Yamaha S03 Instrukcja obsługi

OWNER’S MANUAL

SPECIAL MESSAGE SECTION

This product utilizes batteries or an external power supply (adapter). DO NOT

connect this product to any power supply or adapter other than one

described in the manual, on the name plate, or speciﬁcally recommended by

Yamaha.

WARNING:

Do not place this product in a position where anyone could walk on, trip over,

or roll anything over power or connecting cords of any kind. The use of an

extension cord is not recommended! IF you must use an extension cord, the

minimum wire size for a 25' cord (or less ) is 18 AWG. NOTE: The smaller the

AWG number ,the larger the current handling capacity. For longer extension

cords, consult a local electrician.

This product should be used only with the components supplied or; a cart,

rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please

observe all safety markings and instructions that accompany the accessory

product.

SPECIFICATIONS SUBJECT TO CHANGE:

The information contained in this manual is believed to be correct at the time

of printing. However, Yamaha reserves the right to change or modify any of

the speciﬁcations without notice or obligation to update existing units.

This product, either alone or in combination with an ampliﬁer and headphones

or speaker/s, may be capable of producing sound levels that could cause

permanent hearing loss. DO NOT operate for long periods of time at a high

volume level or at a level that is uncomfortable. If you experience any hearing

loss or ringing in the ears, you should consult an audiologist.

IMPORTANT: The louder the sound, the shorter the time period before

damage occurs.

Some Yamaha products may have benches and / or accessory mounting

ﬁxtures that are either supplied with the product or as optional accessories.

Some of these items are designed to be dealer assembled or installed. Please

make sure that benches are stable and any optional ﬁxtures (where

applicable) are well secured BEFORE using.

Benches supplied by Yamaha are designed for seating only. No other uses

are recommended.

NOTICE:

Service charges incurred due to a lack of knowledge relating to how a

function or effect works (when the unit is operating as designed) are not

covered by the manufacturer’s warranty, and are therefore the owners

responsibility. Please study this manual carefully and consult your dealer

before requesting service.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user safe and

environmentally friendly. We sincerely believe that our products and the

production methods used to produce them, meet these goals. In keeping with

both the letter and the spirit of the law, we want you to be aware of the

following:

Battery Notice:

This product MAY contain a small non-rechargeable battery which (if

applicable) is soldered in place. The average life span of this type of battery

is approximately ﬁve years. When replacement becomes necessary, contact a

qualiﬁed service representative to perform the replacement.

This product may also use “household” type batteries. Some of these may be

rechargeable. Make sure that the battery being charged is a rechargeable

type and that the charger is intended for the battery being charged.

When installing batteries, do not mix batteries with new, or with batteries of a

different type. Batteries MUST be installed correctly. Mismatches or incorrect

installation may result in overheating and battery case rupture.

Warning:

Do not attempt to disassemble, or incinerate any battery. Keep all batteries

away from children. Dispose of used batteries promptly and as regulated by

the laws in your area. Note: Check with any retailer of household type

batteries in your area for battery disposal information.

Disposal Notice:

Should this product become damaged beyond repair, or for some reason its

useful life is considered to be at an end, please observe all local, state, and

federal regulations that relate to the disposal of products that contain lead,

batteries, plastics, etc. If your dealer is unable to assist you, please contact

Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the bottom of the product. The model number,

serial number, power requirements, etc., are located on this plate. You should

record the model number, serial number, and the date of purchase in the

spaces provided below and retain this manual as a permanent record of your

purchase.

Model

Serial No.

Purchase Date

PLEASE KEEP THIS MANUAL

92-BP (bottom)

(3)-6

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep these precautions in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock,

short-circuiting, damages, ﬁre or other hazards. These precautions include, but are not limited to, the following:

• Do not open the instrument or attempt to disassemble the internal parts or

modify them in any way. The instrument contains no user-serviceable parts. If it

should appear to be malfunctioning, discontinue use immediately and have it

inspected by qualiﬁed Yamaha service personnel.

• Do not expose the instrument to rain, use it near water or in damp or wet

conditions, or place containers on it containing liquids which might spill into

any openings.

• If the AC adaptor cord or plug becomes frayed or damaged, or if there is a

sudden loss of sound during use of the instrument, or if any unusual smells or

smoke should appear to be caused by it, immediately turn off the power switch,

disconnect the adaptor plug from the outlet, and have the instrument inspected

by qualiﬁed Yamaha service personnel.

• Use the speciﬁed adaptor (PA-3C or an equivalent recommended by Yamaha)

only. Using the wrong adaptor can result in damage to the instrument or

overheating.

• Before cleaning the instrument, always remove the electric plug from the outlet.

Never insert or remove an electric plug with wet hands.

• Check the electric plug periodically and remove any dirt or dust which may

have accumulated on it.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the

instrument or other property. These precautions include, but are not limited to, the following:

• Do not place the AC adaptor cord near heat sources such as heaters or

radiators, and do not excessively bend or otherwise damage the cord, place

heavy objects on it, or place it in a position where anyone could walk on, trip

over, or roll anything over it.

• When removing the electric plug from the instrument or an outlet, always hold

the plug itself and not the cord.

• Do not connect the instrument to an electrical outlet using a multiple-

connector. Doing so can result in lower sound quality, or possibly cause

overheating in the outlet.

• Unplug the AC power adaptor when not using the instrument, or during

electrical storms.

• Before connecting the instrument to other electronic components, turn off the

power for all components. Before turning the power on or off for all

components, set all volume levels to minimum. Also, be sure to set the

volumes of all components at their minimum levels and gradually raise the

volume controls while playing the instrument to set the desired listening level.

• Do not expose the instrument to excessive dust or vibrations, or extreme cold

or heat (such as in direct sunlight, near a heater, or in a car during the day) to

prevent the possibility of panel disﬁguration or damage to the internal

components.

• Do not use the instrument near other electrical products such as televisions,

radios, or speakers, since this might cause interference which can affect proper

operation of the other products.

• Do not place the instrument in an unstable position where it might accidentally

fall over.

• Before moving the instrument, remove all connected adaptor and other cables.

• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners,

solvents, cleaning ﬂuids, or chemical-impregnated wiping cloths. Also, do not

place vinyl, plastic or rubber objects on the instrument, since this might

discolor the panel or keyboard.

• Do not rest your weight on, or place heavy objects on the instrument, and do

not use excessive force on the buttons, switches or connectors.

• Use only the stand speciﬁed for the instrument. When attaching the stand or

rack, use the provided screws only. Failure to do so could cause damage to the

internal components or result in the instrument falling over.

• Do not operate the instrument for a long period of time at a high or

uncomfortable volume level, since this can cause permanent hearing loss. If

you experience any hearing loss or ringing in the ears, consult a physician.

■

REPLACING THE BACKUP BATTERY

• This instrument contains a non rechargeable internal backup battery which

permits internal data to remain stored even when the power is off. When the

backup battery needs replacing, the message “!BatteryLo” will display in the

LCD. When this happens, immediately back up your data (using an external

device such as the ﬂoppy disk-based Yamaha MIDI Data Filer MDF3), then

have qualiﬁed Yamaha service personnel replace the backup battery.

• Do not attempt to replace the backup battery yourself, in order to prevent the

possible serious hazards. Always have qualiﬁed Yamaha service personnel

replace the backup battery.

• Never place the backup battery in a location that a child can reach, since a child

might accidentally swallow the battery. If this should happen, consult a

physician immediately.

■

SAVING USER DATA

• Save all data to an external device such as the Yamaha MIDI Data Filer MDF3,

in order to help prevent the loss of important data due to a malfunction or user

operating error.

Yamaha cannot be held responsible for damage caused by improper use or

modiﬁcations to the instrument, or data that is lost or destroyed.

Always turn the power off when the instrument is not in use.

4

Introduction

Thank you for purchasing the Yamaha S03 Music Synthesizer. In order to get the most out of your new S03 and its

sophisticated functions, we suggest you read through this manual thoroughly. Also keep it in a safe, convenient place

so that you can regularly refer to it when necessary.

Package Contents

•PA-3C AC Adaptor *

n

Since the PA-3C has the same speciﬁcations as the PA-3B, the PA-3C can be used as the AC adapter for any product

requiring the PA-3B.

• Owner’s Manual

• Data List

* May not be included in your area. Please check with your Yamaha dealer.

Main Features

•Exceptionally high-quality dynamic Voices — including many sounds from Yamaha’s top-of-the-line S80 Music

Synthesizer (page 18).

• Wide variety of pro-quality digital effects (page 53).

• Category Search function for quickly calling up Voices in a desired instrument group (page 35).

•A total of 480 Normal Voices and 20 Drum Voices, all XG-compatible — in addition to Preset Voices and User

Voices (page 25).

• Comprehensive, detailed editing features for customizing your Voices (page 70).

• Convenient TO HOST terminal for direct, easy connection to computer — with just one cable (page 13).

GM System Level 1

“GM System Level 1” is a standard speciﬁcation that deﬁnes the arrangement of voices in a tone generator and its MIDI

functionality, ensuring that data can be played back with substantially the same sounds on any GM-compatible tone

generator, regardless of its manufacturer or model. Tone generators and song data that meet the “GM System Level 1” bear

this GM logo.

XG

“XG” is a tone generator format that expands the voice arrangement of the “GM System Level 1” speciﬁcation to meet the

ever-increasing demands of today’s computer peripheral environment, providing richer expressive power while maintaining

upward compatibility of data. “XG” greatly expands “GM System Level 1” by deﬁning the ways in which voices are expanded

or edited and the structure and type of effects.

When commercially available song data bearing the XG logo is played back on a tone generator which bears the XG logo, you

will enjoy a full musical experience that includes unlimited expansion voices and effect functions.

5

About This Manual

This manual is basically divided into two sections:

■

Basics Section (Page 8)

Explains how to get started with the S03, it’s overall structure, and how to use its main features and functions.

■

Reference Section (Page 55)

Explains the parameters of the S03’s various modes.

About the “Page” References in this Manual

PAGE xx ..... Refers to a display “page” in the LCD

page xx........ Refers to an actual page in this manual.

Many of the functions and parameters of the S03 are shown on various display “pages,” each of which is numbered

within each mode and indicated in the display. Searching for a function or parameter is made more convenient and

fast by the use of these page numbers.

To distinguish these display page references from actual pages in the manual, we’ve applied the following convention:

“PAGE” (all capital letters) refers to the display page. Unless indicated otherwise, the PAGE reference is for display

pages within the same mode (as described for other parameters in the same section).

Throughout the manual, parameter names are prefaced by numbers, such as “13-2 Resonance.” This, for example,

indicates that the Resonance parameter is on display PAGE 13 in the selected mode.

When one display page contains two or more related parameters, use the [

E

]/[

F

] buttons (page 30) to scroll

through the available parameters. These related parameters selected by the [

E

]/[

F

] buttons are indicated by

hyphenated numbers (e.g., 13-1, 13-2, etc.). In the example above, you can select the Resonance parameter by using

the [

E

]/[

F

] buttons to move to the second page.

n

For a full listing of the parameters and their corresponding display pages, refer to the Function Tree chart (page 20) or the

Parameter Table (page 22).

●

Copying of the commercially available music sequence data and/or digital audio ﬁles is strictry prohibited except

for your personal use.

●

The illustrations and LCD screens as shown in this owner’s manual are for instructional purposes only, and may

appear somewhat different from those on your instrument.

●

The company names and product names in this Owner’s Manual are the trademarks or registered trademarks of

their respective companies.

6

Table of Contents

Basics Section............................8

The Controls & Connectors ................................................ 8

Front Panel ................................................................................... 8

Rear Panel .................................................................................. 10

Before Use........................................................................... 11

Power Supply ............................................................................. 11

Connections................................................................................ 11

Powering Up .............................................................................. 15

Demo Playback................................................................... 16

Overview of the S03 ........................................................... 17

Controller ................................................................................... 17

Tone Generator .......................................................................... 17

Effects ........................................................................................18

About the Modes ................................................................ 19

Function Tree chart ........................................................... 20

Parameter Table................................................................. 22

Multis .................................................................................. 24

Voices .................................................................................. 25

Overview of Voices/Waves ....................................................... 26

Waves......................................................................................... 27

Basic Operations ................................................................ 28

Selecting a Mode........................................................................ 28

Selecting a Screen ...................................................................... 30

Entering Data .............................................................................31

Playing the S03 ................................................................... 33

Playing the Voices ..................................................................... 33

Using Multi Mode .............................................................. 37

Playing in Multi Mode ............................................................... 37

Using the S03 as a Multitimbral Tone Generator (Multi Edit)..38

Performing Live While Playing Back a Song File..................... 40

Splitting the Keyboard — Setting Upper and Lower Ranges for the Voices

.... 41

Layering Two Voices (Parts) Together...................................... 42

Using Controllers ............................................................... 44

Pitch Bend Wheel ......................................................................44

Modulation Wheel .....................................................................44

Foot Controller........................................................................... 45

Foot Switch ................................................................................ 46

Voice Edit............................................................................ 47

Effects.................................................................................. 53

Effects in Voice Mode ...............................................................53

Effects in Multi Mode................................................................53

Reference Section ....................55

Multi Mode ......................................................................... 55

Multi Edit................................................................................... 55

Common (Settings for all Parts) ........................................... 56

Part (Settings for each Part).................................................. 59

Multi Job.................................................................................... 67

Performing a Job................................................................... 67

Multi Store................................................................................. 69

Voice Mode ......................................................................... 70

Voice Edit.................................................................................. 70

Normal Voice ....................................................................... 70

Drum Voices......................................................................... 84

Voice Job ................................................................................... 87

Performing a Job................................................................... 87

Voice Store ................................................................................ 89

Utility Mode........................................................................ 90

Utility Job .................................................................................. 92

Factory Set (Restore Factory Defaults) ................................ 92

MIDI Mode......................................................................... 93

Appendix................................95

About MIDI ........................................................................ 95

Display Messages.............................................................. 100

Troubleshooting ............................................................... 101

Specifications.................................................................... 105

Index.................................................................................. 106

7

Basics Section Multi Mode Voice Mode Utility Mode MIDI Mode Appendix

Application Index

This convenient, easy-to-use index is divided to general categories to help you when you want to ﬁnd information on a speciﬁc topic or

function.

Listening/Playing

• Listening to Demo songs ........................................................................................................................................ Demo Playback (Page 16)

• Playing the voices............................................................................................................................................................................... (Page 33)

• Calling up Voices in a desired instrument group .............................................................................Using Voice Category Search (Page 35)

•Performing live while playing back a Song ﬁle ................................................................................................................................ (Page 40)

• Splitting the keyboard — Setting upper and lower ranges for the Voices

In Multi mode .................................................................................................................................................................................... (Page 41)

In Voice mode.................................................................................................................................................................. Note Limit (Page 73)

•Layering two voices (Parts together) ................................................................................................................................................ (Page 42)

Using controllers

• Connecting controllers ...................................................................................................................................................................... (Page 14)

• Using a Foot Controller to control parameters................................................................................................................................. (Page 45)

• Using a Footswitch to advance through Voice or Multi programs.................................................................................................. (Page 46)

• Maintaining the controller state/position when you switch between voices..................................................... Controller Reset (Page 91)

• Setting the AC1 (Assignable Controller 1) Controller ..........................................................................................Foot Controller (Page 45)

AC1 (Assignable Controller 1) (Page 66)

Copying

• Copying the Voice Variation Effect settings to the Multi mode ..................................................................Copy Variation Effect (Page 68)

• Copying the Controller settings of the Voice mode to the Multi mode...............................................................Copy Controller (Page 68)

• Copying Part parameter settings of the Multi being edited to another Part in the same Multi..................................................... (Page 68)

• Copying Element parameter settings of the Voice being edited to another Element in the same Voice....................................... (Page 88)

• Backing up your S03 data............................................................................................Saving S03 Settings to an External Device (Page 42)

Changing the sound

• Editing a Voice ................................................................................................................................................................. Voice Edit (Page 47)

• Effect structure and signal ﬂow ............................................................................................................................................Effects (Page 53)

• Details on the parameters of the modes .............................................................................................................Reference Section (Page 55)

Saving data

• Storing the edited Voice to the S03 internal (USER) memory.....................................................................................Voice Store (Page 89)

• Storing the edited Multi to the S03 internal (USER) memory ................................................................................... Multi Store (Page 69)

•Saving S03 settings (Voice/Multi/MIDI/Utility) to an external device such as a computer .......... Saving S03 Settings to an External Device (Page 42)

Connecting the S03 to other devices

• Connecting a computer............................................................................................................... Connecting a Personal computer (Page 13)

• Setting Local On/Off .................................................................................................................................................. Local On/Off (Page 93)

• Using the S03 as a multitimbral tone generator............................................................................................................................... (Page 38)

• Sending the S03 data using the Bulk Dump function ...............................................Saving S03 Settings to an External Device (Page 42)

Resetting parameters (Initializing)

• Initializing Multi parameters ............................................................................................................................................ Initialize (Page 68)

• Initializing Voice parameters............................................................................................................................................. Initialize (Page 88)

•Resetting the S03 to its default settings............................................................................Factory Set (Restore Factory Defaults) (Page 92)

Quick solutions

• Global functions of the S03.............................................................................................................................Function Tree chart (Page 20)

• S03 parameter structure and the LCD PAGES..................................................................................................... Parameter Table (Page 22)

• General information on MIDI......................................................................................................................................About MIDI (Page 95)

• Meaning of the display messages ...................................................................................................................... Display Messages (Page 100)

•Troubleshooting................................................................................................................................................................................(Page 101)

8

Basics Section

The Controls & Connectors

Font Panel

1

OCTAVE [UP] and [DOWN] buttons (Page 36)

Press either of these buttons to shift the note range

of the keyboard up or down in octaves. Press them

together to restore the normal range (0).

2

[VOLUME] slider (Page 15)

Adjusts the master volume output from the

OUTPUT L/R jacks and the PHONES jack. Move

the slider upwards to raise the level.

3

PITCH bend wheel (Page 44)

Controls the pitch bend effect.

4

MODULATION wheel (Page 44)

Controls the modulation effect. You can also assign

other parameters and functions to this controller.

5

LCD (Liquid Crystal Display)

This backlit LCD displays various operation

messages and information.

6

Parameter Type List (Page 30)

Follow the arrow in the LCD across to the

appropriate column in the list; the arrow indicates

the type of the currently selected parameter.

7

MODE buttons (Page 19)

Press these to buttons to select one of the modes:

Multi, Voice, Utility, or another mode.

8

[PART/ELEMENT/KEY] buttons

These buttons are used to select Parts/Elements/

Drum keys in the Multi Edit or Voice Edit Mode.

8

-1 [+]/[–] buttons (Page 30)

In the Multi Mode, these buttons select Parts 1 to

16. In the Multi Part Edit mode, press both of these

buttons simultaneously to call up the Common Edit

screens. To return to the Part Edit screens, press

only one of these buttons, [–] or [+].

In the Voice Edit Mode, these buttons select

Elements 1 to 4 or the Drum keys. In the Voice

Element Edit mode, press both of these buttons

simultaneously to call up the Common Edit screens.

To return to the Element Edit screens, press only

one of these buttons, [–] or [+].

8

-2 [MUTE] button (Page 48, 55)

In the Multi Mode, this button mutes the selected

Parts. In the Voice Edit Mode, this button mutes the

selected Elements or Drum keys.

MUSIC SYNTHESIZER

PHONES

L

OUTPUT

RDCINON

STANDBY

CONTROLLER SWITCH TO HOST HOST SELECT IN OUT THRU

MIDI

VOLUME

UTILITY

UTILITY MIDI MODE PART ELEMENT KEY

DATA

EDIT

MULTI PA RT

COMMON ELEMENT

VOICE

MIX

TONE

EFFECT

CONTROLLER

GENERA L

OSC MIX

PITCH

AMP

EFFECT

LFO

FILTER

TG

MULTI

UTILITY

EDIT

COMPARE

JOB STORE

MIDI

VOICE DEMO MUTE

DRUM

CATEGORY

SEARCH

PRESET

PIANO

BASS

1

0

23

456

789

REED/PIPE

STRINGS

SYN LEAD

BRASS

ENTER EXIT

SYN PAD

ORGAN GUITAR

USER

GM XG

SE

OTHER KEYBOARD

SYN COMP

CHROMATIC

PERCUSSION

DRUM/PERC

COMMON

DEC INC

KEYBOARD

MIDI FILTER

EFFECT

CONTROLLER

MIDI CHANNEL

DOWN

OCTAVE

UP

FOOT FOOT

MIDI

PAGE

OCTAVE

PART

NO YES

ELEM

KEY

MONO

KEYELEMPART

OCTAVE

PAGE

12 5 6 78 9)!$

@# % ^34

9

Basics Section

9

DATA buttons (Page 30)

These are used during editing for selecting various

pages and for setting parameter values.

9

-1 [DEC/NO] button (Page 31)

Use this to decrease the value of the selected

parameter. To decrease the value by 10,

simultaneously hold down this button and press the

[INC/YES] button. The button can also be used to

cancel a Job or Store operation.

9

-2 [INC/YES] button (Page 31)

Use this to increase the value of the selected

parameter. To increase the value by 10,

simultaneously hold down this button and press the

[DEC/NO] button. The button can also be used to

execute a Job or Store operation.

9

-3 [

▲

]/[

▼

] buttons (Page 30)

Use these to select the screen “pages” in each Mode.

9-4 [E]/[F] buttons (Page 30)

Use these to select the value to be set in the LCD, or

to display continuous parts of the page (on the left

and right), for pages that consist of several parts.

) [CATEGORY SEARCH/DRUM] button

(Pages 34, 35)

Turns on the Category Search function (page 35).

This function allows you to instantly select a

desired Voice category from the numeric keypad or

the Memory buttons. You can also assign the drum

bank of each memory by simultaneously pressing

this button and the [USER/(SE)] button or the

[GM/XG /(OTHER)] button.

! [PRESET/(DRUM/PERC)] button (Page 33)

In the Multi and Voice modes, this lets you select

the Preset Memory programs. When the Category

Search function (page 35) is active, this is used to

specify the DRUM/PERC Voice category.

@ [USER/(SE)] button (Page 33)

In the Multi and Voice modes, this lets you select

the User Memory programs. You can also specify a

User Memory Drum bank by simultaneously

pressing both this button and the [CATEGORY

SEARCH/DRUM] button. When the Category

Search function (page 35) is active, this is used to

specify the SE Voice category.

# [GM/XG/(OTHER)] button (Page 33)

In the Multi and Voice modes, this lets you select

the GM/XG Memory programs. You can also

specify a GM/XG Memory Drum bank by

simultaneously pressing both this button and the

[CATEGORY SEARCH/DRUM] button. When the

Category Search function (page 35) is active, this is

used to specify the OTHER: CO, ME Voice

categories.

$ Numeric keypad (Pages 32, 35)

This is used to select speciﬁc Multi or Program

numbers. In the Edit mode, it is used to input

parameter data values. The selected value is actually

entered or executed only after pressing the

[ENTER] button. This is also used to select the

various Voice categories (page 70) when the

Category Search function (page 35) is set to ON.

% [ENTER/KEYBOARD] button

This is used to enter or execute the value typed in

from the numeric keypad. This can also be used to

set parameters whose values are expressed as a note

(from C-2 - G8); simultaneously hold this button

and press the desired key on the keyboard. It is also

used for executing various jobs and store

operations.

& [EXIT] button (Page 31)

During editing or when in a mode other than Multi/

Voice Play, pressing this button exits from the mode

and returns to the Multi/Voice Play mode.

10

Basics Section

Rear Panel

1 MIDI IN/OUT/THRU terminals (Page 12)

MIDI IN receives MIDI messages from an external

MIDI device. Use this connector to control the S03

from an external MIDI device. MIDI OUT sends

out MIDI messages generated by the S03 (including

notes played on the keyboard and panel control

movements) to an external MIDI sound module or

device. MIDI THRU simply relays the MIDI

messages received at MIDI IN. Connect other

devices here.

2 HOST SELECT switch (Page 12)

For selecting the type of computer connected to the

S03 via the TO HOST connector. When using the

MIDI IN/OUT/THRU terminals, set this switch to

MIDI.

3 TO HOST terminal (Page 13)

For connection to a computer, using an optional

serial computer cable.

4 FOOT SWITCH jack (Pages 14, 46)

For connecting an optional footswitch (FC4 or

FC5). Depending on the assigned function, you can

use the footswitch to turn speciﬁc functions on and

off.

5 FOOT CONTROLLER jack (Pages 14, 45)

For connecting an optional foot controller (FC7,

etc.). This gives you real-time control over various

aspects of the sound, such as tone, pitch, and

volume.

6 STANDBY/ON switch (Page 15)

Use this to turn the S03 on or off.

Even when the switch is in the “STANDBY” position,

electricity is still ﬂowing to the instrument at a minimum

level. When not using the S03 for an extended period of

time, be sure to unplug the AC power adaptor from the

wall AC outlet.

7 DC IN terminal (Page 11)

For connecting an appropriate AC power adaptor

(PA-3C or an equivalent recommended by Yamaha)

to supply power to the S03.

8 OUTPUT L/MONO and R jack (Page 11)

Line level audio signals are output from the S03 via

these phone jacks (1/4" mono phone plug). For

monophonic output, use just the L/MONO jack.

9 PHONES jack (Page 11)

For connection to a pair of stereo headphones.

MIDI

OUTTHRU IN

HOST SELECT

TO HOS T

FOOT

SWITCH

FOOT

CONTROLLER

MacPC-2

MIDI OFF

OUTPUT

RLMONOON

STANDBY

DC IN PHONES

12 5678934

11

Basics Section

Before Use

This section explains how to connect to an AC power source, audio and MIDI devices, and a computer system. Only

switch the S03 on after you have made all the necessary connections. We strongly recommended you read this

section BEFORE using the S03.

Power Supply

1 Make sure that the S03’s STANDBY/ON switch is

at the STANDBY (off) position.

2 Connect the PA-3C’s DC plug to the S03’s DC IN

terminal on the instrument’s rear panel.

3 Connect the adaptor’s AC plug to the nearest

electrical outlet.

Do not attempt to use an AC adaptor other than the

Yamaha PA-3C or an equivalent recommended by

Yamaha. The use of an incompatible adaptor may cause

irreparable damage to the S03, and may even pose a

serious shock hazard! ALWAYS UNPLUG THE AC

ADAPTOR FROM THE AC POWER OUTLET WHEN

THE S03 IS NOT IN USE.

Even when the switch is in the “STANDBY” position,

electricity is still ﬂowing to the instrument at a minimum

level. When not using the S03 for an extended period of

time, be sure to unplug the AC power adaptor from the

wall AC outlet.

Connections

Connecting to External

Audio Equipment

Since the S03 has no built-in speakers, you need to

monitor its sound output via external audio

equipment. Alternatively, you could use a pair of

headphones.

There are several methods of connecting to external

audio equipment, as described in the following

illustrations.

Connecting Stereo Powered

Speakers

A pair of powered speakers can accurately produce the

S03’s rich sounds with their own pan and effect

settings. Connect your powered speakers to the

OUTPUT L/MONO and R jacks on the rear panel.

n When using just one powered speaker, connect it to the

OUTPUT L/MONO jack on the rear panel.

S03 Rear Panel

DC IN

To electrical

outlet

OUTPUT

RLMONOON

STANDBY

DC IN PHONES

S03

Stereo headphones

PHONES

OUTPUT L /

MONO

OUTPUT R

INPUTINPUT

Powered speaker

(Left)

Powered speaker

(Right)

12

Basics Section

Connecting to a Mixer

If you want to integrate the S03 into a larger system

with other instruments and additional audio

processing capabilities, connect it to a mixer, ampliﬁer

and stereo monitor system as shown below.

n Connecting a pair of headphones does not affect audio

output from the OUTPUT (L/MONO and R) jacks.

The audio output at the PHONES jack and the OUTPUT

jacks is exactly the same.

Connecting External MIDI

Equipment

You can connect an external MIDI device using a MIDI

cable (available separately) and control it from the S03.

You can also use an external MIDI keyboard or

sequencer to control the S03’s internal sounds. This

section introduces several different MIDI applications.

n The HOST SELECT switch on the rear panel should be

set to “MIDI” Otherwise, MIDI data will not be

transmitted from the S03’s MIDI OUT connector.

Controlling the S03 from an

External MIDI Keyboard

Controlling an External MIDI

Keyboard with the S03

12345678910111213141516LR

Stereo headphones

Mixer

Speaker

Amplifier

L

OUTPUT L

OUTPUT

R

OUTPUT

L / MONO PHONES

R

S03

MIDI OUT

MIDI IN

External MIDI keyboard

or synthesizer

S03

HOST SELECT

MacPC-2

MIDI OFF

MIDI OUT

MIDI IN

External MIDI keyboard

or synthesizer

S03

HOST SELECT

MacPC-2

MIDI OFF

13

Basics Section

Recording and Playback using an

External MIDI Sequencer

Controlling Another MIDI Device via

MIDI THRU

With the above MIDI connections, you can send MIDI

data from the S03’s MIDI OUT terminal, while

sending MIDI data from the external sequencer to an

external MIDI synthesizer via the S03’s MIDI THRU

terminal.

n The MIDI cable should be no greater than 15 meters in

length, and there should be no more than three devices in

a MIDI chain (chained in series via each unit’s MIDI

THRU). To connect more units, use a MIDI Thru Box

for parallel connections. You may encounter errors if the

MIDI cables are too long or if too many devices are

chained together via their MIDI THRU connectors.

Connecting to a Personal

Computer

You can use a connected computer to control the S03

and to transfer S03 data to/from computer via MIDI.

There are two ways to connect your S03 to a computer:

1: Serial connection (the computer’s serial port to

the S03’s TO HOST terminal)

2: MIDI connection (the computer’s MIDI

interface or external MIDI interface to the

S03’s MIDI IN and OUT)

Depending on your particular computer, the

connections may differ. (See below.)

n You may also want to change the Local On/Off setting

(page 93), depending on how you are using the S03 in

your MIDI system.

1: Serial Port to TO HOST

IBM-PC/AT

Macintosh

MIDI OUT

External

MIDI sequencer

S03

MIDI IN

HOST SELECT

MacPC-2

MIDI OFF

MIDI IN

MIDI THRU

MIDI OUT

MIDI IN

External

MIDI sequencer

External MIDI

synthesizer

External MIDI synthesizer

HOST SELECT

MacPC-2

MIDI OFF

MIDI OUT

MIDI IN

S03

IBM-PC/AT

and compatibles

RS-232C

(DB9)

IB

M

Personal System/V

PS/V

Personal System/V

TO

HOST

8-pin MINI DIN to

D-SUB 9-pin Cable

S03

HOST SELECT

MacPC-2

MIDI OFF

mini DIN 8-pin

D-SUB 9-pin

TO

HOST

Macintosh Peripheral

Cable (M0197)

Macintosh

S03

HOST SELECT

MacPC-2

MIDI OFF

mini DIN 8-pin mini DIN 8-pin

14

Basics Section

2:

MIDI Interface to MIDI IN and OUT

Using the computer’s MIDI interface

Using an external MIDI interface

■ Connection to serial port

■ Connection to USB terminal

n You will also need the appropriate MIDI application

(sequencer, editor, etc.), compatible with your

computer platform.

Connecting Controllers

The S03 has controller jacks on the rear panel,

including FOOT SWITCH and FOOT CONTROLLER.

You can connect optional controllers such as a

footswitch (the FC4 or FC5) and foot controller (the

FC7) to control tone, volume, pitch and other

parameters.

n Details about how to use these controllers are given on

page 45.

Computer with

MIDI interface

HOST SELECT

PC-2 PC-1

MIDI Mac

MIDI OUT

MIDI

OUT

MIDI

IN

MIDI IN

NEC

PC-9821

AS

NEC MultiSync

S03

MIDI Interface

MIDI OUT

MIDI IN

MIDI IN MIDI OUT

Computer

S03

HOST SELECT

MacPC-2

MIDI OFF

USB-MIDI interface

(UX256, etc.)

MIDI OUT

MIDI IN

MIDI IN MIDI OUT

Computer

S03

HOST SELECT

MacPC-2

MIDI OFF

FOOT SWITCH

FC4 or FC5

FOOT CONTROLLER

FC7

S03

H

OST SELECT

TO HOS T

FOOT

SWITCH

FOOT

CONTROLLER

MacPC-2

D

IOFF

OUTPUT

RLMONOON

STANDBY

DC IN PHONES

15

Basics Section

Powering Up

Power-on Procedure

When you have made all the necessary connections

between your S03 and any other devices, make sure

that all volume settings are turned down all the way to

zero. Then turn on every device in your setup in the

order of MIDI masters (senders), MIDI slaves

(receivers), then the audio equipment (mixers,

ampliﬁers, speakers, etc.). This ensures smooth MIDI

operation and prevents speaker damage.

When powering down the setup, ﬁrst turn down the

volume for each audio device, then switch off each

device in the reverse order (ﬁrst audio devices, then

MIDI).

When using the S03 as MIDI slave:

Turning on the S03

In order to avoid possible damage to the speakers or other

connected electronic equipment, always switch on the

power of the S03 before switching on the power of the

ampliﬁed speakers or mixer and ampliﬁer. Likewise,

always switch off the power of the S03 after switching off

the power of the ampliﬁed speakers or mixer and

ampliﬁer.

Even when the switch is in the “STANDBY” position,

electricity is still ﬂowing to the instrument at a minimum

level. When not using the S03 for an extended period of

time, be sure to unplug the AC power adaptor from the

wall AC outlet.

n Before you switch your S03 on or off, ﬁrst turn down the

volume of any connected audio equipment.

1 Press the STANDBY/ON switch

2 A splash screen (“Welcome to S03”) is displayed

brieﬂy.

3 The Multi or Voice Play Mode screen appears next.

4 Turn up the ampliﬁer’s volume as necessary.

5 Adjust the S03’s [VOLUME] slider to set an

appropriate volume level.

MIDI master (transmitting device)

Audio equipment (first mixer, then amplifier)

12345678910111213141516LR

POWER

ON!!

S03 as MIDI slave (MIDI receiving device)

H

FOOT

CONTROLLER

OUTPUT

RLMONOON

STANDBY

DC IN PHONES

GrandPno

KEYELEMPAR T

OCTAVE

PAG E

XG001

VOLUME

16

Basics Section

Demo Playback

The S03 features a variety of demo songs, showcasing its dynamic sound and sophisticated functions.

n Make sure synthesizer is ready for playback. Details are given in the section “Before Use” on page 11.

At the “Demo” screen, any data in the instrument’s User Voice memory will be overwritten by the data for the demo song.

Important data should be saved to the external MIDI device or computer beforehand.

At the “DEMO” screen, the Master Tune parameter (in Utility) will be overwritten and set to “0.”

1 Press the [DEMO] button.

The following screen appears.

2 Press the [INC/YES] button to call up the Demo screen and automatically start playback of the Demo song.

3 To stop Demo playback, press one of the following buttons: [MULTI], [VOICE], or [EXIT].

This exits from the Demo mode and automatically returns to the Multi mode, Voice mode, or the mode previously

selected.

n Demo song playback continues indeﬁnitely until stopped.

Demo Song Selection

While the Demo song is playing back, you can select the particular Demo song that you wish to hear.

Enter the desired Demo song category from the numeric keypad to call up the song.

For example, you can play the piano song by pressing button 7 (PIANO) in the numeric keypad. If you don’t select a

particular song, an ensemble (OTHER) song will play back automatically.

n When there are several Demo songs contained in one category, you can select from among the available songs by using the

[DEC/NO] and [INC/YES] buttons.

MODE

MULTI VOICE DEMO

EraseUserV

KEYELEMPAR T

OCTAVE

PAG E

OK?

MODE PART ELEMENT KEY

DATA

MULTI

UTILITY

EDIT

COMPARE

JOB STORE

MIDI

VOICE DEMO MUTE

DRUM

category

17

Basics Section

Overview of the S03

The S03 has a wide variety of advanced and convenient features. This section gives you an overview of these

features.

The following diagram shows the various component sections or “blocks” of the S03.

Controller

This block consists of the keyboard, Pitch Bend and Modulation wheels and so on. The keyboard itself doesn’t

generate sounds, but instead sends note, velocity and other information to the S03’s tone generator section for the

notes you play. The controllers also send non-note performance data. Information from the keyboard and

controllers can be transmitted to other external MIDI devices through the MIDI OUT connector.

Tone Generator

This block plays back sounds according to information received from the keyboard and controllers. The following

example illustrates the path taken by the signal from an Element in the Voice Mode.

Controller

Tone Generator

Effect

keyboard controllers

Tone Generator

To Effects Units

AMP

(Amplitude)

FILTERPITCH

OSC

(Oscillator)

Outputs the waveform of each Element.

Each Voice consists of up to four Elements.

Controls the pitch of each Element output

from the OSC section.

Changes the tonal quality of each Element

output from the PITCH section.

Controls the output level (amplitude) of each

Element output from the FILTER section. The

signals are then sent at this level to the

Effects Units.

18

Basics Section

About the Tone Generator

The tone generator of the S03 utilizes the sophisticated AWM2 system.

AWM2 (Advanced Wave Memory 2) is a synthesis system based on the use of sampled waveforms, and is used in

many Yamaha synthesizers. For extra realism, each AWM2 Voice uses multiple samples of a real instrument’s

waveform. Furthermore, a wide variety of envelope generator, ﬁlter, modulation, and other parameters can be

applied to the basic waveform.

n AWM2 is not just limited to conventional pitched instruments (Normal Voices), but also produces various drum and percussion

instruments (Drum Voices). For details about Normal and Drum Voices, see page 26.

Maximum Polyphony

The maximum polyphony of the S03 is 64 notes. However, the actual note polyphony will vary depending on the

number of Elements in the Voice. To calculate the actual polyphony, divide the total polyphony of 64 by the number

of Elements in the Voice. For instance, if a Voice consists of two Elements, the maximum note polyphony for the

Voice is 32.

Effects

The effects can be used to change or enhance the sound of a Multi or Voice.

These include the effects of the Reverb section (11 types) for adding ambient after-tones to the sound, the Chorus

section (11 types) that add animation and depth, and the Variation section (42 types) which features a wealth of

additional effects.

n For more details about the effects, see page 53.

19

Basics Section

About the Modes

The S03 has various modes, each covering a different set of operations and functions.

Multi Mode

(Page 55)

Multi Play Mode

Select this mode when you want to

use the S03 as a multi-timbral tone

generator. In this mode, you can use

an external MIDI sequencer to play

several different instrument parts

simultaneously. This mode can also

be used to combine several different

Voices together in a layer.

Multi Edit Mode

In this mode, you can edit and create

Multis. You can save up to 32 Multis

to internal memory.

Multi Job Mode

In this mode, you can copy and

initialize Multis, and perform other

similar operations (Jobs).

Voice Mode

(Page 70)

Voice Play Mode

Normal Voices and Drum Voices can

be played in this mode. You can

select from the Preset Voices (128

Normal Voices), User Voices (128

Normal Voices plus two Drum Kits)

and XG Voices (480 Normal Voices

plus 20 Drum Kits). The S03 also

features a convenient Category

Search function that lets quickly

select a Voice according to its

instrument type.

Voice Edit Mode

Normal Voices and Drum Voices can

be created and edited in this mode.

You can save up to 128 edited

Normal Voices and two edited Drum

Kits as User Voices in internal

memory.

Voice Job Mode

In this mode, you can copy Elements

and initialize Voices, and perform

other similar operations (Jobs).

DEMO Mode

(Page 16)

In this mode, you can play the Demo

songs contained in internal memory.

The various Demo songs play back

continuously.

Utility Mode

(Page 90)

This mode contains global settings

related to the entire system of the

S03, such as master tuning and

controller-related settings.

MIDI Mode

(Page 93)

In this mode, you can make MIDI-

related settings, such as the MIDI

transmit/receive channels and

device number.

Store Mode

(Pages 69, 89)

In this mode, you can store your

original Voices and Multis to

internal memory.

MODE

MULTI

UTILITY

EDIT

COMPARE

JOB STORE

MIDI

VOICE DEMO

Voice Mode

Voice Play Mode

Voice Edit Mode

Voice Job Mode

DEMO Mode

Store Mode

MIDI Mode

Utility Mode

Multi Mode

Multi Play Mode

Multi Edit Mode

Multi Job Mode

20

Basics Section

Function Tree chart

LCD Display (parameter name) LCD

Owner's Manual

PAGE Pag e

Multi Edit 56

Common

GENERAL

Name 1 56

Total Vol (Total Volume) 2 56

Transpose 3 56

EFFECT

RevEF (Reverb Effect Type) 4 56

Reverb Parameters 5 56

Rev Return (Reverb Return) 6 56

Reverb Pan 7 57

ChoEF (Chorus Effect Type) 8 57

Chorus Parameters 9 57

Cho Return (Chorus Return) 10 57

Chorus Pan 11 57

SndChoRev (Send Chorus to Reverb) 12 57

VarEF (Variation Effect Type) 13 57

Variation Parameters 14 57

VarConnect (Variation Connection) 15 58

Var Return (Variation Return) 16 58

Var Pan 17 58

SndVarRev (Send Variation to Reverb) 18 58

SndVarRev (Send Variation to Chorus) 19 58

MW VarCtl (MW Variation Effect Control Depth) 20 58

AC1VarCtl (AC1 Variation Effect Control Depth) 21 59

Part

VOICE

Voice Selection 1 59

MIX

Volume 2 60

Pan 3 60

NtLmt-H (Note Limit Low/High) 4 60

VelLmt-L (Velocity Limit Low/High) 5 60

GENERAL

Rcv Ch (MIDI Receive Channel) 6 61

NoteShift/Detune 7 61

Mono/Poly 8 61

Part Mode 9 61

TONE

VelSnsDpt/Ofs (Velocity Sensitivity Depth/Offset) 10 62

Cutoff/Resonance 11 63

Attack/Decay/Releas Tm (Attack/Decay/Release Time) 12 63

PEG L/Tm (PEG Level/Time) 13 64

Vib Rate/Depth/Delay (Vibrato Rate/Depth/Delay) 14 64

CONTROLLER

Porta Sw/Time (Portamento Switch/Time) 15 65

PB Range (Pitch Bend Range) 16 65

MW FltCtl (MW Filter Control) 17 65

MW PMod (MW Pitch Modulation Depth) 18 65

MW FMod (MW Filter Modulation Depth) 18 65

MW AMod (MW Amplitude Modulation Depth) 18 65

AC1 CC No (AC1 Control Change Number) 19 66

AC1FltCtl (AC1 Filter Control) 20 66

AC1 FMod (AC1 Filter Modulation Depth) 21 66

AC1 AMod (AC1 Amplitude Modulation Depth) 21 66

EFFECT

ReverbSend 22 66

ChorusSend 23 66

Var Send (Variation Send) 24 67

Multi Job 67

Init (Initialize) 1 68

CpyVar (Copy Variation Effect) 2 68

CpyCtl (Copy Controller) 3 68

CpyPart (Copy Part) 4 68

BlkDmp (Bulk Dump) 5 68

LCD Display (parameter name) LCD

Owner's Manual

PAGE Pag e

Voi c e Edit 71

Common

GENERAL

Name 1 71

Total Vol/Lvl (Total Volume/Level) 2 71

Mono/Poly 3 71

VelSnsDpt/Ofs (Velocity Sensitivity Depth/Offset) 4 72

CONTROLLER

Porta Sw/Time (Portamento Switch/Time) 5 72

PB Range (Pitch Bend Range) 6 72

MW FltCtl (MW Filter Control) 7 72

MW PMod (MW Pitch Modulation Depth) 8 72

MW FMod (MW Filter Modulation Depth) 8 72

MW AMod (MW Amplitude Modulation Depth) 8 72

AC1FltCtl (AC1 Filter Control) 9 72

AC1 FMod (AC1 Filter Modulation Depth) 10 72

AC1 AMod (AC1 Amplitude Modulation Depth) 10 72

EFFECT

ReverbSend 11 72

ChorusSend 12 72

SndChoRev (Send Chorus to Reverb) 13 72

VarEF (Variation Effect Type) 14 72

Variation Parameters 15 72

MW VarCtl (MW Variation Effect Control Depth) 16 72

AC1 VarCtl (AC1 Variation Effect Control Depth) 17 72

Element

OSC/MIX (Oscillator/Mixer)

Element Sw (Element Switch) 1 73

Wave Selection 2 73

Level 3 73

Pan 4 73

NtLmt-L/H (Note Limit Low/High) 5 73

VelLmt-L/H (Velocity Limit Low/High) 6 74

PITCH

NoteShift/Detune 7 74

PchSclSns (Pitch Scale Sensitivity) 8 74

PchSclCN (Pitch Scale Center Note) 8 74

PEG R (PEG Rate) 9 75

PEG L (PEG Level) 10 75

PEGSclSns (PEG Scale Sensitivity) 11 76

PEGSclCN (PEG Scale Center Note) 11 76

PEGRtVel (PEG Rate Velocity) 12 76

PEGLvlVel (PEG Level Velocity) 12 76

FILTER

Cutoff/Resonance 13 77

CutoffVel (Cutoff Velocity Sensitivity) 14 77

ResoVel (Resonance Velocity Sensitivity) 14 77

FltSclFlag (Filter Scale Flag) 15 77

Flt BP1~4 (Filter Scale Break Point 1~4) 16 78

Flt Ofs1~4 (Filter Scale Offset 1~4) 17 78

FltSclSns (Filter Scale Sensitivity) 18 78

FltSclVel (Filter Scale Velocity Sensitivity) 18 78

FEG R (FEG Rate) 19 79

FEG L (FEG Level) 20 79

FEGSclSens (FEG Scale Sensitivity) 21 79

FEGAtkVel (FEG Attack Velocity) 22 80

FEGOthVel (FEG Other Velocity) 22 80

AMP (Amplitude)

AEG R (AEG Rate) 23 80

AEG L (AEG Level) 24 80

AEGSclSens (AEG Scale Sensitivity) 25 81

AEGLvlVel (AEG Level Velocity Sensitivity) 26 81

AEGAtkVel (AEG Attack Velocity Sensitivity) 26 81

LvlSclFlag (AEG Level Scale Flag) 27 81

Lvl BP1~4 (Level Break Point 1~4) 28 81

Lvl Ofs1~4 (Level Offset 1~4) 29 82

LvlSclSens (Level Scale Sensitivity) 30 82

KeyonDelay 31 82

LFO (Low Frequency Oscillator)

LFO Wave 32 82

LFO Phase (LFO Phase Initialize) 32 82

LFO Speed 33 83

LFO PMod (LFO Pitch Modulation) 34 83

LFO FMod (LFO Filter Modulation) 34 83

LFO AMod (LFO Amplitude Modulation) 34 83

PLFODelay (Pitch LFO Delay) 35 83

PLFO Fade (Pitch LFO Fade Time) 35 83

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