Polaroid Automatic 210 Instrukcja obsługi

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CONTENTS

Getting

Acquainted

I ntrod

uct i on

How to

open the camera

How to close

and cover

the

camera

Hovv to

hold the camera

How to

aim and focus

the

camera

How to focus

for

pictures

of

PeoPle

How to focus

for subjects

other

than

people

Practice

the

1, 2, 3 system

What

you

should

know

about

your film

Operation

How to load

a f ilm

Pack

How tc set

the camera

for

3O0O

speed

film

Tips

for

good

daylight

black

and white

pictures

How to set

the camera

for

75

speed

color

film

Tips for

good

daylight

color

pictures

How to

take

a

picture

How to

develop

the

Print

lf

no

yellow tab appears

Check

the

temperature!

lt's important

How to

make

prints lighter

or darker

Black

and white

prints must be coated

How to

use

the Cold-Clip

with

color f

ilm

Troublesome

lighting

situations

to avoid

Using

3OOO

speed

black

and

white film

in

dim daylight

.

Miscellaneous

You

must

take

care

of

Your

camera

Flash

pictures

Some

helpful

accessories

Copies

and

enlargements

Plcture

troubles,

their

cause

and cure

Protect f

ilm

and camera

f

rom

heat

Where

to

write for

information

Warranty

List of repair

stations

4

5

6

7

B

9

10

1i

I2

13

16

I7

18

19

20

22

35

36

37

41

4I

42

24

25

26

z/

2A

30

31

32

34

2LO

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View/rangef

inder

Shutter release

Rangef

inder

pushbutton

Small

white

tab

slot

Large

yellow

tab slot door

2-efement lens,

l14mm.,

t18.8

Lighten/darken

control

Shutter

cocking

lever

I

Battery

compartment

Rangef inder

pushbutton

Film

Selector

Electric eye

Flash outlet

(flashbulbs

only)

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HOW

TO GET

THE

MOST OUT OF THIS

CAMERA

Before

you

load

your

camera

with film,

please

be sure

to

read carefully

the first two sections in this booklet:

Getting

Acquainted, and Operation

(the

pages

with colored edges).

As

you

read

the text and look at the

pictures, go

through

all the

motions

of

using the camera

-

without

film. Then

you'll

be completely familiar

with

it

before

you

make

your

first

picture.

This is

one of the world's easiest-to-use

cameras, once

you

understand a

few

simple techniques. However,

it

is

very important that

you

learn the basic operating

steps or

you're

bound to waste

film

and money

and be disappointed

with

your picture

results.

Once

you

get

the simple operating routine

down

pat,

load

a film

pack.

We suggest that

you

start with 3000

speed

black and white film.

Please

remember that even

the finest

camera

and film need some help

from the

photographer

if

they are to

prod

uce

good

pictures.

That help can be summed

uD

in one

sentence:

Plan and

think before

you

shoot.

As a

quick guide

to help

you get

a

good

picture

every time,

here are some helpful

hints.

They're

important.

1.

Always

have

the light

on the

subject coming from

behind

you.

For

best color

pictures

place your

subjects in

bright

sunshine.

2. Move in close,

to

get

a big

image

in the

print.

3. Focus carefully,

to

get

sharp

pictures.

4. Ghoose colorful

subjects

for

your

color

pictures.

5. Pick a

good

background, particularly

with

flash.

6. Pull the tabs

correctly.

7.

Time development

carefully.

8.

Keep an

eye on the

temperature.

As

you go

through

this booklet

you'll

find these

points

explained in detail.

They can

make the difference

between

getting good pictures

and

poor

ones.

I

.I

2Lo

4

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HOW TO OPEN THE

CAMERA

{J'

W

4.

Raise

button No. l;

this

unlocks camera front.

5.

Pull

GETTING

ACQUAINTED

2. You can

let

cover hang

down

or

to remove

it,

push

spring

(A)

and lift.

camera front

out as

far

as it will

go.

PHOTO

5, ImPORTANT: Be

sure to

pull

the carnera

front into

place.

lf the front

isn'i fully

out and locked,

your

prints

out until there

is a definite click and

the locking bar

(A)

snaps

will come

out all black,

or bad ly

blurred.

A

Z-...r.*^

1. To

unlatch

cover,

press

on center

of top.

2LO

This

booklet is

designed

to

fit

neatly inside

the cover,

under a

spring

clip

(photo

2).

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HOW

TO CLOSE

AND COVER

THE

CAMERA

Press

down on

the locking bar.

This

releases the f ront

of the camera. Push

the f ront in

all

the

way until

it locks.

When

storing

button;

if

it's

lf

you

have

removed

the

cover:to re-

Swing the cover

up.

Press

the top

place

it, slide the

hinge

down over the center

section under the finder

housing

lock spring until it snaps

into

place.

so it latches securely.

the camera be sure that

nothing

presses

on the

No.

2

depressed

even

slightly,

the

battery

may

be drained.

2LO

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HOLD

THE

CAMERA

HOW

TO

VERTICAL:

Grip

the

camera

as

picture,

turn

it

so

your

right

hand

against

your

forehead

and

face.

ACQUAINTED

you

would

f or

a horizontal

is below.

Brace

the

camera

H0RIZoNTAL:

Grip

the

two

ends.

prace

your

forefingers

on

the No.

I

buttons;you

can

easiry

shift

the

right

forefinger

to

the

No.

2 button.

To

steady

the

camera, press

your

eloows

rnto your

ribs;

rest

the

camera

against your

nose.

2LO

G ETTI

NG

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AIM

AND

FOCUS

THEHOW TO CAM

ERA

THIS lS

THE RANGEFINDER: Hold the

camera

horizontal

and

put

both forefingers

on the

No. l buttons, as

shown.

Place

your

eye close to the finder window and look

through

the finder at a

plain

wall, or the sky. You'll see the

pattern

shown at

right.

Push the

No. 1

buttons back

and

forth.

Notice

that one

I

line moves

up

and

down.

Also,

the diamonds

move in ano

out. Their

inner

points

outline the

picture

area.

The two

horizontal

lines are

used to

focus for

pictures

of

nearby

people,

as shown

on the oppcsite

page.

The distance

scale and arrow are

for

pictures

of scenes,

big

groups,

nearby

objects,

pets,

etc.

(see

page

i0).

2tO

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HOW

TO FOCUS

FOR

PICTURES

OF PEOPLE

GETTING

ACQUAINTED

FOR ADULTS:

Place

the

top

line

at

the

top

of

your

sub-

ject's

forehead,

and

move

the

No.

I

buttons

to

place

the

moving

line

at

the

bottom

of the

chin.

lf the

lines

won't

separate

far

enough

to

frame

the

subject

properly,

you're

too

close;

back

up

a

bit.

FOR

SMALL

CHILDREN:

lf they're

l.-3

years

old,

place

the

top line

on

top

of

the head

and

the

moving

line

at

the

bottom

of

the

chin.

with

bigger

children,

focus-in

the same

way as

for

adults.

2to

For

vertical pictures,

focus

with

the camera

horizontal,

then

turn it

to aim

and

shoot.

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HOW TO

FOR SUBJECTSFOCUS

OTHER THAN

PEOPLE

FOR PETS,

BABIES, OBJECTS:

For

pictures

of babies,

pets,

and inanimate objects

up to 20 tt. from the camera,

estimate carefully the distance from

the camera

to the sub-

iect.

Then

push

the

No. 1 buttons back

and

forth

until

the

arrow

points

to

that distance

(3r/z

'ft.

here). Do

not use

the

two white

lines in the

rangefinder

for such subjects.

10

a

FOR SCENIC

PICTURES:

For

allscenics,

and for

all

pictures

of subjects

more than 20tt.

from

the camera,

push

the

No.

1

buttons to set

the

arrow opposite

the

INF

(infinity) setting.

Do not use

the two

white

lines in

the

rangefinder;they

are

only

for

pictures

of

people

up

to

20 ft.

from

the camera.

a

2LO

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PRACTfCE

THE

t,

2,

g

SYSTEM

ONE

is

for

focusing.

Look

through

the

finder

at

someone

nearby.

plaJe

the

TWO

is

for

shooting.

practice

pressing

the No.

2

button

slowly

until

the

shutter

clicks.

In

dim

tight

hold

No.2

down

and

stay

very

still

untilyou

hear

the

second

click

as

the

shutter

closes.

Then

you

can

move

and

let No.

2 up.

GETTING

ACQUAINTED

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WHAT

YOU

SHOULD KNOW ABOUT

YOUR FILM

This

camera

uses Polaroid Land

pack

films. At

present

there

are

two: 3000

speed black and

white,

Type 107, and

75

speed

color, Type

108. There may

be

additional

types of f ilm in the f

uture.

You must know the film speed num-

ber, 3000 or 75, to set the

camera

controls correctly.

However,

if

you

forget the

n umber,

just

look at

the

f ilm instruction sheet.

The film speed number

describes

how

"fast"

(light

sensitive)

the f ilm is.

For

example, 75 speed film

is tairly

"fast" but should be used in

bright

daylight or with flash

for

good

results.

However,

3000 speed black

and

white

is 4OX

as

"fast" as75 speed

color

film,

so

you

can

make

pictures

with

it

where there isn't enough

light to use

75

speed

film. Of

course,

you

can

use 3000 speed

film

in daylight

or

with

flash, too.

The

Polaroid

film

pack

contains all

the materials to

make eight

pictures.

For

each

picture

there

is

a

piece

of

negative

film, a sheet

of

print paper,

and a thin

foil container

(the pod)

filled

with the

jelly-like

chemicals

needed

to

develop

the

picture.

After snapping the

picture,

you

start

development by the simple act

of

pull.

ing a

piece

of

paper

out of the

camera.

This drags the exposed negative, a

sheet of

print paper,

and a

pod

of

chemicals

between

two

steel

rollers.

The

pressure

of

the rollers

squashes

the

pod,

spreading the

chemicals

between the

negative and

print paper

to form

a

picture

"sandwich".

The

picture

develops outside

the

camera.

After

the recommended devel-

opment

time

you

separate the

sandwich

and there

is

your

f inished

picture.

3000

speed

black and

white

film.

Set the

camera's

film

selector to

3000.

75 speed

color

film.

Set

the

film

selector to

75.

t2

2LO

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HOW

TO

LOAD

A

FILM

PACK:

OPEN

THE

PACKAGE

A

special

request!

As

soon

as

you

open

the

will

begin

to

accumulate

There

will

be

more

when

pictures.

We

hope

that

litter

in

the

streets

or

be

the

landscape.

OPERATION

film pack

you

waste

paper.

you

develop

the

it

won't

become

scattered

around

Open

the

top

of

the

box.

With

color

film

there,s

a

set

of

mounts;

with

brack

and

white

firm

there's

a

coater.

Remove

these

and

the

instruction

sheet (prease

read

it).

puil

out

the

film

package.

Handre

it

genfly,'carefuily.

Save

the

uo*

to

carry

prints

in safery.

rt

arso

can

be

very

usefur

when

coating

black

and

white

prints.

Hold

the

package

near

the

edges.

Don,t press

hard

on

the

2to

What

to

do

with

the

waste paper?

Usuaily,

it

will

fit

into

an

empty

film

box.

Or,

if

you're

planning

to

take

lots

of

outdoor

pictures,

bring

atong

a

paper

bag

or

other

container

for

waste.

Everyone

will

appre_

ciate

this

litile

extra

effort

on

your

part.

middle

of

the

package.

Starting

at

the

corner,

tear

open

the

:,1,i:^r,-1"

of

the

palkage

atoni

ttre

OotteO

Ine.

When

the

stoe

rs

open,

rip

apart

the

front

and

back

of

the

pu"Xug".

Lift

out.the

pack.

Discard

*re

liiii" package

of

sirica

gel

supplied

with

coror

firm.

Handre

the

p-ack

by

the

edges

onry.

Always

open

the

package

and

loaa

film

in

the

shade,

not

in

direct

sunlight,

to

avoij

foggirrg

ihe

fitm.

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HOW

TO

LOAD A

FILM

PACK

(Cont.)

1.

Push the

back

door

latch;

the

door will

pop

up.

4. Push

the

pack

down into

the

camera. You'll

feel

it snap

into

place.

14

2. Open it all the

way.

Are

the

rollers

(A)

clean?

lf

not, clean them

as

described

in

the

section

on

care of

your

camera.

3.

Hold

the

film

pack

by the

edges

as

shown

and

push

the

closed end of the

pack

under

the

door

hinge against

spring tension.

firmly

to

be

sure

that

both sides

latch.

The

black

tab

of the

safety

cover

must

stick

out of the

small

slot.

lf not, reopen the

back,

lead

the

tab

out.

2LO

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Pull

the

safety

cover

all

the

way

out

of

the

camera

without

stopping.

Don,t

rrp

it.

9.

With

the

safety

cover

out,

the

white

IF

NO

WHITE

TAB

APPEARS

tab

(A)

should

stick

out

of

the

small

slot

(No.

4).

Don't pull

the white

tab.

you're

now

ready

for

the

first

picture.

l. lf

there's

no

white

tab in

the No.4

2.

0pen

the back

of

the

camera part

way

and,

without

3.

Close

the

back

of

the

camera,

making

srre-ihat

both

slot,

do

the following

in

the

shade

or

indoors,

not

in

bright

sun.

disturbing

or

moving

the

film

prik,

purt'tn,

*nit.

trn

out into

the open.

sides

are

locked

securely

and

the

whitjtab

ii

outside

in

the No.

4

slot.

2ro

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HOW

TO

SET

THE

CAMERA

FOR

3OOO

SPEED

FI

Set

the

Film Selector

as shown

for

black

and white

pictures

with

3000

speed

film.

Set

the white

dot on

the

Lighten/Darken

(L/D)

control

arrow, as shown.

This is

the

Normal

position.

2LO

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TIPS

FOR

GOOD

DAYLIGHT

BLACK

AND

WHITE

..^Us9 ,!riSht.,.

even

light,

coming

from

behind you:

place

yourself

so_the

light

on

the

.sublect

is

coming

over your

shoulder.

Don't

have

the

subject'between

Vou

jnd

the

sun.

For portraits

you'll

get

best

reiults

when

a'ciJul

otoct<s

ttre

direct

sun,

or on

an

overcast

but

bright

OuV,

orin

Lp"n

shade.

.,

For

scenic

pictures,

avo.id

high

o"u"rf,uii-"rn,

shoot

with

the

light

coming

from

benrno

you

and

from

the

side.

.Avoid

dim

light:

The

thutter

moves

slowly

and your

picture

may

be

blurred.

But

if

you

uru-r.ine'iOO0

speed

film

and

must

make

a picture

without

flash"in

dim

light,

follow

the

suggestions

on page

31.

, ry3t9h

the

background:

The

light

on

the

background,

behind your

subject,

shoutd

be

jusl

aUout

is

ilignt

as

the

llgf

t

o1

the

subject.

Don't

photogrupf,.o-uon"

in

the

shade

if the

background

is

out

in

the

op-en'anA

Orighily

lit.

Strong

light

behind

the

subject

wiit

,,fooi,,tne

eiectric

eie (page

3O).

Move

in

close:

The

bigger your

subject

is

in

the

print,

the

more

details

you'll

be

able

to

see.

f'or

scenic

picirr"",

trv

to

get

something

big

and

solid

looking

into

the

foreground

to help

fitt

the print

and

add

a

feeting

o't

Oiit-"1.

. Ii."

development

carefully:

Follow

the

recommendations

in the

film

instruction

sheet.

These

rn"V

"f,""g"

from

time

to time.

With

black

and

white

film

no

harm

is"oone

if

you

overdevelop

for a

few

extra.seconds;

in

fact,

it may

improve

some

pictures.

However,

if

you

develop

for

less

than

the

recommended

time,

your

pictures

will

be

of

poor

quatity,

with

a

gray,

washed-out

look.

.

Keep

an

eye

on

the

temperature:

Cold

weather

can

affect

the.quatity

of

your

pictures.

Be

sure

to

;";J;;;u

25,

which

.91?t;"j".,

how

the

temperature

affects

yori

pi"trr".

una

what

to

do

about

it.

lf

your

picture

is

too dark.or

too

light:

Use

the

L/D

control

as

snown

on

page

26

to

make

the

of

the

same

sub-

ject,

in

the

same

location

and

lighting

conditions,

come

out

exactly

as

you

want

it

to.

PICTURES

OPERATION

2Lo

Never

try

to

use

flash

with

daytight

pictures.

Donated to www.orphancameras.com

HOW

TO

SET

THE

CAMERA

FOR 75

SPEED

COLOR

FILM

CAM

Set

the

Film

Selector

as shown

above

for all color

pictures.

Set

the

Lighten/Darken

control

(right)

to

Normal,

as

shown,

with

this

exception.

On

some color

f ilm

packs

you'll

find a

printed

instruction

telling

you

to set

the L/D

control

one

mark

toward

Lighten

for

all

pictures

made

with that

pack. Please

follow

those

instructions,

which

may

vary f rom

pack

to

pack;

18

they

are

important.

The

new

position

of the

L/D

control

then

becomes the

Normal setting for

all daylight

pictures

made

with

that

pack.

You can

still make

your

pictures

lighter or

darker

(page

26)

with the L/D control.

lf there's

no

special

instruction on

the

pack,

set the L/D control

to

Normal

as

shown

above.

2to

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Strona jest ładowana ...

Polaroid Automatic 210 Instrukcja obsługi

Polaroid Automatic 210 Instrukcja obsługi

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