Yamaha MIXING CONSOLE Instrukcja obsługi

E

Owner’s Manual

Keep This Manual For Future Reference.

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC

requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST

be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with

these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with

other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may

cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all

installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the

problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on

different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in

is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer

authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service

Division, 6600 Orangethorpe Ave, Buena Park, CA 90620

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

ADVARSEL!

Lithiumbatteri—Eksplosionsfare ved fejlagtig

håndtering. Udskiftning må kun ske med batteri

af samme fabrikat og type. Levér det brugte

batteri tilbage til leverandoren.

VARNING

Explosionsfara vid felaktigt batteribyte. Använd

samma batterityp eller en ekvivalent typ som

rekommenderas av apparattillverkaren.

Kassera använt batteri enligt fabrikantens

instruktion.

VAROITUS

Paristo voi räjähtää, jos se on virheellisesti

asennettu. Vaihda paristo ainoastaan

laitevalmistajan suosittelemaan tyyppiin. Hävitä

käytetty paristo valmistajan ohjeiden

mukaisesti.

NEDERLAND THE NETHERLANDS

● Dit apparaat bevat een lithium batterij voor geheugen

back-up.

● Raadpleeg uw leverancier over de verwijdering van de

batterij op het moment dat u het apparaat ann het einde

van de levensduur afdankt of de volgende Yamaha Service

Afdeiing:

Yamaha Music Nederland Service Afdeiing

Kanaalweg 18-G, 3526 KL UTRECHT

Te l. 030-2828425

● Gooi de batterij niet weg, maar lever hem in als KCA.

● This apparatus contains a lithium battery for memory

back-up.

● For the removal of the battery at the moment of the

disposal at the end of the service life please consult your

retailer or Yamaha Service Center as follows:

Yamaha Music Nederland Service Center

Address: Kanaalweg 18-G, 3526 KL

UTRECHT

Te l: 030-2828425

● Do not throw away the battery. Instead, hand it in as small

chemical waste.

WARNING: THIS APPARATUS MUST BE EARTHED

IMPORTANT

THE WIRES IN THIS MAINS LEAD ARE COLOURED IN

ACCORDANCE WITH THE FOLLOWING CODE:

GREEN-AND-YELLOW : EARTH

BLUE : NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus may

not correspond with the coloured markings identifying the terminals in

your plug, proceed as follows:

The wire which is coloured GREEN and YELLOW must be

connected to the terminal in the plug which is marked by the letter E

or by the safety earth symbol or coloured GREEN and YELLOW.

The wire which is coloured BLUE must be connected to the terminal

which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the

terminal which is marked with the letter L or coloured RED.

* This applies only to products distributed by YAMAHA KEMBLE

MUSIC (U.K.) LTD.

The above warning is located on the rear

of the unit

• Explanation of Graphical Symbols

The lightning ﬂash with arrowhead symbol

within an equilateral triangle is intended to

alert the user to the presence of uninsulated

“dangerous voltage” within the product’s

enclosure that may be of sufﬁcient magnitude

to constitute a risk of electric shock to persons.

The exclamation point within an equilateral

triangle is intended to alert the user to the

presence of important operating and mainte-

nance (servicing) instructions in the literature

accompanying the product.

IMPORTANT SAFETY INSTRUCTIONS

1 Read these instructions.

2Keep these instructions.

3 Heed all warnings.

4 Follow all instructions.

5 Do not use this apparatus near water.

6 Clean only with dry cloth.

7 Do not block any ventilation openings. Install in

accordance with the manufacturer’s instruc-

tions.

8 Do not install near any heat sources such as

radiators, heat registers, stoves, or other appa-

ratus (including ampliﬁers) that produce heat.

9 Do not defeat the safety purpose of the polar-

ized or grounding-type plug. A polarized plug

has two blades with one wider than the other. A

grounding type plug has two blades and a third

grounding prong. The wide blade or the third

prong are provided for your safety. If the pro-

vided plug does not ﬁt into your outlet, consult

an electrician for replacement of the obsolete

outlet.

10 Protect the power cord from being walked on or

pinched particularly at plugs, convenience

receptacles, and the point where they exit from

the apparatus.

11 Only use attachments/accessories speciﬁed by

the manufacturer.

12 Use only with the cart, stand,

tripod, bracket, or table spec-

iﬁed by the manufacturer, or

sold with the apparatus.

When a cart is used, use cau-

tion when moving the cart/

apparatus combination to

avoid injury from tip-over.

13 Unplug this apparatus during lightning storms

or when unused for long periods of time.

14 Refer all servicing to qualiﬁed service person-

nel. Servicing is required when the apparatus

has been damaged in any way, such as power-

supply cord or plug is damaged, liquid has been

spilled or objects have fallen into the apparatus,

the apparatus has been exposed to rain or mois-

ture, does not operate normally, or has been

dropped.

CAUTION: TO REDUCE THE RISK OF

ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK). NO USER-SERVICEABLE

PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,

DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.

iv

Important Information

01V96—Owner’s Manual

Important Information

Warnings

•Connect this unit’s power cord only to an AC outlet of the type stated in this Owner’s Man-

ual or as marked on the unit. Failure to do so is a ﬁre and electrical shock hazard.

•Do not allow water to enter this unit or allow the unit to become wet. Fire or electrical shock

may result.

•Do not place heavy objects, including this unit, on top of the power cord. A damaged power

cord is a ﬁre and electrical shock hazard. In particular, be careful not to place heavy objects

on a power cord covered by a carpet.

•Do not place a container with liquid or small metal objects on top of this unit. Liquid or

metal objects inside this unit are a ﬁre and electrical shock hazard.

•Do not scratch, bend, twist, pull, or heat the power cord. A damaged power cord is a ﬁre

and electrical shock hazard.

•Do not remove the unit’s cover. You could receive an electrical shock. If you think internal

inspection, maintenance, or repair is necessary, contact your dealer.

•Do not modify the unit. Doing so is a ﬁre and electrical shock hazard.

•If lightning begins to occur, turn off the power switch of the unit as soon as possible, and

unplug the power cable plug from the electrical outlet.

•If there is a possibility of lightning, do not touch the power cable plug if it is still connected.

Doing so may be an electrical shock hazard.

•Use only the included power cord for this unit. Using other types may be a ﬁre and electrical

shock hazard.

•This unit has a slot for installing mini-YGDAI cards. For technical reasons, certain card

combinations are not supported. Before installing any cards, check the Yamaha web site to

if your card is compatible. Installing cards that are not endorsed by Yamaha may cause elec-

trical shock, ﬁre, or damage to the unit.

•If the power cord is damaged (i.e., cut or a bare wire is exposed), ask your dealer for a

replacement. Using the unit with a damaged power cord is a ﬁre and electrical shock hazard.

•If you notice any abnormality, such as smoke, odor, or noise, or if a foreign object or liquid

gets inside the unit, turn it off immediately. Remove the power cord from the AC outlet.

Consult your dealer for repair. Using the unit in this condition is a ﬁre and electrical shock

hazard.

• Should this unit be dropped or the cabinet be damaged, turn the power switch off, remove

the power plug from the AC outlet, and contact your dealer. If you continue using the unit

without heeding this instruction, ﬁre or electrical shock may result.

Cautions

•Keep this unit away from the following locations:

—Locations exposed to oil splashes or steam, such as near cooking stoves, humidiﬁers, etc.

—Unstable surfaces, such as a wobbly table or slope.

—Locations exposed to excessive heat, such as inside a car with all the windows closed, or

places that receive direct sunlight.

—Locations subject to excessive humidity or dust accumulation.

•Hold the power cord plug when disconnecting it from an AC outlet. Never pull the cord. A

damaged power cord is a potential ﬁre and electrical shock hazard.

•Do not touch the power plug with wet hands. Doing so is a potential electrical shock hazard.

Operating Notes

v

01V96—Owner’s Manual

•This unit has ventilation holes along the top, front, rear, and sides to prevent the internal

temperature from rising too high. Do not block them. Blocked ventilation holes are a ﬁre

hazard. In particular, do not operate the unit while it’s on its side, is upside down, or while

it’s covered with a cloth or dust sheet.

•This unit is equipped with a dedicated ground connection to prevent electrical shock.

Before connecting the power plug to an AC outlet, be sure to ground the unit.

•To relocate the unit, turn the power switch off, remove the power plug from the AC outlet,

and remove all connecting cables. Damaged cables may cause ﬁre or electrical shock.

•If you know you will not use this unit for a long period of time, such as when going on vaca-

tion, remove the power plug from the AC outlet. Leaving it connected is a potential ﬁre haz-

ard.

Operating Notes

• XLR-type connectors are wired as follows: pin 1–ground, pin 2–hot (+), and pin 3–cold (–).

•Insert TRS phone jacks are wired as follows: sleeve–ground, tip–send, and ring–return.

•The performance of components with moving contacts, such switches, rotary controls, fad-

ers, and connectors, deteriorates over time. The rate of deterioration depends on the oper-

ating environment and is unavoidable. Consult your dealer about replacing defective

components.

•Using a mobile telephone near this unit may induce noise. If noise occurs, use the telephone

away from the unit.

•If the message “WARNING Low Battery!” appears when you turn on this unit, contact your

dealer as soon as possible about replacing the internal data backup battery. The unit will still

operate correctly, but data other than the presets will be lost.

•Before replacing the batteries, back up your data to a memory card, or another unit by using

MIDI Bulk Dump.

•The digital circuits of this unit may induce a slight noise into nearby radios and TVs. If noise

occurs, relocate the affected equipment.

•When you change the wordclock settings on any device in your digital audio system, some

devices may output noise, so turn down your power amps beforehand, otherwise your

speakers may be damaged.

Interference

This unit uses high-frequency digital circuits that may cause interference on radio and tele-

vision equipment located nearby. If interference is a problem, relocate the affected equip-

ment. Using a mobile telephone near the unit may induce noise. In this case use the

telephone away from the unit.

Exclusion of Certain Responsibility

Manufacturer, importer, or dealer shall not be liable for any incidental damages including

personal injury or any other damages caused by improper use or operation of this unit.

vi

Important Information

01V96—Owner’s Manual

Trademarks

ADAT MultiChannel Optical Digital Interface is a trademark and ADAT and Alesis are reg-

istered trademarks of Alesis Corporation. Apogee is a trademark of Apogee Electronics, Inc.

Apple, Mac, and Power Macintosh are registered trademarks and Mac OS is a trademark of

Apple Corporation, Inc. HUI is a trademark of Mackie Designs, Inc. Intel and Pentium are

registered trademarks of Intel Corporation. Nuendo is a registered trademark of Steinberg

Media Technologies AG. Pro Tools is a trademark or registered trademark of Digidesign

and/or Avid Technology, Inc. Tascam Digital Interface is a trademark and Tascam and Teac

are registered trademarks of Teac Corporation. Microsoft and Windows are registered

trademarks of Microsoft Corporation, Inc. Waves is a trademark of Waves, Inc. Yamaha is a

trademark of Yamaha Corporation. All other trademarks are the property of their respective

holders and are hereby acknowledged.

Copyright

No part of this unit, its software, or this

Owner’s Manual

may be reproduced or distributed

in any form or by any means without the prior written authorization of Yamaha Corpora-

tion.

Yamaha Web Site

Further information about the 01V96, related products, and other Yamaha professional

audio equipment is available on the Yamaha Professional Audio Web site at:

<http://www.yamahaproaudio.com/>.

Package Contents

• 01V96 Digital Mixing Console

• CD-ROM

•Power cord

•This manual

•Studio Manager Installation Guide

Optional Extras

• RK1 Rack Mount Kit

• mini YGDAI I/O cards

About this Owner’s Manual

vii

01V96—Owner’s Manual

About this Owner’s Manual

This

Owner’s Manual

explains how to operate the 01V96 Digital Mixing Console.

The Table of Contents can help you to familiarize yourself with the manual’s organization

and to locate tasks and topics. The index can help you locate speciﬁc information.

Before diving in, it’s recommend that you read the “Operating Basics” chapter, starting on

page 27.

Each chapter in this manual discusses a speciﬁc section or function of the 01V96. The Input

and Output Channels are explained in the following chapters: “Input Channels,” “Bus

Outs,” and “Aux Outs.” Where possible, these chapters have been organized in order of sig-

nal ﬂow, from input to output.

Conventions Used in this Manual

The 01V96 features two types of buttons: physical buttons that you can press (e.g., ENTER

and DISPLAY) and buttons that appear on the display pages. References to physical buttons

are enclosed in square brackets, for example, “press the [ENTER] button.”

References to display page buttons are not emphasized, for example, “move the cursor to the

ON button.”

You can select display pages by using the [DISPLAY] buttons or the Left Tab Scroll, Right

Tab Scroll, and F1–4 buttons below the display. In order to simplify explanations, the pro-

cedures reference only the [DISPLAY] button method.

See “Selecting Display Pages” on page 28 for details on all the ways in which you can select

pages.

Installing the 01V96

This unit should be placed on a strong and stable surface, that complies with the warnings

and cautions listed in the previous sections.

Always turn the power off when the instrument is not in use.

The illustrations and LCD screens as shown in this owner’s manual are for instructional

purposes only, and may appear somewhat different from those on your instrument.

Copying of the commercially available music sequence data and/or digital audio ﬁles is

strictly prohibited except for your personal use.

8

Contents

01V96—Owner’s Manual

Contents

1 Welcome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

2 Control Surface & Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

Installing an Optional Card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

3 Operating Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

About the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Selecting Display Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Display Interface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Selecting Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Selecting Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Selecting Fader Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Metering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

4 Connections and Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Wordclock Connections and Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Input and Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

5 Tutorial . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

Connections and Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

Initial Track Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Overdubbing to Other Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

Mixing Recorded Tracks into Stereo (Mixdown) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

6 Analog I/O & Digital I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69

Analog Inputs & Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69

Digital Inputs & Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

Converting Sampling Rates of Signals Received at I/O Card Inputs . . . . . . . . . . 72

Monitoring Digital Input Channel Status . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Dithering Digital Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74

Setting the Transfer Format for Higher Sampling Rates . . . . . . . . . . . . . . . . . . . . . . . 75

7 Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

About Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

Setting the Input Channels from the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Setting the Input Channels from the Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . 90

Pairing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Naming Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

8 Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97

About Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97

Bus Out 1–8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98

Setting the Stereo Out and Bus Out 1–8 from the Display . . . . . . . . . . . . . . . . . . . . . 99

Setting the Stereo Out and Bus Out 1–8 from the Control Surface . . . . . . . . . . . . . . 104

Pairing Buses or Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Attenuating Output Signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Naming the Stereo Out and Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

9 Aux Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109

Aux Out 1–8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109

Setting Aux Out 1–8 from the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110

Viewing Aux Out settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112

Setting Aux Out 1–8 from the Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . . . 113

Contents

9

01V96—Owner’s Manual

Setting Aux Send Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113

Viewing Aux Send Settings for Multiple Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117

Panning Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

Copying Channel Fader Positions to Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120

10 Input & Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

Input Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121

Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123

Patching Direct Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125

Insert Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127

11 Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131

Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131

Monitor and Solo Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132

Using the Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133

Using the Solo Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134

12 Surround Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135

Using Surround Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135

Setting Up and Selecting Surround Pan Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . 136

Surround Panning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141

13 Grouping Channels & Linking Parameters . . . . . . . . . . . . . . . . . . 147

Grouping & Linking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147

Using Fader Groups and Mute Groups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148

Linking EQ and Compressor Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150

14 Internal Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153

About the Internal Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153

Using Effects Processors via Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154

Inserting the Internal Effects into Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156

Editing Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157

About Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159

15 Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161

About Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161

What is Stored in a Scene? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161

About Scene Numbers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162

Storing & Recalling Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163

Auto Scene Memory Update . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165

Fading Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166

Recalling Scenes Safely . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168

Sorting Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169

16 Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171

About the Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171

General Library Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171

Using Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173

17 Remote Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185

About Remote Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185

Pro Tools Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186

Nuendo Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202

Other DAW Remote Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202

MIDI Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203

Machine Control Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208

10

Contents

01V96—Owner’s Manual

18 MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211

MIDI & the 01V96 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211

MIDI Port Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212

Assigning Scenes to Program Changes for Remote Recall . . . . . . . . . . . . . . . . . . 215

Assigning Parameters to Control Changes for Real-time Control . . . . . . . . . . . . 216

Controlling Parameters by Using Parameter Changes . . . . . . . . . . . . . . . . . . . . . 221

Transmitting Parameter Settings via MIDI (Bulk Dump) . . . . . . . . . . . . . . . . . . . . . . 222

19 Other Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225

Changing the Input and Output Channel Names . . . . . . . . . . . . . . . . . . . . . . . . . 225

Setting Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 226

Creating a Custom Layer by Combining Channels (User Assignable Layer) . . . 229

Using the Oscillator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 230

Using the User Defined Keys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 231

Using Operation Lock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 233

Cascading Consoles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 234

Checking the Battery and the System Version . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238

Initializing the 01V96 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239

Calibrating the Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 240

Appendix A: Parameter Lists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241

USER DEFINED KEYS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 241

USER DEFINED KEYS Initial Assignments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243

Input Patch Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243

Initial Input Patch Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 245

Output Patch Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247

Initial Output Patch Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249

User Defined Remote Layer Initial Bank Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250

Effects Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 254

Preset EQ Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274

Preset Gate Parameters (fs = 44.1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 278

Preset Compressor Parameters (fs = 44.1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . 278

Appendix B: Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283

General Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283

Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 288

Analog Input Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289

Analog Output Specs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289

Digital Input Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 290

Digital Output Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 290

I/O SLOT Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 290

CONTROL I/O Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291

Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 291

Appendix C: MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 292

Scene Memory to Program Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 292

Initial Parameter to Control Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 293

MIDI Data Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 309

Appendix D: Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 324

Welcome

11

01V96—Owner’s Manual

1

Welcome

1 Welcome

Thank you for choosing the Yamaha 01V96 Digital Mixing Console.

The compact 01V96 Digital Console features 24-bit/96 kHz digital audio processing with-

out compromise, as well as 40-channel simultaneous mixing. The 01V96 covers a broad

range of needs and applications, including multi-track recording, 2-channel mixdown, and

cutting-edge surround sound production. This integrated, comprehensive audio system

features remote control function for DAWs (Digital Audio Workstations) as popularized by

the DM2000 and 02R96 Digital Mixing Consoles.

The 01V96 offers the following features:

■

Hardware Features

• 100-mm motorized faders x 17

•Faders can set levels for Input Channels, Aux send levels, and Bus Outs.

•Four selectable software layers determine the function of channel faders.

• 320 x 240 dot LCD display

•Buttons and controls in the SELECTED CHANNEL section enable direct editing of

channel EQ parameters.

•8 USER-DEFINED KEYS enable you to assign functions to control 01V96 internal

parameters.

•ADAT optical connectors

•Expansion slot for optional digital I/O, AD, and DA cards.

■

Sonic Speciﬁcations

• Linear 24-bit, 128-times oversampling A/D converters

• Linear 24-bit, 128-times oversampling D/A converters

• 20 Hz through 40 kHz frequency response at 96 kHz sampling rate.

• 106 dB typical dynamic range

• 32-bit internal signal processing (58-bit accumulator)

■

Inputs and Outputs

• 12 mic/line inputs with switchable +48 V phantom power and 4 line inputs

• 12 analog inserts

•Any Bus Outs or Channel Inserts can be routed to four Omni Outs.

•Individual outputs for Stereo Out and Monitor Out

•Analog 2TR In and Out for use with Tape In and Out signals

•An optional card installed in the slot permits a maximum of 16 inputs/outputs.

•Digital 2TR In and Out for consumer-format digital audio signals

•Double Channel support for recording and playing at 88.2/96 kHz on 44.1/48 kHz leg-

acy multi-track digital recorders.

•You can cascade two 01V96s while remaining in the digital domain.

•Input patches enable assignment of input signals to desired signal paths.

•Output patches enable assignment of Bus Out signals and Input Channel Direct Outs to

desired output jacks.

12

Chapter 1—Welcome

01V96—Owner’s Manual

■

Channel Conﬁguration

• 32 Input Channels and four ST IN channels can be mixed at a time. Group multiple

channels and pair channels for stereo.

•Eight Bus Outs and eight Aux Sends. Bus Outs 1-8 can be routed to Stereo Buses for use

as Group Buses.

•Channel library for storing and recalling the channel settings for each Input Channel

and Output Channel

•Four-band EQ on each channel

•Dynamics processors on all channels (excluding ST IN channels)

•Dynamics processor settings and EQ settings can be stored in libraries and recalled.

■

Effects

•Four high-quality multi-channel effects (Apply effects via Aux Sends or Channel

Inserts)

• Effect library for storing and recalling effect settings.

■

Scene Memory

•Scene memories for storing and recalling mix settings as Scenes

■

Surround Sound

•Supports 3-1, 5.1, and 6.1 channel surround sound production

•Surround channel outputs can be assigned to suit connected devices.

■

Remote Control

•Control and manage your 01V96 from your Mac or PC using bundled Studio Manager

software.

•Remote Layer for remote control of Pro Tools, Nuendo, and other DAWs that support

the Pro Tools protocol

•Control an external recorder via MMC commands.

■ MIDI

•Equipped with MIDI ports and a USB port for computer connection

•Scene recall and mix parameter changes via MIDI

Control Surface & Rear Panel 13

01V96—Owner’s Manual

2

Control Surface & Rear Panel

2 Control Surface & Rear Panel

Control Surface

SOLO SOLO

ON ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ON

SOLO

ONON

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

1-16 17-32 MASTER REMOTE

LAYER

SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SELSEL

ST IN

ENTER

EQUALIZER

HIGH

HIGH-MID

LOW-MID

LOW

Q

FREQUENCY

GAIN

STEREO

SELECTED CHANNEL

PA N

DEC INC

SOLO CLEAR

RECALL

STORE

SCENE MEMORY

PHONES

MONITOR

OUT

MONITOR

2TR IN

CH15

/

16

2TR IN

LEVEL

PHONES

LEVEL

0

10

0

10

+4

-26

GAIN

+4

-26

GAIN

+4

-26

GAIN

+4

-26

GAIN

20dB

-16

-60

GAIN

20dB

-16

-60

GAIN

20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

PA D

FADER MODE

DISPLAY ACCESS

AUX 1

AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 AUX 6 AUX 7 AUX 8 BUS 1 BUS 2 BUS 3 BUS 4 BUS 5 BUS 6 BUS 7 BUS 8

AUX 2 AUX 3 AUX 4

AUX 8AUX 7AUX 6AUX 5

HOME (METER)

DYNAMICS

EQ EFFECT VIEW

PATCH

UTILITYMIDISCENE

DIO/SETUP

/ INSERT/

DELAY

PAN/

ROUTING

PAIR/

GROUP

A

B

A

B

A

B

A

B

A

B

A

B

A

B

A

B

A

B

A

B

A

B

A

B

16

1513

121110987643215

14

INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

OINSERT I

/

O INSERT I

/

O

L

R

IN OUT

2TR

-10dBV (UNBAL)

PHANTOM +48V

CH9-12CH5-8CH1-4

INPUT

(BAL)

INSERT

OUT IN

(UNBAL)

ST IN 1 ST IN 2

USER DEFINED

KEYS

12

34

56

78

55

5

+10

5

1010

10

1515

15

2020

20

303030

30

4040

40

5050

50

6060

7070

20

30

40

50

60

70

00

5

10

15

20

0

5

+10

5

10

15

30

20

30

40

50

60

70

20

30

40

50

60

70

20

30

40

50

60

70

20

30

40

50

60

70

20

30

40

50

60

70

15

0

5

10

15

20

0

5

+10

5

10

0

30

15

5

10

15

20

0

5

+10

5

10

0

30

15

5

10

15

20

0

5

+10

5

10

0

30

15

5

10

15

20

0

5

+10

5

10

0

30

15

20

30

40

50

60

70

30

15

20

30

40

20

30

40

20

30

40

20

30

40

50

50505050

20

30

40

50

20

30

40

50

60

70

40

50

60

70

40

50

60

70

40

50

60

70

40

50

60

70

40

50

60

70

40

50

60

70

40

50

60

70

30

15

5

10

15

20

0

5

+10

5

10

0

5

10

15

20

0

5

+10

5

10

0

5

10

15

20

0

30

5

10

15

20

0

30

5

10

15

20

0

30

5

10

15

20

0

30

5

10

15

20

0

303030

5

10

15

20

0

5

10

15

20

0

5

10

15

20

0

5

+10

5

10

0

15

5

+10

5

10

0

15

5

+10

5

10

0

15

5

+10

5

10

0

15

20

30

40

50

15 15

20

30

40

50

15

5

+10

5

10

0

5

+10

5

10

0

5

+10

5

10

0

5

+10

5

10

0

123456

7

891011 12

7

891011 12

13 14 15 16

32313029282726252423222120191817

STEREO

13 14 15 16

OVER

0

-3

-6

-9

-12

-15

-18

-24

-30

-36

-48

AD Input Section (p. 14)

SELECTED

CHANNEL

Section (p. 20)

Monitor Out

& Head-

phones Sec-

tion (p. 15)

SOLO Section

(p. 22)

Channel Strip Section (p. 16) STEREO Section (p. 16) USER DEFINED KEYS

Section (p. 21)

Data Entry

Section (p. 22)

LAYER Section

(p. 19)

SCENE MEMORY Section (p. 21)

Display Section

(p. 19)

DISPLAY ACCESS

Section (p. 18)

ST IN Section

(p. 17)

FADER MODE

Section (p. 17)

14 Chapter 2—Control Surface & Rear Panel

01V96—Owner’s Manual

AD Input Section

A INPUT connectors A/B

INPUT A connectors are balanced XLR-3-31-type connectors that accept line-level and

microphone signals. Each of the phantom [+48V] switches on the rear panel turns on or off

the +48V phantom power feed to the corresponding input. INPUT B connectors are bal-

anced TRS phone-type connectors that accept line-level and microphone signals. The nom-

inal signal level of both types of connectors ranges from –60 dB to +4 dB. Phantom power

is not supplied to these connectors.

If you connect cables to INPUT A and INPUT B connectors of the same number, only the

signal from INPUT B is effective.

B INPUT connectors 13–16

These balanced TRS phone-type connectors accept line-level signals. The nominal signal

level ranges from –26 dB to +4 dB. INPUT 15 & 16 connectors are available only when the

AD 15/16 button is turned off (page 15).

C INSERT I/O connectors

These unbalanced TRS phone-type connectors are used for channel insert ins and outs. Use

a split cable to insert an external effects processor to AD input channels.

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

PEAK

SIGNAL

CH15

/

16

2TR IN

+4

-26

GAIN

+4

-26

GAIN

+4

-26

GAIN

+4

-26

GAIN

20dB

-16

-60

GAIN

20dB

-16

-60

GAIN

20dB20dB20dB20dB20dB20dB20dB

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

GAIN

-16

-60

PAD

A

B

A

B

A

B

A

B

A

B

A

B

A

B

A

B

A

B

16

1513

121110943215

14

INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O INSERT I

/

O

CH1-4

INPUT

(BAL)

INSERT

OUT IN

(UNBAL)

13 14 15 16

8

1

2

3

4

5

6

7

1/4" TRS phone plug

Ring (cold)

Sleeve (ground)

Tip (hot)

Male XLR plug

1 (ground)

2 (hot)

3 (cold)

1/4" phone plug

Sleeve

(ground)

Tip (send)

Sleeve (ground)

Connect to INSERT jack

Tip (return)

1/4" phone plug

Tip (send)

Ring (return)

Sleeve (ground)

From processor’s output

To processor’s input

Control Surface 15

01V96—Owner’s Manual

2

Control Surface & Rear Panel

D PAD switches

These switches turn on or off the 20 dB pad (attenuator) for each AD Input.

E GAIN controls

These controls adjust input sensitivity for each AD Input. Input sensitivity is –16 dB to

–60 dB when the Pad is off, and +4 dB to –40 dB when the Pad is on.

F PEAK indicators

These indicators light up when the input signal level is 3 dB below clipping. Adjust the Pad

switch and GAIN control so that the indicator rarely lights up at signal peak.

G SIGNAL indicators

These indicators light up when the input signal level exceeds –34 dB.

H AD15/16 selector

This button selects AD Input Channel 15 and 16 signals. When the button is turned on

(pushed in), the 2TR IN signals (page 24) are selected. When the button is turned off

(raised), the INPUT 15 and 16 signals are selected.

Monitor Out & Headphones Section

A 2TR IN/OUT connectors

These unbalanced RCA phono connectors input and output line-level signals, and are typ-

ically used to connect a master recorder.

When the AD15/16 selector in the AD Input section (

8) is turned on (pushed in), the sig-

nals input at the 2TR IN connectors are routed to AD Input Channels 15 and 16. When the

Monitor Source selector (

2) is turned on (pushed in), you can monitor the 2TR IN signals

from the MONITOR OUT connectors.

The 2TR OUT signals are always the same as the STEREO OUT signals.

B Monitor Source selector

This button selects the signals output from the MONITOR OUT connectors on the rear

panel. When this button is turned on (pushed in), you can monitor the signals input from

the 2TR IN connectors. When the button is turned off (raised), you can monitor the Stereo

Out signals or soloed channel signals.

C MONITOR LEVEL control

This control adjusts the monitoring level of the signals output from the MONITOR OUT

connectors.

D PHONES LEVEL control

This control sets the level of the PHONES. (See page 131 for more information on moni-

toring through the headphones.)

E PHONES jack

You can connect a set of stereo headphones to this stereo phone jack. The signals output

from the MONITOR OUT connectors are also output from this jack.

PHONES

MONITOR

OUT

MONITOR

2TR IN

LEVEL

PHONES

LEVEL

0

10

0

10

L

R

IN OUT

2TR

-10dBV (UNBAL)

PHANTOM +48V

CH9-12CH5-8

1

2

3

4

5

16 Chapter 2—Control Surface & Rear Panel

01V96—Owner’s Manual

Channel Strip Section

A [SEL] buttons

These buttons enable you to select desired channels. The [SEL] button indicator for the cur-

rently-selected channel lights up. The channel selected by each [SEL] button depends on the

layer selected in the LAYER section (see page 19).

These buttons also allow you to create or cancel channel pairs, and add channels to (or

remove them from) Fader, Mute, EQ, and Compressor groups.

B [SOLO] buttons

These buttons solo the selected channels. The [SOLO] button indicator of the cur-

rently-soloed channel lights up.

C [ON] buttons

These buttons turn the selected channels on or off. The [ON] button indicators for On

channels light up.

D Channel faders

Depending on the button selected in the FADER MODE section (see page 17), these faders

adjust the selected channel input levels or the Bus Out or Aux Out levels.

STEREO Section

A [SEL] button

Selects the Stereo Out.

B [ON] button

Turns the Stereo Out on or off.

C [STEREO] fader

This 100mm motorized fader adjusts the ﬁnal output level of the Stereo Out.

SOLO

ON

SEL

AUX 1

40

50

60

70

30

5

10

15

20

0

20

30

40

50

15

5

+10

5

10

0

1

17

1

2

3

4

ON

SEL

5

10

15

20

30

40

50

60

70

0

STEREO

1

2

3

Control Surface 17

01V96—Owner’s Manual

2

Control Surface & Rear Panel

ST IN Section

A [ST IN] button

This button selects an ST IN channel pair (ST IN Channels 1 & 2 or 3 & 4) which you can

control using the buttons and controls in the ST IN section. The indicators to the right of

the button indicate the available ST IN channels.

B [SEL] buttons

These buttons select the ST IN channel you want to control.

C [SOLO] buttons

These buttons solo the selected ST IN channels.

D [ON] buttons

These buttons turn the ST IN channels on or off.

E Level controls

These controls adjust the ST IN channel levels.

FADER MODE Section

A [AUX 1]–[AUX 8] buttons

These buttons enable you to select the Aux Send you wish to control. Pressing one of these

buttons switches the Fader mode (see page 33), and displays the corresponding Aux page.

(The selected button’s indicator lights up.)

You can now adjust the send level of signals routed from Input Channels to the correspond-

ing Aux buses by using the faders.

B [HOME] button

This button recalls Meter pages that display Input Channel levels or Output Channel (Bus

Out, Aux Out, Stereo Out) levels (see page 34).

SOLO

ON

SOLO

ON

SEL SEL

ST IN

ST IN 1 ST IN 2

1

2

3

4

5

FADER MODE

AUX 1 AUX 2 AUX 3 AUX 4

AUX 8AUX 7AUX 6AUX 5

HOME (METER)

1

2

18 Chapter 2—Control Surface & Rear Panel

01V96—Owner’s Manual

DISPLAY ACCESS Section

A [SCENE] button

This button displays a Scene page, enabling you to store and recall Scenes (see page 161).

B [DIO/SETUP] button

This button displays a DIO/Setup page, enabling you to set up the 01V96, including digital

input and output setup and remote control setup (see pgaes 72, 188).

C [MIDI] button

This button displays a MIDI page, enabling you to make MIDI settings (see page 215).

D [UTILITY] button

This button displays a Utility page, enabling you to use the internal oscillators and view

information about installed optional cards.

E [ /INSERT/DELAY] button

This button displays a /INS/DLY page, enabling you to switch the signal phase, set the

signal to be inserted, or set the delay parameters (see pages 79, 127).

F [PAN/ROUTING] button

This button displays a Pan/Route page, enabling you to select a Bus to which the selected

channel signal is routed, adjust the selected channel pan settings, adjust the level of signals

routed from Buses 1–8 to the Stereo Bus, and adjust the stereo or surround pan settings (see

pages 85, 135).

G [PAIR/GROUP] button

This button displays a Pair/Grup page, enabling you to create or cancel channel pairs and

group multiple channel faders or [ON] buttons (see pages 93, 147).

H [PATCH] button

This button displays a Patch page, enabling you to patch input signals and Bus Out signals

to Input channels, or patch signals to the desired output connectors (see page 121).

I [DYNAMICS] button

This button displays a Dynamics page, enabling you to control channel gates and compres-

sors (see page 81).

J [EQ] button

This button displays an EQ page, enabling you to set the equalizer and attenuator of the

selected channel (see page 84).

K [EFFECT] button

This button displays an Effect page, enabling you to edit the internal effects processors and

use optional plug-in cards (see page 157).

L [VIEW] button

This button displays a View page, enabling you to view and set mix parameters for a speciﬁc

channel (see page 87).

DISPLAY ACCESS

DYNAMICS

EQ EFFECT VIEW

PATCH

UTILITYMIDISCENE

DIO/SETUP

/ INSERT/

DELAY

PAN/

ROUTING

PAIR/

GROUP

1 2 3

9

J K L

4

5

6

8

7

UTILITYMIDISCENE

DIO/SETUP

Control Surface 19

01V96—Owner’s Manual

2

Control Surface & Rear Panel

LAYER Section

A [1–16]/[17–32] buttons

These buttons select an Input Channel layer as the layer controlled in the Channel Strip sec-

tion. When the [1–16] button is turned on, you can control Channels 1–16. When the

[17–32] button is turned on, you can control Channels 17–32. (See page 31 for more infor-

mation on the Input Channel layers.)

B [MASTER] button

This button selects the Master Layer as the layer controlled in the Channel Strip section. You

can use this layer to control Bus Outs and AUX Sends. (See page 31 for more information

on the Master layer.)

C [REMOTE] button

This button selects the Remote Layer as the layer controlled in the Channel Strip section.

You can use this layer to control external MIDI devices or computer-based DAWs. (See

page 185 for more information on the Remote layer.)

Display Section

A Display

This is a 320 x 240 dot LCD display with a backlight.

B Stereo meters

These 12-segment level meters display the ﬁnal output level of the Stereo Bus.

C Contrast control

This control adjusts the display contrast.

D [F1]–[F4] buttons

These buttons select a page from a multi-page screen. Selecting a tab at the bottom of the

screen using one of these buttons displays the corresponding page. (See page 28 for more

information on displaying a page.)

Tip: The ST IN section is not affected by the layer settings.

1-16 17-32 MASTER REMOTE

LAYER

1 2 3

STEREO

OVER

0

-3

-6

-9

-12

-15

-18

-24

-30

-36

-48

4

1

5

2

3

6

20 Chapter 2—Control Surface & Rear Panel

01V96—Owner’s Manual

E Left Tab Scroll [ ] button

F Right Tab Scroll [ ] button

If there are more pages available than the four whose tabs are currently displayed, use these

buttons to display the additional tabs. These buttons are available only when the left or right

Tab Scroll arrow appears.

SELECTED CHANNEL Section

A [PAN] control

This control adjusts the pan of the channel selected by the [SEL] button.

B [HIGH] button

C [HIGH-MID] button

D [LOW-MID] button

E [LOW] button

These buttons select the EQ band (HIGH, HIGH-MID, LOW-MID, LOW) of the channel

selected by the [SEL] button. The corresponding button indicator of the currently-selected

band lights up.

F [Q] control

This control adjusts the currently-selected band Q.

G [FREQUENCY] control

This control adjusts the currently-selected band frequency.

H [GAIN] control

This control adjusts the currently-selected band gain.

Tab Scroll arrow

EQUALIZER

HIGH

HIGH-MID

LOW-MID

LOW

Q

FREQUENCY

GAIN

SELECTED CHANNEL

PA N

1

2

3

4

5

6

7

8

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