Sony Corporation, Inc. Tascam Digital Interface is a trademark and Tas-

cam and Teac are registered trademarks of Teac Corporation. Microsoft and Windows are

registered trademarks of Microsoft Corporation, Inc. Waves is a trademark of Waves, Inc.

Yamaha is a trademark of Yamaha Corporation. All other trademarks are the property of

their respective holders and are hereby acknowledged.

Copyright

No part of the DM2000, its software, or this

Owner’s Manual

may be reproduced or distrib-

uted in any form or by any means without the prior written authorization of Yamaha Cor-

poration.

iv

DM2000—Owner’s Manual

Yamaha Web Site

Further information about the DM2000, related products, and other Yamaha professional

audio equipment is available on the Yamaha Professional Audio Web site at:

<http://www.yamahaproaudio.com/>.

Package Contents

• DM2000 Digital Production Console

• CD-ROM

•Power cord

•This manual

Optional Extras

• MB2000 Peak Meter Bridge

• SP2000 Wooden Side Panels

•LA1800 Light Gooseneck

• mini YGDAI I/O cards

About this Owner’s Manual

This

Owner’s Manual

covers the DM2000 Digital Production Console.

All the information you need in order to operate the DM2000 Digital Production Console

is contained in this manual. Use the table of contents to familiarize yourself with the man-

ual’s organization and to locate tasks and topics, and use the index to locate speciﬁc infor-

mation. Before diving in, it’s recommend that you read the “Operating Basics” chapter,

starting on page 35.

Each chapter of this manual discusses a speciﬁc section or function of the DM2000. The

Input and Output Channels are explained in the following chapters: “Input Channels,” “Bus

Outs,” “Aux Sends,” “Matrix Sends,” and “Stereo Out.” Where possible, these chapters have

been organized in order of signal ﬂow, from input through to output.

Functions such as EQ and Delay are common to all channels. Rather than repeat the same

information over and over, these functions are explained once in the “Common Channel

Functions” chapter, which starts on page 103. The Input Channels, Bus Outs, Aux Sends,

Matrix Sends, and Stereo Out chapters contain cross-references to the relevant sections of

the “Common Channel Functions” chapter.

Conventions Used in this Manual

The DM2000 features two types of button: physical buttons that you can press (e.g., ENTER

and DISPLAY) and buttons that appear on the display pages. References to physical buttons

are enclosed in square brackets, for example, “press the [ENTER] button.” References to dis-

play page buttons are not emphasized, for example, “press the ENTER button.”

Display pages can be selected by using the [DISPLAY] buttons or the Left Tab Scroll, Right

Tab Scroll, and F1–4 buttons below the display. In order to simplify explanations, only the

[DISPLAY] button method is mentioned in the procedures. See “Selecting Display Pages”

on page 36 for details on all the ways in which pages can be selected.

Installing the DM2000

The DM2000 should be placed on a strong and stable surface, somewhere that complies

with the warnings and cautions listed in the previous sections.

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DM2000—Owner’s Manual

Contents

1 Welcome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1

2 Control Surface & Rear Panel . . . . . . . . . . . . . . . . . 4

Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

3 Operating Basics . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Connecting the Power Cord . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Turning On & Off the DM2000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

About the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Selecting Display Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Display History . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Display Page Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Parameter Windows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Confirmation Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Title Edit Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Using a Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Channel Strip Displays . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

Selecting Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Selecting Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Selecting Fader Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Selecting Encoder Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Assigning Parameters to the ENCODER MODE Assign Buttons . . . . . . . . . . . . . 46

4 Analog I/O & the AD Input Section . . . . . . . . . . . 48

AD Input Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Control Room Monitor Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Studio Monitor Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Omni Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

2TR Analog INs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

5 Digital I/O & Cascading . . . . . . . . . . . . . . . . . . . . 50

Wordclocks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

2TR Digital Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

2TR Digital Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

2TR In/Out Sampling Rate Conversion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

Slot I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Dithering Digital Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Monitoring Digital Input Channel Status . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

Cascading Consoles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

6 Input & Output Patching . . . . . . . . . . . . . . . . . . . 61

Input Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61

Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

Naming Input & Output Ports . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66

Patch Select Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67

Patching with the Encoders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67

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DM2000—Owner’s Manual

7 Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

Patching Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

Metering Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

Reversing the Signal Phase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

Gating Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69

Attenuating Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70

EQ’ing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70

Grouping Input Channel EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

Input Channel Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

Compressing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

Grouping Input Channel Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72

Delaying Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72

Muting Input Channels (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72

Grouping Input Channel Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Setting Input Channel Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74

Grouping Input Channel Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74

Routing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75

Panning Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76

Using Surround Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

Sending Input Channels to Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80

Soloing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

Direct Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

Pairing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

Using MS Decoding . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

Viewing Input Channel Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

Copying Input Channel Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

Naming Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

8 Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Stereo Out Connectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Patching the Stereo Out to Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Routing Input Channels to the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Sending Bus Outs to the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Metering the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Monitoring the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Attenuating the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

EQ’ing the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Grouping Master EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Stereo Out Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Compressing the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83

Grouping Master Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83

Muting the Stereo Out (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83

Grouping Master Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83

Setting the Stereo Out Level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83

Grouping Master Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83

Sending the Stereo Out to the Matrix Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83

Balancing the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84

Delaying the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84

Inserting GEQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84

Viewing Stereo Out Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84

Copying Stereo Out Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84

Naming the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84

vii

DM2000—Owner’s Manual

9 Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

Patching Bus Outs to Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

Routing Input Channels to Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

Metering Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

Monitoring Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

Attenuating Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

EQ’ing Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

Grouping Master EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

Bus Out Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

Compressing Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

Grouping Master Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

Muting Bus Outs (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

Grouping Master Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

Setting Bus Out Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

Grouping Master Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

Sending Bus Outs to Matrix Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

Delaying Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

Inserting GEQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

Soloing Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

Pairing Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

Sending Bus Outs to the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Viewing Bus Out Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Copying Bus Out Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Naming Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

10 Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

Patching Aux Send Masters to Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

Setting the Aux Send Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

Pre-Fader or Post-Fader Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

Setting Aux Send Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Muting Aux Sends (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Aux Send Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Viewing Aux Send Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Panning Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

Metering Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Monitoring Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Attenuating Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

EQ’ing Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Grouping Master EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Aux Send Master Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Compressing Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Grouping Master Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Muting Aux Send Masters (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Grouping Master Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Settings Aux Send Master Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Grouping Master Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Sending Aux Sends to Matrix Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Delaying Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Inserting GEQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Soloing Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Pairing Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Viewing Aux Send Master Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Copying Aux Send Master Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

Naming Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96

viii

DM2000—Owner’s Manual

11 Matrix Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97

Patching Matrix Send Masters to Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97

Pre-Fader or Post-Fader Matrix Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97

Setting Matrix Send Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97

Muting Matrix Sends (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98

Matrix Send Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98

Panning Matrix Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99

Viewing Matrix Send Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99

Metering Matrix Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100

Monitoring Matrix Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100

Attenuating Matrix Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100

EQ’ing Matrix Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100

Grouping Master EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100

Matrix Send Master Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100

Compressing Matrix Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100

Grouping Master Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101

Muting Matrix Send Masters (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101

Grouping Master Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101

Setting Matrix Send Master Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101

Grouping Master Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101

Balancing Matrix Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101

Delaying Matrix Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

Soloing Matrix Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

Inserting GEQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

Viewing Matrix Send Master Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

Copying Matrix Send Master Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

Naming Matrix Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102

12 Common Channel Functions . . . . . . . . . . . . . . . . 103

Metering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103

Attenuating Signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Using EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

Grouping Output Channel EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110

Using Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111

Compressing Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113

Grouping Output Channel Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116

Delaying Channel Signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117

Soloing Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118

Pairing Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120

Grouping Output Channel Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122

Grouping Output Channel Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

Viewing Channel Parameter Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124

Viewing Channel Fader Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125

Copying Channel Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129

Naming Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130

13 Monitoring & Talkback . . . . . . . . . . . . . . . . . . . . . 132

Control Room Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132

Studio Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133

Surround Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134

Using Talkback & Slate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138

ix

DM2000—Owner’s Manual

14 Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139

About the Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139

General Library Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139

Channel Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140

Input Patch Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141

Output Patch Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141

GEQ Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142

Effects Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142

Bus to Stereo Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143

Gate Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144

Comp Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145

EQ Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146

Automix Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147

Surround Monitor Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147

15 Internal Effects, Plug-Ins & GEQs . . . . . . . . . . . . . 148

About the Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148

Patching Effects Processors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148

Preset Effects & Types . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148

Editing Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150

About Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152

Configuring Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152

Editing Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153

About the GEQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155

Editing GEQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155

16 Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . 157

About Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157

Auto Scene Memory Update . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158

Storing & Recalling Scenes with the SCENE MEMORY Buttons . . . . . . . . . . . . . 159

Using the Scene Memory Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160

Fading Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161

Recalling Scenes Safely . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162

Sorting Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163

17 Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164

About Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164

What’s Recorded in an Automix? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164

Automix Main Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165

AUTOMIX Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168

Channel Strip [AUTO] Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169

Automix Memory Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169

Fader Edit Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170

Selecting the Timecode Source & Frame Rate . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171

Creating a Time Signature Map . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172

Recording an Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172

Rerecording Events . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173

Parameter Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174

Punching In & Out Individual Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175

Playing Back an Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176

Editing Events Offline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177

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DM2000—Owner’s Manual

18 MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182

MIDI & the DM2000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182

MIDI I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182

MIDI Port Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183

MIDI Channel Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184

Assigning Scenes to Program Changes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185

Assigning Parameters to Control Changes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186

Controlling Parameters by Using Parameter Changes . . . . . . . . . . . . . . . . . . . . . 186

Using Bulk Dump . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187

19 Pro Tools Remote Layer . . . . . . . . . . . . . . . . . . . . 188

Configuring Windows Computers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188

Configuring Macintosh Computers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188

Configuring the DM2000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188

Configuring Pro Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189

Control Surface Operation with the Pro Tools Remote Layer . . . . . . . . . . . . . . . 190

Scrolling Windows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203

Selecting Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203

Assigning Inputs to Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203

Assigning Outputs to Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204

Setting Channel Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204

Muting Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205

Panning Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205

Soloing Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205

Assigning Send Destinations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206

Configuring Sends as Pre or Post . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206

Setting Send Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207

Muting Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207

Panning Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207

Flip Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208

Assigning Inserts/Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209

Editing Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210

Bypassing Individual Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211

Bypassing all Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211

Resetting Faders, Sends, Panpots & Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212

Navigating the Edit Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212

Zooming . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213

Making Fine Adjustments to the Selected Region . . . . . . . . . . . . . . . . . . . . . . . . . 213

Scrub & Shuttle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214

Automation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215

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DM2000—Owner’s Manual

20 Remote Control . . . . . . . . . . . . . . . . . . . . . . . . . . . 217

About Remote Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217

Assigning Targets to Remote Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217

Configuring User Defined Remote Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218

Using User Defined Remote Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219

About Machine Control (MMC & P2) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220

Configuring Machines . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220

Configuring the REMOTE Port . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221

Transport Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221

Using Shuttle & Scrub . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222

Using the Locator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222

Setting the Locate Memories, Pre-roll, Post-roll & Roll-back . . . . . . . . . . . . . . . . 224

Arming Machine Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225

Configuring MTR Track Arming . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 226

Configuring Master Track Arming . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 226

Configuring Track Arming Groups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 227

GPI (General Purpose Interface) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 228

Controlling AD824 A/D Converters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 229

21 Other Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . 230

Using the User Defined Keys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 230

Saving DM2000 Data to SmartMedia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 231

Setting Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 234

Using the Oscillator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238

Checking the Battery . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238

Initializing the DM2000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239

Appendix A: Parameter Lists . . . . . . . . . . . . . . . . . . . . 240

USER DEFINED KEYS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 240

USER DEFINED KEYS Initial Assignments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242

Input Patch Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242

Initial Input Patch Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246

Output Patch Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247

Initial Output Patch Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 255

Initial Input Channel Names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 256

Initial Output Channel Names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 257

Initial Input Port Names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 258

Initial Output Port Names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 260

GPI Trigger Source List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 261

Effects Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 264

Preset EQ Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 292

Preset Gate Parameters (fs = 44.1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 296

Preset Compressor Parameters (fs = 44.1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . 296

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DM2000—Owner’s Manual

Appendix B: Specifications . . . . . . . . . . . . . . . . . . . . . 301

General Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 301

Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 307

Indicators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 309

Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 310

Analog Input Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 311

Analog Output Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 311

Digital Input Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 312

Digital Output Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 312

I/O Slot Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 313

Control I/O Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 313

Connector Pin Assignments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 314

Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 316

Appendix C: MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . 317

Scene Memory to Program Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 317

Initial Parameter to Control Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 318

MIDI Data Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 319

Format Details . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 319

Appendix D: Options . . . . . . . . . . . . . . . . . . . . . . . . . 333

MB2000 Peak Meter Bridge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 333

SP2000 Wooden Side Panels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 335

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 336

Welcome

1

DM2000—Owner’s Manual

1 Welcome

Thank you for choosing the Yamaha DM2000 Digital Production Console.

Designed with production in mind, the DM2000 Digital Production Console offers

24-bit/96 kHz digital audio processing without compromise, comprehensive surround

mixing and monitoring, including bass management and down mixing, and hands-on con-

trol of popular DAW (Digital Audio Workstation) systems.

Sonic Spec

• Linear 24-bit, 128-times oversampling A/D converters

• Linear 24-bit, 128-times oversampling D/A converters

• 20 Hz–40 kHz (0.5, –1.5 dB) frequency response at 96 kHz sampling rate

• 108 dB typical dynamic range (AD Input to Stereo Out)

• 32-bit internal signal processing (58-bit accumulator)

Channel Architecture

• 96 Input Channels, with Direct Outs

•8 Bus Outs, with to Stereo Out routing for subgrouping

• 12 Aux Sends

•4 stereo Matrix Sends (22 x 8 matrix)

•Stereo Out

•Channels can be named for easy identiﬁcation

•Channel library with 127 user memories

•Copy and paste channel settings

I/O Architecture

• 24 analog mic/line inputs on balanced XLRs and phone jacks (plus 48 V phantom)

• 24 analog inserts on individual in/out phone jacks

• 48 inputs, 48 outputs via six mini-YGDAI slots and optional I/O cards, which

offer a variety

of analog and digital I/O options, with support for all the popular digital audio inter-

connect formats, including AES/EBU, ADAT, Tascam TDIF-1, and mLAN.

•8 assignable Omni outputs

•2 AES/EBU, 1 Coaxial 2-track digital input

•2 AES/EBU, 1 Coaxial 2-track digital output

•2 analog 2-track inputs

• XLR and phone jack stereo outputs

• Large and small control room outputs

•Dedicated studio monitor outputs

• AES/EBU and Coaxial I/O sampling rate converters for connecting 44.1/48 kHz legacy dig-

ital audio equipment

•Double channel digital I/O for use with legacy 44.1/48 kHz multitrack recorders

•Cascade ports for cascading up to four DM2000s (i.e., 384 Input Channels)

2

Chapter 1—Welcome

DM2000—Owner’s Manual

I/O Patching

•Any available input port can be patched to the Input Channels, Insert Ins, or Effects inputs

•Direct Outs, Insert Outs, Bus Outs, Aux Sends, Matrix Sends, and the Stereo Out can be

patched to any output port

•Input and output ports can be named for easy identiﬁcation

•Patches can be stored in the Input and Output Patch libraries

EQ & GEQ

•4-band parametric EQ on all Input and Output Channels

• EQ library with 40 presets, 160 user memories

•Six 31-band graphic equalizers that can be patched into Output Channels

• GEQ library with 128 user memories

Groups & Pairs

•Horizontal and vertical pairing of Input Channels

•Horizontal pairing of Bus Outs, Aux Sends, and Surround Pan

•8 Input Channel, 4 Output Channel Fader groups

•8 Input Channel, 4 Output Channel Mute groups

•4 Input Channel, 4 Output Channel EQ groups

•4 Input Channel, 4 Output Channel Compressor groups

Effects

•8 internal effects processors

• Effects library with 52 presets, 76 user memories

•Multichannel effects for surround sound processing

•Joystick control of early reﬂections and reverb with the Reverb 5.1 effect

•Optional Waves 56K effects plug-in card

•User deﬁned plug-ins for external effects control via MIDI, with Learn function

Dynamics

• Gates on all 96 Input Channels

• Gate library with 4 presets, 124 user memories

•Compressors on all Input Channels and Out Channels (126 in total)

•Compressor library with 36 presets, 92 user memories

Automation

•Dynamic automation of virtually all mix parameters, with 1/4-frame accuracy

•Automix library with 16 memories

•Snapshot style automation with 99 Scene memories, recallable via MIDI or Automix

•Individual fade time settings for all Input and Output faders

•Scene and library recalls

•Punch in/out entire channels with dedicated [AUTO] buttons, or individual parameters

• Editing fader moves with Fader Return, Fader Takeover, Absolute/Relative modes

• Ofﬂine event editing includes, erase, copy, move/merge, trim, duplicate, delete, and insert

Welcome

3

DM2000—Owner’s Manual

Surround Sound

•3-1 and 5.1 Surround modes

•Joystick control

•Bass management

•Down mixing

•Surround monitor speaker alignment functions

•Surround monitor library with 32 user memories

Remote Control

•Control and manage your DM2000 from your Mac or PC by using the bundled Studio

Manager software

•Remote Layers for external equipment control, including predeﬁned targets for controlling

DAW systems, and user deﬁned targets for controlling MIDI equipment, with Learn func-

tion

•Comprehensive machine control via MMC or P2, including transport, track arming,

jog/shuttle, and built-in locator with eight Locate memories, all with independent control

of master and MTR machines

•Assignable GPI (General Purpose Interface) port for external control and “Recording” light

•Remote control of head amps and phantom on up to 12 Yamaha AD824 A/D Converters

MIDI

• Standard MIDI ports, USB TO HOST port, SERIAL TO HOST port, or mLAN MIDI I/O

• USB, SERIAL, and mLAN offer multiport operation

•Scene recall, mix parameter control, Bulk Dump, MTC and MIDI Clock for Automix syn-

chronization, MMC for external machine control

Control Surface

• 25 touch-sensitive 100-mm motorized faders (touch sense used to select channels or punch

faders in/out during Automix recording)

•Use the faders to set channel levels or Aux/Matrix Send levels

•Use the 24 Encoders to control Pan, Aux/Matrix Send levels, or user assigned parameters

•Channels arranged into four Input Layers, Master Layer, and four Remote Layers

• 320 x 240 dot LCD display with ﬂuorescent backlight

•Fluorescent channel strip displays, showing channel names, Encoder status, routing, etc

•Complete hands-on control of all channel functions via the SELECTED CHANNEL section

•2-digit Scene memory display

•4 EQ displays for frequency, gain, and Q

• 16 user-deﬁnable buttons make light work of repetitive tasks

•Display History buttons for quick access to recently viewed display pages

•SmartMedia card slot for Automix, Scene, library, and setup data storage and transfer

•Optional PS/2-compatible keyboard for quick title entry

4

Chapter 2—Control Surface & Rear Panel

DM2000—Owner’s Manual

2 Control Surface & Rear Panel

Control Surface

CH01 CH02 CH03 CH04 CH05 CH06 CH07 CH08 CH09 CH10 CH11 CH12 CH13 CH14 CH15 CH16 CH17 CH18 CH19 CH20 CH21 CH22 CH23 CH24

ROUTING

12

34

56

78

STEREOFOLLOW PAN DIRECT

GATE ON COMP ON

GATE

COMP

RANGE

RATIO

ATT ACK

DECAY

RELEASETHRESHOLD

THRESHOLD HOLD

LINK GRAB EFFECT

L

EVEN

R

L

R

EQUALIZER

CHANNEL

COPY

PASTE

EQ ON

AT T.

dB

Hz

kHz

LOW

SELECTED CHANNEL

PHASE / INSERT

INSERT ON

AUX/MATRIX SEND

DELAY

ON

TIME

FB

MIX

LEVEL

ON

LEVEL

ON

LEVEL

ON

LEVEL

ON

AUX 1 /MATRIX 1

AUX 5

AUX 9

AUX 2 /MATRIX 2

AUX 6

AUX 10

AUX 3 /MATRIX 3

AUX 7

AUX 11

AUX 4 /MATRIX 4

AUX 8

AUX 12

DYNA MICS

PAN/SURROUND

HIGH

BANK

GATE / COMP

GAIN

Q

FREQUENCY

dB

Hz

kHz

GAIN

Q

FREQUENCY

dB

Hz

kHz

GAIN

Q

FREQUENCY

dB

Hz

kHz

GAIN

Q

FREQUENCY

TALKBACK LEVEL

1

2

3

4

5

6

78

PAD

11

12 13 14 15

16

910 21 22 23 24

17

18 19 20

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

PHONES

LEVEL

PHONES

STUDIO

LEVEL

010

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SOLO

SEL

AUTO

ON

SEL

INC

STUDIO

CONTROL

ROOM

STEREO

AUX 11 AUX 12

CONTROL ROOM

SOLO

CLEAR

SOLO CONTRAST

2TR D1 2TR A1

2TR D2 2TR A2

2TRD3STEREO

ASSIGN 1 ASSIGN 2

DIMMER

SMALL

MONO

SURROUND

MONITOR LEVEL

SLATE

TALKBACK

REMOTE 1

REMOTE 2

REMOTE 3

REMOTE 4

LAYER

STEREO

MONITOR

STEREO

REC

REW

FF STOP PLAY

AUTO

ENTER

CONTROL ROOM LEVEL

DEC

DATA DIO SETUP UTILITY

MIDI REMOTE METER VIEW

PAI R GROUP INPUT

PATCH

OUTPUT

PATC H

DISPLAY ACCESS

INTERNAL

EFFECTS

1234

5678

F1 F2 F3

F4

1234

CARD

3.3V

CHANNEL

INSERTS

BUS

GRAPHIC

EQUALIZERS

TALKBACK

USER DEFINED KEYS

STORERECALL

SCENE MEM ORY

OVERWRITE

AUTOMIX

ABCD

MASTERALL CLEAR

12 45678

910 12131415

16

21 22 23 2417 18 2019

TRACK ARMING

TRACK ARMING GROUP

BACK FORWARD

SHUTTLE

DISPLAY HISTORY

SCRUB

12345678

910111213141516

FADER ON

PAN

EQAUX AUX

ON

ENABLE

REC ABORT/

UNDO

AUTO-

REC

RETURN

RELATIVE

TOUCH

SENSE

AUX 2AUX 1 AUX 3 AU X 4

AUX 6AUX 5 AUX 7

AUX 10AUX 9 AUX 11

AUX 8

AUX 12

AUX SELECT

AUX / MTRX

FADER

PAN

ASSIGN 4ASSIGN 3

MATRIX SELECT

DISPLAY

MATRIX2 MATRIX 4MATRIX 3

SUSPEND WRITE TOUCH LATCH READ TRIM OFF

ASSIGN 2ASSIGN 1

PAN SENDLEVEL

INSERTSEND ASSIGNOUTPUTINPUT

MASTER

ODD

11

PLUG INS

EFFECTS / PLUG INS

50

40

30

20

15

10

5

0

5

87654321

MATRIX1

910111213141516 1718192021222324

87654321 910111213141516 1718192021222324

HIGH MIDLOW MID

124

25 48

49 72

73 96

010

STEREO

SURROUND

3

LOCATE MEMORY

LOCATOR

12345678

ONLINE

AUDITION

LOOP

MASTER

PRE POST

ROLL

BACK

IN OUT MTR

END QUICK

PUNCH

REHEARSAL

SET

RETURN

TO ZERO

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

50

40

30

20

15

10

5

0

5

70

60

50

40

30

20

15

10

5

0

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

SMALL

TRIM

0010

70

60

50

40

30

20

15

10

5

0

ENCODER MODE

FADER MODE

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

+

48V

100

SURROUND

00

10.04.001.00125

AD Input Section (p. 5)

Channel strips (p. 5)

LOCATOR

(p. 21)

SmartMedia

CARD Slot (p. 6)

MATRIX SELECT

(p. 6)

AUX SELECT

(p. 7)

ENCODER

MODE (p. 7)

FADER MODE

(p. 8)

DISPLAY ACCESS (p. 8)

EFFECTS/PLUG-INS

(p. 9)

Display Section (p. 11)

SELECTED CHANNEL Section (p. 12)

LAYER (p. 18)

STEREO (p. 18)

TRACK ARM-

ING (p. 19)

Data Entry &

Transport (p. 23)

Monitor, Phones &

Talkback Section

(p. 25)

MONITOR Sec-

tion (p. 26)

SCENE MEM-

ORY (p. 19)

AUTOMIX

(p. 20)

USER DEFINED

KEYS (p. 21)

CHANNEL COPY (p. 17)

Control Surface

5

DM2000—Owner’s Manual

AD Input Section

AD Input #1 is shown here.

A

+48V ON/OFF switches

These switches turn on and off the +48 V phantom power feed to each INPUT A

(XLR-type connector). Phantom power is typically used to power condenser-type

microphones or direct boxes. See “Phantom Power” on page 48 for more information.

B

PAD switches

These switches turn on and off the 26 dB pad (attenuator) for each AD Input. See

“Pad” on page 48 for more information.

C

GAIN controls

These controls adjust the gain of the AD Input Head Amps. They have an input sensi-

tivity of –16 dB to –60 dB or +10 dB to –34 dB when Pad is on. See “Gain” on page 48

for more information.

D

PEAK indicators

These indicators light up when the input signal level is 3 dB below clipping. See “PEAK

& SIGNAL Indicators” on page 48 for more information.

E

SIGNAL indicators

These indicators light up when the input signal level is 20 dB below nominal. See

“PEAK & SIGNAL Indicators” on page 48 for more information.

F

INSERT ON/OFF switches

These switches are for turning on and off the AD Input inserts. See “AD Inserts” on

page 49 for more information.

Channel strips

Channel strip #1 is shown here.

The function of each channel strip depends on the currently selected Layer. See

“Selecting Layers” on page 42 for more information.

A Encoders

These controls are used to edit Input and Output Channel parameters. Their exact

operation depends on the currently selected Encoder mode and Layer. There are two

preset Encoder modes, Pan and Aux/Mtrx, and four assignable modes, with over 40

parameters to choose from. See “Selecting Encoder Modes” on page 45 for more

information.

The Encoders feature push switches that are used to punch the parameter currently

assigned to the Encoders in and out during Automix recording. See “Punching In &

Out Individual Parameters” on page 175 for more information.

B AUTO buttons

These buttons are used to set Automix recording and playback for each channel.

Their exact operation depends on the currently selected Layer. Their indicators light

up orange in Record-Ready mode, red while recording, and green during playback.

See “Channel Strip [AUTO] Buttons” on page 169 for more information.

C SEL buttons

These buttons are used to select Input and Output Channels for editing with the

SELECTED CHANNEL section. Their exact operation depends on the currently

selected Layer. The [SEL] button indicator of the currently selected channel lights up.

See “Selecting Channels” on page 43 for more information. They are also used to dis-

play the Long channel names. See “Channel Names” on page 41 for more informa-

tion. The [SEL] buttons can also be used to pair channels, and to add and remove

channels to and from the EQ, Comp, Fader, and Mute groups.

1

PAD

ON

OFF

ON

26dB

-16

-60

GAIN

PEAK

SIGNAL

INSERT

+

48V

1

2

3

4

5

6

CH01

ON

SOLO

SEL

AUTO

1

30

20

15

10

5

0

5

50

40

30

20

15

10

5

0

1

2

3

4

5

6

7

6 Chapter 2—Control Surface & Rear Panel

DM2000—Owner’s Manual

D SOLO buttons

These buttons are used to solo Channels. The [SOLO] button indicators of channels that

are soloed light up. See “Soloing Channels” on page 118 for more information.

E ON buttons

These buttons are used to mute Input and Output Channels. Their exact operation depends

on the currently selected Layer. The [ON] button indicators of channels that are on light up.

F Channel strip displays

These ﬂuorescent displays graphically display the value of the Input or Output Channel

parameter currently assigned to the Encoders. They also display routing settings, and the

on/off status of the EQ, Insert, Delay, Comp, and Gate functions. They also display Long

and Short channel names and indicate the currently selected channel. See “Channel Strip

Displays” on page 39 for more information.

G Channel faders

These 100 mm touch-sensitive motorized faders are used to set the levels of Input Channels,

Bus Outs, Aux Sends, and Matrix Sends. Their exact operation depends on the currently

selected Fader mode and Layer. See “Selecting Fader Modes” on page 44 for more informa-

tion. Faders can be grouped for simultaneous operation. See “Grouping Input Channel

Faders” on page 74 and “Grouping Output Channel Faders” on page 122 for more informa-

tion.

Faders can also be used to select Input and Output Channels. See “Auto Channel Select &

Touch Sense Select” on page 44 for more information. They can also be used to punch chan-

nels in and out during Automix recording. See “Punching In & Out Individual Parameters”

on page 175 for more information.

SmartMedia CARD Slot

This CARD slot is for use with SmartMedia (3.3 V), which can be

used to store DM2000 data, including Setups, Scenes, Automixes,

Libraries, and so on. See “Saving DM2000 Data to SmartMedia” on

page 231 for more information.

MATRIX SELECT

A MATRIX SELECT DISPLAY button

This button is used to select the following pages: Matrix Send, Matrix Send Pan, and Matrix

View. See “Matrix Sends” on page 97 for more information.

B MATRIX 1–4 buttons

These buttons are used to select Matrix Sends when sending Bus Out, Aux Send, and Stereo

Out signals to Matrix Sends. The button indicator of the currently selected Matrix Send

lights up. See “Matrix Sends” on page 97 for more information.

CARD

3.3V

MATRIX SELECT

DISPLAY

MATRIX 2 MATRIX 4MATRIX 3

MATRIX 1

1

2

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