Yamaha WC42260 Instrukcja obsługi

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Kontrolery DJ
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Instrukcja obsługi

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EN
Owner’s Manual
Owner’s Manual
Keep This Manual For Future Reference.
Keep This Manual For Future Reference.
WARNING: THIS APPARATUS MUST BE EARTHED
IMPORTANT
THE WIRES IN THIS MAINS LEAD ARE COLOURED IN
ACCORDANCE WITH THE FOLLOWING CODE:
GREEN-AND-YELLOW : EARTH
BLUE : NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may
not correspond with the coloured markings identifying the terminals in
your plug, proceed as follows:
The wire which is coloured GREEN and YELLOW must be
connected to the terminal in the plug which is marked by the letter E
or by the safety earth symbol or coloured GREEN and YELLOW.
The wire which is coloured BLUE must be connected to the terminal
which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the
terminal which is marked with the letter L or coloured RED.
* This applies only to products distributed by YAMAHA KEMBLE
MUSIC (U.K.) LTD.
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC
requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST
be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with
these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with
other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may
cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all
installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the
problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on
different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in
is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer
authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service
Division, 6600 Orangethorpe Ave, Buena Park, CA 90620
The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
ADVARSEL!
Lithiumbatteri—Eksplosionsfare ved fejlagtig
håndtering. Udskiftning må kun ske med batteri
af samme fabrikat og type. Levér det brugte
batteri tilbage til leverandoren.
VARNING
Explosionsfara vid felaktigt batteribyte. Använd
samma batterityp eller en ekvivalent typ som
rekommenderas av apparattillverkaren.
Kassera använt batteri enligt fabrikantens
instruktion.
VAROITUS
Paristo voi räjähtää, jos se on virheellisesti
asennettu. Vaihda paristo ainoastaan
laitevalmistajan suosittelemaan tyyppiin. Hävitä
käytetty paristo valmistajan ohjeiden
mukaisesti.
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (mercury)
This product contains a high intensity lamp that contains a small amount of mercury. Disposal of this material may be regulated
due to environmental considerations. For disposal information in the United States, refer to the Electronic Industries Alliance web
site: www.eiae.org
NEDERLAND / THE NETHERLANDS
Dit apparaat bevat een lithium batterij voor geheugen back-up.
This apparatus contains a lithium battery for memory back-up.
Raadpleeg uw leverancier over de verwijdering van de batterij op het
moment dat u het apparaat ann het einde van de levensduur of gelieve
dan contact op te nemen met de vertegenwoordiging van Yamaha in
uw land.
•For the removal of the battery at the moment of the disposal at the end
of life please consult your retailer or Yamaha representative office in
your country.
Gooi de batterij niet weg, maar lever hem in als KCA.
Do not throw away the battery. Instead, hand it in as small chemical
waste.
(lithium disposal)
Important Information
3
DM2000 Version 2—Owner’s Manual
Important Information
Warnings
•Connect this unit’s power cord only to an AC outlet of the type stated in this Owner’s Man-
ual or as marked on the unit. Failure to do so is a fire and electrical shock hazard.
•Be sure to connect to an appropriate outlet with a protective grounding connection.
Improper grounding can result in electrical shock.
•Do not allow water to enter this unit or allow the unit to become wet. Fire or electrical shock
may result.
•Do not place heavy objects, including this unit, on top of the power cord. A damaged power
cord is a fire and electrical shock hazard. In particular, be careful not to place heavy objects
on a power cord covered by a carpet.
•Do not place a container with liquid or small metal objects on top of this unit. Liquid or
metal objects inside this unit are a fire and electrical shock hazard.
•This unit is equipped with a dedicated ground connection to prevent electrical shock.
Before connecting the power plug to an AC outlet, be sure to ground the unit. If the power
cord has a three-pin plug, it will provide sufficient grounding so long as the AC outlet is
grounded correctly.
•Do not scratch, bend, twist, pull, or heat the power cord. A damaged power cord is a fire
and electrical shock hazard.
•Do not remove the unit’s cover. You could receive an electrical shock. If you think internal
inspection, maintenance, or repair is necessary, contact your dealer.
•Do not modify the unit. Doing so is a fire and electrical shock hazard.
•If lightning begins to occur, turn off the power switch of the unit as soon as possible, and
unplug the power cable plug from the electrical outlet.
•If there is a possibility of lightning, do not touch the power cable plug if it is still connected.
Doing so may be an electrical shock hazard.
•Use only the included power cord for this unit. Using other types may be a fire and electrical
shock hazard.
•The DM2000 has six rear-panel slots for installing mini-YGDAI cards. For technical rea-
sons, certain card combinations are not supported. Before installing any cards, check the
Yamaha web site to if your card is compatible. Installing cards that are not endorsed by
Yamaha may cause electrical shock, fire, or damage to the unit.
•If the power cord is damaged (i.e., cut or a bare wire is exposed), ask your dealer for a
replacement. Using the unit with a damaged power cord is a fire and electrical shock hazard.
•If you notice any abnormality, such as smoke, odor, or noise, or if a foreign object or liquid
gets inside the unit, turn it off immediately. Remove the power cord from the AC outlet. Con-
sult your dealer for repair. Using the unit in this condition is a fire and electrical shock hazard.
Should this unit be dropped or the cabinet be damaged, turn the power switch off, remove
the power plug from the AC outlet, and contact your dealer. If you continue using the unit
without heeding this instruction, fire or electrical shock may result.
Cautions
•Keep this unit away from the following locations:
—Locations exposed to oil splashes or steam, such as near cooking stoves, humidifiers, etc.
—Unstable surfaces, such as a wobbly table or slope.
—Locations exposed to excessive heat, such as inside a car with all the windows closed, or
places that receive direct sunlight.
—Locations subject to excessive humidity or dust accumulation.
4
Important Information
DM2000 Version 2—Owner’s Manual
•Hold the power cord plug when disconnecting it from an AC outlet. Never pull the cord. A
damaged power cord is a potential fire and electrical shock hazard.
•Do not touch the power plug with wet hands. Doing so is a potential electrical shock hazard.
•This unit has ventilation holes along the front underside and at the rear to prevent the inter-
nal temperature from rising too high. Do not block them. Blocked ventilation holes are a
fire hazard. In particular, do not operate the unit while it’s on its side, is upside down, or
while it’s covered with a cloth or dust sheet.
•If you are using the optional MB2000 Peak Meter Bridge, do not hold only the MB2000
when you move the entire unit. Otherwise, the meter angle may be deformed or damaged,
the main unit may malfunction, or you may be injured if the unit falls.
•This unit is heavy. Use two or more people to carry it.
•When you transport or move the DM2000 with the MB2000 attached, do not permit
impact or stress on the cable connector that connects the MB2000 to the DM2000. Other-
wise, malfunction may occur.
•To relocate the unit, turn the power switch off, remove the power plug from the AC outlet,
and remove all connecting cables. Damaged cables may cause fire or electrical shock.
•When setting up the product, make sure that the AC outlet you are using is easily accessible.
If some trouble or malfunction occurs, immediately turn off the power switch and discon-
nect the plug from the outlet. Even when the power switch is turned off, electricity is still
flowing to the product at the minimum level. When you are not using the product for a long
time, make sure to unplug the power cord from the wall AC outlet.
•If you know you will not use this unit for a long period of time, such as when going on vaca-
tion, remove the power plug from the AC outlet. Leaving it connected is a potential fire hazard.
•The inside of the unit should be cleaned periodically. Dust accumulation inside the unit may cause
malfunction and is a potential fire hazard. Consult your dealer for information about cleaning.
•To prevent electrical shock when cleaning the unit, remove the power plug from the AC outlet.
•Do not apply oil, grease, or contact cleaner to the faders. Doing so may cause problems with
electrical contact or fader motion.
•Do not use the headphones for a long period of time at a high or uncomfortable volume
level, since this can cause permanent hearing loss. If you experience any hearing loss or ring-
ing in the ears, consult a physician.
Operating Notes
XLR-type connectors are wired as follows: pin 1–ground, pin 2–hot (+), and pin 3–cold (–).
•Insert TRS phone jacks are wired as follows: sleeve–ground, tip–send, and ring–return.
•The performance of components with moving contacts, such switches, rotary controls, faders,
and connectors, deteriorates over time. The rate of deterioration depends on the operating
environment and is unavoidable. Consult your dealer about replacing defective components.
•Using a mobile telephone near this unit may induce noise. If noise occurs, use the telephone
away from the unit.
•If the message “WARNING Low Battery!” appears when you turn on this unit, contact your
dealer as soon as possible about replacing the internal data backup battery. The unit will still
operate correctly, but data other than the presets will be lost.
•Before replacing the batteries, back up your data to a memory card, or another unit by using
MIDI Bulk Dump.
•The digital circuits of this unit may induce a slight noise into nearby radios and TVs. If noise
occurs, relocate the affected equipment.
•When connecting D-sub cables, be sure to tighten the screws on both sides of the connector
securely. To disconnect the cable, loosen the screws completely, then remove the cable by
holding the connector part. Do not remove the plug by pulling the cable while the screws
are still attached. Otherwise, the connector may be damaged, leading to malfunction.
SmartMedia Handling Precautions
5
DM2000 Version 2—Owner’s Manual
•When you change the wordclock settings on any device in your digital audio system, some
devices may output noise, so turn down your power amps beforehand, otherwise your
speakers may be damaged.
SmartMedia Handling Precautions
•The CARD slot is for use with SmartMedia only. Never attempt to insert any other type of
storage media.
•Use only SmartMedia of the type specified in this
Owner’s Manual
.
•Store SmartMedia in a place free from extreme temperatures, humidity, dust, and dirt.
•Always store SmartMedia in its original case.
•Write only on the designated area.
•When handling SmartMedia, be careful not to touch the gold contacts. Fingerprints,
smudges, scratches, or dirt can affect performance.
Fingerprints and dust should be removed by wiping gently using a soft, dry cloth. Do not
use benzene, thinner, cleaning detergent, or a chemical cloth.
•If SmartMedia is stored in a cold place (e.g., overnight in a car), and then moved to a
warmer environment, or if the temperature rises sharply, condensation may form on the
surface, which may affect performance. In this case, the SmartMedia should be allowed to
acclimatize for about one hour before use.
•Insert SmartMedia carefully into the CARD slot, with the gold contacts facing upward.
•Do not bend or twist SmartMedia.
•Do not under any circumstances attempt to use SmartMedia that is cracked or warped.
Doing so may seriously damage the CARD slot.
•Do not remove SmartMedia while saving or loading data. Doing so may cause data lose.
Data stored on SmartMedia can be protected against inadvertent overwriting by attaching
a write-protect sticker (supplied with SmartMedia).
Interference
The DM2000 uses high-frequency digital circuits that may cause interference on radio and
television equipment located nearby. If interference is a problem, relocate the affected
equipment. Using a mobile telephone near the unit may induce noise. In this case use the
telephone away from the unit.
DM2000 Exclusion of Certain Responsibility
Manufacturer, importer, or dealer shall not be liable for any incidental damages including
personal injury or any other damages caused by improper use or operation of the DM2000.
Trademarks
ADAT MultiChannel Optical Digital Interface is a trademark and ADAT and Alesis are reg-
istered trademarks of Alesis Corporation. Apogee is a trademark of Apogee Electronics, Inc.
Apple, Mac, and Power Macintosh are registered trademarks and Mac OS is a trademark of
Apple Corporation, Inc. HUI is a trademark of Mackie Designs, Inc. Intel and Pentium are
registered trademarks of Intel Corporation. Nuendo is a registered trademark of Steinberg
Media Technologies AG. Pro Tools is a trademark or registered trademark of Digidesign
and/or Avid Technology, Inc. SmartMedia is a trademark of Toshiba, Corp. Sony is a regis-
tered trademark of Sony Corporation, Inc. Tascam Digital Interface is a trademark and Tas-
cam and Teac are registered trademarks of Teac Corporation. Microsoft and Windows are
registered trademarks of Microsoft Corporation, Inc. Waves is a trademark of Waves, Inc.
Yamaha is a trademark of Yamaha Corporation. Nuendo and Cubse SX are trademarks of
Steinberg Media Technologies GmbH. All other trademarks are the property of their
respective holders and are hereby acknowledged.
6
Important Information
DM2000 Version 2—Owner’s Manual
Copyright
No part of the DM2000, its software, or this
Owner’s Manual
may be reproduced or distrib-
uted in any form or by any means without the prior written authorization of Yamaha Cor-
poration.
© 2003 Yamaha Corporation. All rights reserved.
Yamaha Web Site
Further information about the DM2000, related products, and other Yamaha professional
audio equipment is available on the Yamaha Professional Audio Web site at:
<http://www.yamahaproaudio.com/>.
Package Contents
DM2000 Digital Production Console
CD-ROM
•Power cord
•This manual
•Studio Manager Installation Guide
Optional Extras
MB2000 Peak Meter Bridge
SP2000 Wooden Side Panels
•LA1800 Light Gooseneck
mini YGDAI I/O cards
About this Owner’s Manual
This
Owner’s Manual
covers the DM2000 Digital Production Console.
All the information you need in order to operate the DM2000 Digital Production Console
is contained in this manual. Use the table of contents to familiarize yourself with the man-
ual’s organization and to locate tasks and topics, and use the index to locate specific infor-
mation. Before diving in, it’s recommend that you read the “Operating Basics” chapter,
starting on page 51.
Each chapter of this manual discusses a specific section or function of the DM2000. The
Input and Output Channels are explained in the following chapters: “Input Channels, “Bus
Outs, Aux Sends, “Matrix Sends, and “Stereo Out. Where possible, these chapters have
been organized in order of signal flow, from input through to output.
Functions such as EQ and Delay are common to all channels. Rather than repeat the same
information over and over, these functions are explained once in the “Common Channel
Functions” chapter, which starts on page 127. The “Input Channels, “Bus Outs, Aux
Sends, “Matrix Sends, and “Stereo Out” chapters contain cross-references to the relevant
sections of the “Common Channel Functions” chapter.
Conventions Used in this Manual
The DM2000 features two types of button: physical buttons that you can press (e.g., ENTER
and DISPLAY) and buttons that appear on the display pages. References to physical buttons
are enclosed in square brackets, for example, press the [ENTER] button. References to dis-
play page buttons are not emphasized, for example, “press the ENTER button.
Display pages can be selected by using the [DISPLAY] buttons or the Left Tab Scroll, Right
Tab Scroll, and F1–4 buttons below the display. In order to simplify explanations, only the
[DISPLAY] button method is mentioned in the procedures. See “Selecting Display Pages”
on page 53 for details on all the ways in which pages can be selected.
Installing the DM2000
7
DM2000 Version 2—Owner’s Manual
Installing the DM2000
The DM2000 should be placed on a strong and stable surface, somewhere that complies
with the warnings and cautions listed in the previous sections.
New Functions in DM2000 Version 2
The following functions have been added to the DM2000 as part of the upgrade of the firm-
ware from version 1.2 to version 2.0.
Control Surface
•When you operate the faders (for fader levels) or Encoders (for pan settings), the corre-
sponding fader level or pan setting appears on the channel strip display.
•You can switch the indication on the channel strip display between channel name/ID and
port name/ID.
page 276
Encoder mode now features an assignable function, ALT LAYER, which enables you to con-
trol the channel level for all 48 channels without switching between layers.
page 61
•There are now 50 assignable Encoder mode parameters.
page 63
Input Channels
•Surround Pan supports 6.1 Surround.
page 97
•You can change the bus assigned to each surround pan channel.
page 99
•The Fader Group Master function enables you to control the overall level of the Fader group
channels simultaneously while maintaining the relative level balance of each channel.
page 92
•The Mute Group Master function enables you to mute all channels in a Mute group simul-
taneously.
page 90
•The on/off status of the Follow Pan button is reflected in the pan and Surround Pan settings.
page 93
Aux Sends
•You can exclude channels from Aux Sends (Mix Minus).
page 117
•You can copy the channel fader positions to Aux Sends.
page 118
•You can set all Send levels to nominal simultaneously.
page 112
•If an Aux Send is set to pre-fader, you can set the Pre point before or after the [ON] button.
page 112
Common Channel Functions
•Input and Output Channel Meter pages indicate the gain reduction being applied by the
Gate and Compressor.
page 128
•You can select whether the Input Channel’s Pan setting is used when the Input Channel Solo
signal is set to Pre Fader.
page 143
•Raising the channel faders for soloed Channels from –
can unsolo the Channels.
page 143
•The AUX SELECT [AUX 1]–[AUX 12] buttons enable you to solo or unsolo Aux Sends.
page 143
•The Fader Group Master function enables you to control the overall level of the Fader group
channels simultaneously while maintaining the relative level balance of each channel.
page 147
•The Mute Group Master function enables you to mute all channels in a Mute group simul-
taneously.
page 149
8
Important Information
DM2000 Version 2—Owner’s Manual
Monitor
•The level of the Surround Monitor can be reset to 85dB SPL.
page 160
•A new parameter has been added to Bass Management on the Surround Monitor Setup
page.
page 162
•Surround Monitor is also available when Surround mode is set to Stereo.
•You can simultaneously select BUS and ASSIGN1 or BUS and ASSIGN 2 for surround
monitoring.
•You can select from Slot Channel 9 through Channel 16 as Surround Monitor signal sources.
•You can simultaneously select 2TRD, D2, D3, A1, or A2, and STEREO, ASSIGN1, or
ASSIGN2 as Control Monitor signal sources.
•You can select the Talkback mic signal as the Studio Monitor source.
page 164
Effects, Plug-ins and GEQ
•You can add optional Add-On Effects to the preset effects.
page 178
•The channel faders enable you to adjust the gain for each band in the graphic EQ.
page 184
Scene Memory
•You can globally apply the Fade Time setting to all scenes.
page 189
•You can globally apply the Recall Safe setting to all scenes.
page 190
•Any channel or parameter settings in the current scene can be copied and pasted into other
scenes.
page 191
•You can select more parameters for the Recall Safe function.
page 190
Automix
•You can insert the current mix parameters in a region specified in the Automix data.
page 203
•Touching the faders can punch parameter values in and out if the corresponding OVER-
WRITE button is set to on.
page 194
•Some parameters related to timecode synchronization have been added.
page 278
Remote Control
•The Joystick or the controls in the SELECTED CHANNEL section enable you to control Pro
To ols Surround Pan settings.
•The USER DEFINED KEYS enable you to switch windows in the included Studio Manager
application software.
•You can remotely control the Yamaha AD8HR A/D Converter.
Other Functions
•A user-assignable layer enables you to assign Channels to Remote layer targets.
page 269
•You can also select General DAW (for DAW software that supports the Pro Tools protocol)
or Cubase SX as the target for a Remote layer.
page 253
•Yamahas proprietary Advanced DAW protocol has been added to Nuendo, Cubase SX, and
General DAW. This enables you to control these devices using the DM2000’s SELECTED
CHANNEL section. (Controllable functions vary depending on the DAW software and ver-
sion you are using.)
•You can now assign any of 214 functions to the USER DEFINED KEYS.
page 283
•You can assign the selected channels to a Fader or Mute group using the USER DEFINED
KEYS.
page 283
•An Operation Lock function prevents unintentional edits and uses a password to restrict
access to panel operation.
page 280
New Functions in DM2000 Version 2
9
DM2000 Version 2—Owner’s Manual
•The Oscillator can output sine wave signals with different frequencies to the L and R chan-
nels and odd and even buses.
page 279
•You can set the Auto Direct Out On check box so that if you change a channel’s Direct Out
destination, the channel Direct Out will automatically be enabled.
page 276
•You can set the Routing ST Pair Link check box so that the routing from paired Channels to
the Stereo Bus is linked.
page 276
* This applies only to products distributed by
YAMAHA CORPORATION OF AMERICA.
COMPLIANCE INFORMATION STATEMENT
(DECLARATION OF CONFORMITY PROCEDURE)
Responsible Party : Yamaha Corporation of America
Address : 6600 Orangethorpe Ave., Buena Park, Calif. 90620
Telephone : 714-522-9011
Type of Equipment : Digital Production Console
Model Name : DM2000
This device complies with Part 15 of the FCC Rules.
Operation is subject to the following two conditions:
1) this device may not cause harmful interference, and
2) this device must accept any interference received including interference
that may cause undesired operation.
See user manual instructions if interference to radio reception is sus-
pected.
(FCC DoC)
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (Perchlorate)
This product contains a battery that contains perchlorate material.
Perchlorate Material—special handling may apply,
See www.dtsc.ca.gov/hazardouswaste/perchlorate.
10
Contents
DM2000 Version 2—Owner’s Manual
Contents
1 Welcome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
2 Control Surface & Rear Panel . . . . . . . . . . . . . . . . . 20
Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
3 Operating Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Connecting the Power Cord . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Turning On & Off the DM2000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
About the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Selecting Display Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Display History . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Display Page Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Parameter Windows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Confirmation Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Title Edit Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Using a Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Channel Strip Displays . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Selecting Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Selecting Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Selecting Fader Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Selecting Encoder Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Assigning Parameters to the ENCODER MODE Assign Buttons . . . . . . . . . . . . 62
4 Analog I/O & the AD Input Section . . . . . . . . . . . . 64
AD Input Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Control Room Monitor Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Studio Monitor Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Omni Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
2TR Analog INs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
5 Digital I/O & Cascading . . . . . . . . . . . . . . . . . . . . . 66
Wordclocks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
2TR Digital Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
2TR Digital Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
2TR In/Out Sampling Rate Conversion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Slot I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
Dithering Digital Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Monitoring Digital Input Channel Status . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Cascading Consoles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
6 Input & Output Patching . . . . . . . . . . . . . . . . . . . . 77
Input Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Naming Input & Output Ports . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Patch Select Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Patching with the Encoders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
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7 Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Patching Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Metering Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Reversing the Signal Phase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Gating Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Attenuating Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
EQ’ing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Grouping Input Channel EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Input Channel Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Compressing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Grouping Input Channel Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Delaying Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Muting Input Channels (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Grouping Input Channel Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
Input Channel Mute Master . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Setting Input Channel Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Grouping Input Channel Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
Group Master for Input Channel Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Routing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
Panning Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Using Surround Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Assigning Surround Channels to Buses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
Sending Input Channels to Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Soloing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Direct Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Pairing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Viewing Input Channel Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Copying Input Channel Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Naming Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Using the MS Stereo Microphone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
8 Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Stereo Out Connectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Patching the Stereo Out to Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Routing Input Channels to the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Sending Bus Outs to the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Metering the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Monitoring the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Attenuating the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
EQ’ing the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Grouping Master EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Stereo Out Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Compressing the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Grouping Master Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Muting the Stereo Out (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Grouping Master Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Setting the Stereo Out Level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Grouping Master Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Sending the Stereo Out to the Matrix Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Balancing the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
Delaying the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
Inserting GEQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
Viewing Stereo Out Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
Copying Stereo Out Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
Naming the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
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9 Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Patching Bus Outs to Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Routing Input Channels to Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Metering Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Monitoring Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Attenuating Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
EQ’ing Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Grouping Master EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Bus Out Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Compressing Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Grouping Master Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Muting Bus Outs (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Grouping Master Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Setting Bus Out Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Grouping Master Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Sending Bus Outs to Matrix Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Delaying Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Inserting GEQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Soloing Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Pairing Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Sending Bus Outs to the Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Viewing Bus Out Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Copying Bus Out Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Naming Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
10 Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Patching Aux Send Masters to Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Setting the Aux Send Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Pre-Fader or Post-Fader Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
Setting Aux Send Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
Muting Aux Sends (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112
Aux Send Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112
Viewing Aux Send Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Panning Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
Excluding Certain Channels from Aux Sends (Mix Minus) . . . . . . . . . . . . . . . . . 117
Copying Channel Fader Positions to Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Metering Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Monitoring Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Attenuating Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
EQ’ing Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Grouping Master EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Aux Send Master Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Compressing Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Grouping Master Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Muting Aux Send Masters (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Grouping Master Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Settings Aux Send Master Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Grouping Master Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Sending Aux Sends to Matrix Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Delaying Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Inserting GEQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Soloing Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Pairing Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Viewing Aux Send Master Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Copying Aux Send Master Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Naming Aux Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Contents
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11 Matrix Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Patching Matrix Send Masters to Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Pre-Fader or Post-Fader Matrix Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Setting Matrix Send Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Muting Matrix Sends (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
Matrix Send Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
Panning Matrix Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
Viewing Matrix Send Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
Metering Matrix Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
Monitoring Matrix Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
Attenuating Matrix Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
EQ’ing Matrix Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Grouping Master EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Matrix Send Master Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Compressing Matrix Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Grouping Master Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Muting Matrix Send Masters (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Grouping Master Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Setting Matrix Send Master Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Grouping Master Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
Balancing Matrix Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
Delaying Matrix Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
Soloing Matrix Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
Inserting GEQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
Viewing Matrix Send Master Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
Copying Matrix Send Master Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
Naming Matrix Send Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
12 Common Channel Functions . . . . . . . . . . . . . . . . . 127
Metering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127
Attenuating Signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130
Using EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
Grouping Output Channel EQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135
Using Inserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135
Compressing Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137
Grouping Output Channel Compressors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140
Delaying Channel Signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
Soloing Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142
Pairing Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144
Grouping Output Channel Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146
Group Master for the Output Channel Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147
Grouping Output Channel Mutes (ON/OFF) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149
Output Channel Mute Master . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149
Viewing Channel Parameter Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
Viewing Channel Fader Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151
Copying Channel Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155
Naming Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156
13 Monitoring & Talkback . . . . . . . . . . . . . . . . . . . . . 158
Control Room Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158
Studio Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159
Surround Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160
Using Talkback & Slate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163
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14 Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165
About the Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165
General Library Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165
Channel Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166
Input Patch Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167
Output Patch Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167
GEQ Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168
Effects Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168
Bus to Stereo Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169
Gate Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170
Comp Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171
EQ Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172
Automix Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173
Surround Monitor Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173
15 Internal Effects, Plug-Ins & GEQs . . . . . . . . . . . . . 174
About the Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174
Patching Effects Processors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174
Preset Effects & Types . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174
Editing Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177
Adding Optional Add-On Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 178
About Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179
Configuring Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180
Editing Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181
About the GEQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183
Editing GEQs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183
Editing the Graphic EQ Using the Channel Faders . . . . . . . . . . . . . . . . . . . . . . . . 184
16 Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . 185
About Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185
Auto Scene Memory Update . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186
Storing & Recalling Scenes with the SCENE MEMORY Buttons . . . . . . . . . . . . . 187
Using the Scene Memory Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188
Fading Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189
Recalling Scenes Safely . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190
Sorting Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191
Copying and Pasting a Scene (Global Paste) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191
17 Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193
About Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193
What’s Recorded in an Automix? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193
Automix Main Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 194
AUTOMIX Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198
Channel Strip [AUTO] Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199
Automix Memory Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199
Fader Edit Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199
Selecting the Timecode Source & Frame Rate . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201
Creating a Time Signature Map . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202
Recording an Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202
Inserting Mix Parameters into Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203
Rerecording Events . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205
Parameter Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206
Punching In & Out Individual Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207
Playing Back an Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208
Editing Events Offline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209
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18 MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215
MIDI & the DM2000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215
MIDI I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215
MIDI Port Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216
MIDI Channel Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217
Assigning Scenes to Program Changes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218
Assigning Parameters to Control Changes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219
Controlling Parameters by Using Parameter Changes . . . . . . . . . . . . . . . . . . . . . . 219
Using Bulk Dump . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220
19 Pro Tools Remote Layer . . . . . . . . . . . . . . . . . . . . 221
Configuring Windows Computers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221
Configuring Macintosh Computers (MacOS 8.6 to 9.2.2) . . . . . . . . . . . . . . . . . . 221
Configuring Macintosh Computer (MacOS X) . . . . . . . . . . . . . . . . . . . . . . . . . . . 221
Configuring the DM2000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222
Configuring Pro Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222
Control Surface Operation with the Pro Tools Remote Layer . . . . . . . . . . . . . . . 224
Scrolling Windows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238
Selecting Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239
Assigning Inputs to Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239
Assigning Outputs to Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 240
Setting Channel Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 240
Muting Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241
Panning Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241
Soloing Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241
Assigning Send Destinations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242
Configuring Sends as Pre or Post . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242
Setting Send Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243
Muting Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243
Panning Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243
Flip Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243
Assigning Inserts/Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 244
Editing Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 245
Bypassing Individual Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246
Bypassing all Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246
Resetting Faders, Sends, Panpots & Plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247
Navigating the Edit Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247
Zooming . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 248
Making Fine Adjustments to the Selected Region . . . . . . . . . . . . . . . . . . . . . . . . . 248
Scrub & Shuttle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249
Automation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250
Panner . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 252
20 Remote Control . . . . . . . . . . . . . . . . . . . . . . . . . . . 253
About Remote Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 253
About Machine Control (MMC & P2) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 256
GPI (General Purpose Interface) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 264
Controlling AD8HR/AD824 A/D Converters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267
21 Other Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . 269
Using the User Assignable Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269
Using the User Defined Keys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 270
Saving DM2000 Data to SmartMedia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 271
Setting Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274
Using the Oscillator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 279
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DM2000 Version 2—Owner’s Manual
Operation Lock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280
Checking the Battery and the System Version . . . . . . . . . . . . . . . . . . . . . . . . . . . . 282
Initializing the DM2000 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 282
Initializing the Password . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 282
Appendix A: Parameter Lists . . . . . . . . . . . . . . . . . . . 283
USER DEFINED KEYS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283
USER DEFINED KEYS Initial Assignments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 285
Input Patch Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286
Initial Input Patch Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289
Output Patch Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 290
Initial Output Patch Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 297
Initial Input Channel Names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 298
Initial Output Channel Names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 299
Initial Input Port Names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 300
Initial Output Port Names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 301
GPI Trigger Source & Target List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 302
User Defined Remote Layer Initial Bank Settings . . . . . . . . . . . . . . . . . . . . . . . . . 306
Effects Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 310
Effects and tempo synchronization . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 331
Preset EQ Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 332
Preset Gate Parameters
(fs = 44.1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 333
Preset Compressor Parameters (fs = 44.1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . 334
Dynamics Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 336
Appendix B: Specifications . . . . . . . . . . . . . . . . . . . . . 341
General Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 341
Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 346
Analog Input Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 347
Analog Output Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 347
Digital Input Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 348
Digital Output Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 348
I/O Slot Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 349
Control I/O Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 349
Connector Pin Assignments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 350
Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 351
Appendix C: MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . 352
Scene Memory to Program Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 352
Initial Parameter to Control Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 353
MIDI Data Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 369
Format Details . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 369
Appendix D: Options . . . . . . . . . . . . . . . . . . . . . . . . . 386
MB2000 Peak Meter Bridge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 386
SP2000 Wooden Side Panels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 388
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 389
Welcome 17
DM2000 Version 2—Owner’s Manual
1 Welcome
Thank you for choosing the Yamaha DM2000 Digital Production Console.
Designed with production in mind, the DM2000 Digital Production Console offers
24-bit/96 kHz digital audio processing without compromise, comprehensive surround
mixing and monitoring, including bass management and down mixing, and hands-on con-
trol of popular DAW (Digital Audio Workstation) systems.
Sonic Spec
Linear 24-bit, 128-times oversampling A/D converters
Linear 24-bit, 128-times oversampling D/A converters
20 Hz–40 kHz (0.5, –1.5 dB) frequency response at 96 kHz sampling rate
108 dB typical dynamic range (AD Input to Stereo Out)
32-bit internal signal processing (58-bit accumulator)
Channel Architecture
96 Input Channels, with Direct Outs
•8 Bus Outs, with to Stereo Out routing for subgrouping
12 Aux Sends
•4 stereo Matrix Sends (22 x 8 matrix)
•Stereo Out
•Channels can be named for easy identification
•Channel library with 127 user memories
•Copy and paste channel settings
I/O Architecture
24 analog mic/line inputs on balanced XLRs and phone jacks (plus 48 V phantom)
24 analog inserts on individual in/out phone jacks
48 inputs, 48 outputs via six mini-YGDAI slots and optional I/O cards, which
offer a variety
of analog and digital I/O options, with support for all the popular digital audio inter-
connect formats, including AES/EBU, ADAT, Tascam TDIF-1, and mLAN.
•8 assignable Omni outputs
•2 AES/EBU, 1 Coaxial 2-track digital input
•2 AES/EBU, 1 Coaxial 2-track digital output
•2 analog 2-track inputs
XLR and phone jack stereo outputs
Large and small control room outputs
•Dedicated studio monitor outputs
AES/EBU and Coaxial I/O sampling rate converters for connecting 44.1/48 kHz legacy dig-
ital audio equipment
•Double channel digital I/O for use with legacy 44.1/48 kHz multitrack recorders
•Cascade ports for cascading up to four DM2000s (i.e., 384 Input Channels)
18 Chapter 1—Welcome
DM2000 Version 2—Owner’s Manual
I/O Patching
•Any available input port can be patched to the Input Channels, Insert Ins, or Effects inputs
•Direct Outs, Insert Outs, Bus Outs, Aux Sends, Matrix Sends, and the Stereo Out can be
patched to any output port
•Input and output ports can be named for easy identification
•Patches can be stored in the Input and Output Patch libraries
EQ & GEQ
•4-band parametric EQ on all Input and Output Channels
EQ library with 40 presets, 160 user memories
•Six 31-band graphic equalizers that can be patched into Output Channels
GEQ library with 128 user memories
Groups & Pairs
•Horizontal and vertical pairing of Input Channels
•Horizontal pairing of Bus Outs, Aux Sends, and Surround Pan
•8 Input Channel, 4 Output Channel Fader groups
•8 Input Channel, 4 Output Channel Mute groups
•4 Input Channel, 4 Output Channel EQ groups
•4 Input Channel, 4 Output Channel Compressor groups
Effects
•8 internal effects processors
Effects library with 61 presets, 67 user memories (presets 53–61 are used for optional
Add-On Effects.)
•Optional Add-On Effect package includes effects that featuring new algorithms.
•Multichannel effects for surround sound processing
•Joystick control of early reflections and reverb with the Reverb 5.1 effect
•Optional Waves 56K effects plug-in card
•User defined plug-ins for external effects control via MIDI, with Learn function
Dynamics
Gates on all 96 Input Channels
Gate library with 4 presets, 124 user memories
•Compressors on all Input Channels and Out Channels (126 in total)
•Compressor library with 36 presets, 92 user memories
Automation
•Dynamic automation of virtually all mix parameters, with 1/4-frame accuracy
•Automix library with 16 memories
•Snapshot style automation with 99 Scene memories, recallable via MIDI or Automix
•Individual fade time settings for all Input and Output faders
•Scene and library recalls
•Punch in/out entire channels with dedicated [AUTO] buttons, or individual parameters
Editing fader moves with Fader Return, Fader Takeover, Absolute/Relative modes
Offline event editing includes, erase, copy, move/merge, trim, duplicate, delete, and insert
Welcome 19
DM2000 Version 2—Owner’s Manual
Surround Sound
•3-1, 5.1 and 6.1 Surround modes
•Joystick control
•Bass management
•Down mixing
•Surround monitor speaker alignment functions
•Surround monitor library with 32 user memories
Remote Control
•Control and manage your DM2000 from your Mac or PC by using the bundled Studio
Manager software
•Remote Layers for external equipment control, including predefined targets for controlling
DAW systems, and user defined targets for controlling MIDI equipment, with Learn func-
tion
•Comprehensive machine control via MMC or P2, including transport, track arming,
jog/shuttle, and built-in locator with eight Locate memories, all with independent control
of master and MTR machines
•Assignable GPI (General Purpose Interface) port for external control and “Recording” light
•Remote control of parameters on up to 12 Yamaha AD8HR/AD824 A/D Converters
MIDI
Standard MIDI ports, USB TO HOST port, or SERIAL TO HOST port
USB, and SERIAL offer multiport operation
•Scene recall, mix parameter control, Bulk Dump, MTC and MIDI Clock for Automix syn-
chronization, MMC for external machine control
Control Surface
25 touch-sensitive 100-mm motorized faders (touch sense used to select channels or punch
faders in/out during Automix recording)
•Use the faders to set channel levels or Aux/Matrix Send levels
•Use the 24 Encoders to control Pan, Aux/Matrix Send levels, or user assigned parameters
•Channels arranged into four Input Layers, Master Layer, and four Remote Layers
320 x 240 dot LCD display with fluorescent backlight
•Fluorescent channel strip displays, showing channel names, Encoder status, routing, etc.
•Complete hands-on control of all channel functions via the SELECTED CHANNEL section
•2-digit Scene memory display
•4 EQ displays for frequency, gain, and Q
16 user-definable buttons make light work of repetitive tasks
•Display History buttons for quick access to recently viewed display pages
•SmartMedia card slot for Automix, Scene, library, and setup data storage and transfer
•Optional PS/2-compatible keyboard for quick title entry
20 Chapter 2—Control Surface & Rear Panel
DM2000 Version 2—Owner’s Manual
2 Control Surface & Rear Panel
Control Surface
CH01 CH02 CH03 CH04 CH05 CH06 CH07 CH08 CH09 CH10 CH11 CH12 CH13 CH14 CH15 CH16 CH17 CH18 CH19 CH20 CH21 CH22 CH23 CH24
ROUTING
12
34
56
78
STEREOFOLLOW PAN DIRECT
GATE ON COMP ON
GATE
COMP
RANGE
RATIO
ATT ACK
ATT ACK
DECAY
RELEASETHRESHOLD
THRESHOLD HOLD
LINK GRAB EFFECT
L
EVEN
R
L
R
EQUALIZER
CHANNEL
COPY
PASTE
EQ ON
AT T.
dB
Hz
kHz
LOW
SELECTED CHANNEL
PHASE / INSERT
INSERT ON
AUX/MATRIX SEND
DELAY
ON
TIME
FB
MIX
LEVEL
ON
LEVEL
ON
LEVEL
ON
LEVEL
ON
AUX 1 /MATRIX 1
AUX 5
AUX 9
AUX 2 /MATRIX 2
AUX 6
AUX 10
AUX 3 /MATRIX 3
AUX 7
AUX 11
AUX 4 /MATRIX 4
AUX 8
AUX 12
DYNA MICS
PAN/SURROUND
HIGH
BANK
GATE / COMP
GAIN
GAIN
Q
FREQUENCY
dB
Hz
kHz
GAIN
Q
FREQUENCY
dB
Hz
kHz
GAIN
Q
FREQUENCY
dB
Hz
kHz
GAIN
Q
FREQUENCY
TALKBACK LEVEL
1
2
3
4
5
6
78
PAD
11
12 13 14 15
16
910 21 22 23 24
17
18 19 20
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
PHONES
LEVEL
PHONES
STUDIO
LEVEL
010
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SOLO
SEL
AUTO
ON
SEL
INC
STUDIO
CONTROL
ROOM
STEREO
AUX 11 AUX 12
CONTROL ROOM
SOLO
CLEAR
SOLO CONTRAST
2TR D1 2TR A1
2TR D2 2TR A2
2TRD3STEREO
ASSIGN 1 ASSIGN 2
ASSIGN 1 ASSIGN 2
DIMMER
SMALL
MONO
SURROUND
MONITOR LEVEL
SLATE
TALKBACK
REMOTE 1
REMOTE 2
REMOTE 3
REMOTE 4
LAYER
STEREO
MONITOR
STEREO
REC
REW
FF STOP PLAY
AUTO
ENTER
CONTROL ROOM LEVEL
DEC
DATA DIO SETUP UTILIT Y
MIDI REMOTE METER VIEW
PAI R GROUP INPUT
PATCH
OUTPUT
PATC H
DISPLAY ACCESS
INTERNAL
EFFECTS
1234
5678
F1 F2 F3
F4
1234
CARD
3.3V
CHANNEL
INSERTS
BUS
GRAPHIC
EQUALIZERS
TALKBACK
USER DEFINED KEYS
STORERECALL
SCENE MEM ORY
OVERWRITE
AUTOMIX
ABCD
MASTERALL CLEAR
12 45678
910 12131415
16
21 22 23 2417 18 2019
TRACK ARMING
TRACK ARMING GROUP
BACK FORWARD
SHUTTLE
DISPLAY HISTORY
SCRUB
12345678
910111213141516
FADER ON
PAN
EQAUX AUX
ON
ENABLE
REC ABORT/
UNDO
AUTO-
REC
RETURN
RELATIVE
TOUCH
SENSE
AUX 2AUX 1 AUX 3 AU X 4
AUX 6AUX 5 AUX 7
AUX 10AUX 9 AUX 11
AUX 8
AUX 12
AUX SELECT
AUX / MTRX
AUX / MTRX
FADER
PAN
ASSIGN 4ASSIGN 3
MATRIX SELECT
DISPLAY
DISPLAY
DISPLAY
DISPLAY
DISPLAY
DISPLAY
DISPLAY
DISPLAY
DISPLAY
DISPLAY
DISPLAY
DISPLAY
DISPLAY
DISPLAY
DISPLAY
DISPLAY
DISPLAY
MATRIX2 MATRIX 4MATRIX 3
SUSPEND WRITE TOUCH L ATCH READ TRIM OFF
ASSIGN 2ASSIGN 1
PAN SENDLEVEL
INSERTSEND ASSIGNOUTPUTINPUT
MASTER
ODD
11
PLUG INS
EFFECTS / PLUG INS
50
40
30
20
15
10
10
5
0
5
87654321
MATRIX1
910111213141516 1718192021222324
87654321 910111213141516 1718192021222324
HIGH MIDLOW MID
124
25 48
49 72
73 96
010
010
STEREO
SURROUND
3
LOCATE MEMORY
LOCATOR
12345678
ONLINE
AUDITION
LOOP
MASTER
PRE POST
ROLL
BACK
IN OUT MTR
END QUICK
PUNCH
REHEARSAL
SET
RETURN
TO ZERO
70
60
50
40
30
20
15
10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
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0
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0
5
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60
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0
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0
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0
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60
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0
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0
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60
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30
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0
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40
30
20
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0
5
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60
50
40
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20
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0
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40
30
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0
5
70
60
50
40
30
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0
50
40
30
20
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10
5
0
5
70
60
50
40
30
20
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10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
15
10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
15
10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
15
10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
15
10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
15
10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
15
10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
15
10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
15
10
5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
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10
5
0
50
40
30
20
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10
10
5
0
5
70
60
50
40
30
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5
0
50
40
30
20
15
10
10
5
0
5
70
60
50
40
30
20
15
10
5
0
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
ON
OFF
OFF
ON
26dB
-16
-60
GAIN
PEAK
SIGNAL
INSERT
SMALL
TRIM
0010
70
60
50
40
30
20
15
10
5
0
ENCODER MODE
FADER MODE
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
+
48V
100
SURROUND
00
10.04.001.00125
AD Input Section (p. 21)
Channel strips (p. 21)
LOCATOR
(p. 37)
SmartMedia CARD
Slot (p. 22)
MATRIX SELECT
(p. 22)
AUX SELECT
(p. 23)
ENCODER
MODE (p. 23)
FADER MODE
(p. 24)
DISPLAY ACCESS (p. 24)
EFFECTS/PLUG-INS
(p. 26)
Display Section (p. 27) SELECTED CHANNEL Section (p. 28)
LAYER (p. 34) STEREO (p. 34)
TRACK ARM-
ING (p. 35)
Data Entry &
Transport (p. 39)
Monitor, Phones &
Talkback Section
(p. 41)
MONITOR Sec-
tion (p. 42)
SCENE MEM-
ORY (p. 35)
AUTOMIX
(p. 36)
USER DEFINED
KEYS (p. 37)
CHANNEL COPY (p. 33)
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Yamaha WC42260 Instrukcja obsługi

Kategoria
Kontrolery DJ
Typ
Instrukcja obsługi
Ten podręcznik jest również odpowiedni dla