Yamaha PortaTone PSR-1700 Instrukcja obsługi

ESPAÑOL FRANÇAIS DEUTSCH ENGLISH

Owner’s Manual

Bedienungsanleitung

Mode d’emploi

Manual de instrucciones

NAME PLATE LOCATION: The graphic below indi-

cates the location of the name plate. The model number,

serial number, power requirements, etc., are located on this

plate. You should record the model number, serial number,

and the date of purchase in the spaces provided below and

retain this manual as a permanent record of your purchase.

Wichtiger Hinweis für die Benutzung in der Bundesrepublik Deutschland.

Bescheinigung des Importeurs

Hiermit wird bescheinigt, daß der/die/das

Electronic Keyboard Typ: PSR-1700/PSR-2700

(Gerät, Typ, Bezeichnung)

in Übereinstimmung mit den Bestimmungen der

VERFÜGUNG 1046/84

(Amtsblattverfügung)

funk-entstört ist.

Der Deutschen Bundespost wurde das Inverkehrbringen dieses Gerätes

angezeigt und die Berechtigung zur Überprüfung der Serie auf

Einhaltung der Bestimmungen eingeräumt.

Yamaha Europa GmbH

Name des Importeurs

• This applies only to products distributed by Yamaha Europa GmbH.

• Dies bezieht sich nur auf die von der Yamaha Europa GmbH vertriebenen Produkte.

Model _________________________________________

Serial No.______________________________________

Purchase Date _________________________________

2

PEDAL

1LINE

SAMPLE IN

MICR

AUX OUT

L+R/L

HEADPHONES

THRU

MIDI

OUT IN

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

WARNING:

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,

DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE.

AVIS:

RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR.

Entsorgung leerer Batterien (nur innerhalb Deutschlands)

Leisten Sie einen Beitrag zum Umweltschutz. Verbrauchte

Batterien oder Akkumulatoren dürfen nicht in den Hausmüll. Sie

können bei einer Sammelstelle für Altbatterien bzw. Sondermüll

abgegeben werden. Informieren Sie sich bei Ihrer Kommune.

Dit produkt is gefabriceerd in overeenstemming met de

radiostoringsvoorschriften van de Richtlijn van de Raad (82/499/EEG).

ΑΥΤΗ Η ΣΥΣΚΕΥΗ ΑΝΤΑΠΟΚΡΙΝΕΤΑΙ ΣΤΙΣ ΑΠΑΙΤΗΣΕΙΣ ΤΩΝ

Ο∆ΗΓΙΩΝ ΤΗΣ ΕΥΡΩΠΑΙΚΗΣ ΟΙΚΟΝΟΜΙΚΗΣ ΚΟΙΝΟΤΗΤΑΣ 82/499/

Ε.Ο.Κ..

Este produto está de acordo com o radio de interferencia frequente

requiridos do Conselho Diretivo 82/499/EEC.

Dette apparat overholder det gaeldende EF-direktiv vedrørende

radiostøj.

Cet appareil est conforme aux prescriptions de la directive

communautaire 87/308/CEE.

Diese Geräte entsprechen der EG-Richtlinie 82/499/EWG und/oder 87/

308/EWG.

This product complies with the radio frequency interference require-

ments of the Council Directive 82/499/EEC and/or 87/308/EEC.

Questo apparecchio è conforme al D.M.13 aprile 1989 (Direttiva CEE/

87/308) sulla soppressione dei radiodisturbi.

Este producto está de acuerdo con los requisitos sobre interferencias de

radio frequencia fijados por el Consejo Directivo 87/308/CEE.

YAMAHA CORPORATION

CANADA

THIS DIGITAL APPARATUS DOES NOT EXCEED THE “CLASS

B” LIMITS FOR RADIO NOISE EMISSIONS FROM DIGITAL

APPARATUS SET OUT IN THE RADIO INTERFERENCE REGU-

LATION OF THE CANADIAN DEPARTMENT OF COMMUNICA-

TIONS.

LE PRESENT APPAREIL NUMERIQUE N’EMET PAS DE BRUITS

RADIOELECTRIQUES DEPASSANT LES LIMITES APPLICABLES

AUX APPAREILS NUMERIQUES DE LA “CLASSE B”

PRESCRITES DANS LE REGLEMENT SUR LE BROUILLAGE

RADIOELECTRIQUE EDICTE PAR LE MINISTERE DES COMMU-

NICATIONS DU CANADA.

• This applies only to products distributed by Yamaha Canada Music Ltd.

• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Music Ltd.

OBSERVERA!

Apparaten kopplas inte ur växelströmskällan (nätet) sá länge som

den ar ansluten till vägguttaget, även om själva apparaten har

stängts av.

ADVARSEL: Netspæendingen til dette apparat er IKKE afbrudt,

sálæenge netledningen siddr i en stikkontakt, som er t endt — ogsá

selvom der or slukket pá apparatets afbryder.

VAROITUS: Laitteen toisiopiiriin kytketty käyttökytkin ei irroita

koko laitetta verkosta.

1

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Contents

Panel Controls 2

Taking Care of Your PortaTone 4

Preparation 5

■ Power Supply..............................................................................5

■ Installing the Backup Batteries ...................................................5

■ Using Headphones .....................................................................6

■ Connecting to an External Sound System ..................................6

■ Using Pedals...............................................................................6

■ The Music Stand.........................................................................6

Listen to the Demo! 7

■ Try the Disk Demo, Too! .............................................................8

Basic Editing Procedure 9

Selecting & Playing the Voices 11

■ Orchestration ............................................................................11

■ Voice Assignment .....................................................................13

■ Volume......................................................................................14

■ Octave ......................................................................................14

■ DSP Depth ................................................................................15

■ Pan ...........................................................................................15

■ Auto Harmony...........................................................................16

■ Effects.......................................................................................17

■ Keyboard Percussion................................................................18

■ Pitch Bend ................................................................................18

■ Modulation ................................................................................19

Overall Control 20

■ Split Point Change ....................................................................20

■ Transpose.................................................................................21

■ Tuning.......................................................................................21

■ DSP Type .................................................................................22

■ Touch Sensitivity.......................................................................23

Auto Accompaniment 24

■ Selecting a Style .......................................................................24

■ Setting the Auto Accompaniment Split Point ............................25

■ Auto Accompaniment Fingering................................................25

■ Tempo Control ..........................................................................28

■ Accompaniment Control ...........................................................29

■ Accompaniment Volume ...........................................................32

■ The Track Buttons ....................................................................33

■ Re-voicing the Tracks ...............................................................34

One Touch Setting 36

Registration Memory 37

Record Functions 39

Song Memory ................................................................................39

■ Realtime Accompaniment Track Recording .............................40

■ Realtime Melody Track Recording............................................42

■ Accompaniment And Melody Playback ....................................43

■ The [RESET] Button .................................................................44

■ Record Or Play from a Specified Measure ...............................44

The Multi Pads ...............................................................................45

■ Realtime Recording ..................................................................45

■ Playback ...................................................................................46

Custom Accompaniment ..............................................................47

■ Realtime Custom Accompaniment Recording ..........................47

■ Using a Custom Accompaniment .............................................49

Step Recording..............................................................................50

Editing Functions ..........................................................................53

■ Quantization..............................................................................53

■ Clearing Tracks.........................................................................54

■ Changing the Recorded Settings..............................................55

Using Floppy Disks 56

■ Formatting a New Floppy Disk..................................................57

■ Saving, Loading, & Deleting Disk Files.....................................58

● Saving to Disk .......................................................................58

● Loading From Disk ................................................................60

● Deleting a Disk File ...............................................................61

■ Quick Play:

Disk Orchestra Collection & Standard MIDI File Disks .............62

● Minus One Playback .............................................................62

PSR-2700 Digital Sampling 63

■ Connections..............................................................................63

■ Setting the Input Level ..............................................................63

■ Setting the Sampling Frequency...............................................64

■ Setting the Trigger Level...........................................................65

■ Recording .................................................................................66

■ Playing the Sample Pads..........................................................67

■ Editing Samples........................................................................68

● Clearing Samples..................................................................68

● Tuning the Samples ..............................................................68

● Volume, DSP Depth, & Pan Settings ....................................69

◆ Individual SAMPLE PAD Volume Settings.........................69

■ Playing Samples via the Keyboard ...........................................70

● Mapping ................................................................................70

■ Sample Memory Backup & Disk Storage..................................71

Pedal Assign 72

MIDI 73

MIDI Reception Modes ..................................................................74

■ Channel Reception Modes .......................................................74

■ Clock Mode...............................................................................75

■ Start/Stop Mode........................................................................75

MIDI Transmission ........................................................................76

■ MIDI Transmit Channels ...........................................................76

■ Local & MIDI Output ON/OFF...................................................76

Appendix ........................................................................................77

■ Voice & Polyphony List .............................................................77

■ Style List ...................................................................................78

■ Error Messages ........................................................................81

■ System Reset Procedure..........................................................82

■ Troubleshooting ........................................................................83

Index ...............................................................................................84

Percussion Kit List ......................................................................338

MIDI Implementation Chart.........................................................340

Specifications .............................................................................343

Congratulations!

You are the proud owner of a Yamaha PSR-1700/PSR-2700. Your PSR-

1700/PSR-2700 is a high-quality musical instrument that incorporates

advanced Yamaha digital technology and many versatile features. In order to

obtain maximum performance and enjoyment from your PSR-1700/PSR-2700,

we urge you to read this Owner’s Manual thoroughly while trying out the

various features described. Keep the Owner’s Manual in a safe place for later

reference.

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Taking Care of Your PortaTone

Your PortaTone will give you years of playing pleasure if you follow the

simple rules given below:

■ Location

Do not expose the instrument to the following

conditions to avoid deformation, discoloration, or

more serious damage.

• Direct sunlight (e.g. near a window).

• High temperatures (e.g. near a heat source, out-

side, or in a car during the daytime).

• Excessive humidity.

• Excessive dust.

• Strong vibration.

■ Power Supply

• Turn the power switch OFF when the instrument

is not in use.

• The power cord should be unplugged from the

AC outlet if the instrument is not to be used for

an extended period of time.

• Unplug the instrument during electric storms.

• Avoid plugging the instrument into the same AC

outlet as appliances with high power consump-

tion, such as electric heaters or ovens. Also avoid

using multi-plug adaptors since these can result

in reduced sound quality and possibly damage.

■ Turn Power OFF When Making

Connections

• To avoid damage to the instrument and other

devices to which it is connected (a sound system,

for example),

turn the power switches of all re-

lated devices OFF prior to connecting or discon-

necting audio and MIDI cables.

■ Handling and Transport

• Never apply excessive force to the controls, con-

nectors or other parts of the instrument.

• Always unplug cables by gripping the plug

firmly, not by pulling on the cable.

• Disconnect all cables before moving the instru-

ment.

• Physical shocks caused by dropping, bumping, or

placing heavy objects on the instrument can re-

sult in scratches and more serious damage.

■ Cleaning

• Clean the cabinet and panel with a dry soft cloth.

• A slightly damp cloth may be used to remove

stubborn grime and dirt.

• Never use cleaners such as alcohol or thinner.

• Avoid placing vinyl objects on top of the instru-

ment (vinyl can stick to and discolor the surface).

■ Electrical Interference

• This instrument contains digital circuitry and

may cause interference if placed too close to ra-

dio or television receivers. If this occurs, move

the instrument further away from the affected

equipment.

■ Service and Modification

• The PSR-1700/PSR-2700 contains no user serv-

iceable parts. Opening it or tampering with it in

anyway can lead to irreparable damage and pos-

sibly electric shock. Refer all servicing to quali-

fied YAMAHA personnel.

■ Data Backup

• Internal data (e.g. Song Memory data) is retained

in memory even if the power switch is turned off

as long as backup batteries are installed (page 5)

or the AC plug is connected. The internal

memory can, however, be corrupted by incorrect

operation. Be sure to save important data to

floppy disk frequently so you have a backup to

revert to if the data in memory is accidentally

damaged. Also note that magnetic fields can

damage data on floppy disks, so it is advisable to

make a second backup copy of disks that contain

particularly important data. Always keep backup

disks in a safe place away from stray magnetic

fields (e.g. those produced by speakers, appli-

ances containing motors, etc.). More important

precautions for floppy disk use are given in the

“Floppy Disk” section beginning on page 56.

YAMAHA is not responsible for damage caused by improper handling or operation.

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Preparation

This section contains information about setting up your PSR-1700 or PSR-2700 and preparing to

play. Be sure to go through this section carefully before using your PSR-1700/PSR-2700.

■Installing the Backup Batteries

For memory backup the PSR-1700/PSR-2700 requires four 1.5V SUM-3, “AA” size, R-6 or equivalent

batteries. All PSR-1700 and PSR-2700 features will operate without these batteries installed, but song

memory and other data that is not saved to disk will be lost when then power is turned off. To prevent acci-

dental loss of data, we recommend that a set of backup batteries be installed while the instrument is in regular

use. When the backup batteries need to be replaced “Backup Battery Low” will appear on the LCD display

panel when the power is initially turned on (this also occurs if no backup batteries are installed). Try to re-

place the batteries

before they fail and the backup memory contents are lost.

■ Power Supply

After making sure that the AC mains voltage and frequency specified for your PSR-1700/PSR-2700 matches

your local power supply (check the label on the bottom panel), plug the power cord into a convenient AC outlet.

CAUTION

• Never interrupt the power supply (e.g. unplug the power cord)

during any record or disk operation! Doing so can result in a loss

of data.

2

PEDAL

1R

AUX OUT

L+R/L

HEADPHONES

THRU

MIDI

OUT IN

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

WARNING:

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,

DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE.

AVIS:

RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR.

Z

Open the battery compartment cover located on the instrument’s bottom

panel.

X

Insert the four new batteries, being careful to follow the polarity markings

on the inside of the compartment.

C

Replace the compartment cover, making sure that it locks firmly in place.

CAUTION

• When the batteries run down, replace them with a complete set of

four new batteries. NEVER mix old and new batteries.

• Do not use different kinds of batteries (e.g. alkaline and manganese)

at the same time.

• To prevent possible damage due to battery leakage, remove the

batteries from the instrument if it is not to be used for an extended

period of time.

• When you replace the batteries, any backed-up data will be lost. To

avoid this, be sure to save your valuable data to a floppy disk before

replacing the batteries.

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Preparation

■Using Headphones

A standard pair of stereo headphones can be plugged into the rear-panel

HEADPHONES jack for private practice or late-night playing. The internal

speaker system is automatically shut off when a pair of headphones is

plugged into the HEADPHONES jack.

HEADPHONES

■Connecting to an External Sound System

The AUX OUT L+R/L and R jacks deliver the output of the PSR-1700/

PSR-2700 for connection to an instrument amplifier, mixing console, PA

system, or recording equipment. If you will be connecting the PSR-1700/

PSR-2700 to a monophonic sound system, use only the L+R/L jack. When

a plug is inserted into the L+R/L jack only, the left- and right-channel sig-

nals are combined and delivered via the L+R/L jack so you don’t lose any

of the instrument’s sound.

R

AUX OUT

L+R/L

Stereo sound system

■Using Pedals

An optional Yamaha FC4 or FC5 footswitch or FC7 foot controller can

be plugged into either or both of the rear-panel PEDAL jacks.

The PEDAL 1 jack is initially assigned to sustain control. A footswitch

connected to this jack functions as a damper pedal, controlling sustain.

Press the pedal to sustain notes after the keys are released.

The PEDAL 2 jack is initially assigned to the voice volume control

(MIDI Expression control). An FC7 foot controller connected to this jack

can be used to control voice volume: press the pedal forward to increase

voice volume; backward to decrease voice volume.

Both the PEDAL jacks can be assigned to a wide range of other func-

tions as described in the “Pedal Assign” section on page 72.

2

PEDAL

1

(FC7) (FC5)

■The Music Stand

Insert the bottom edge of the music stand into the slot located at the rear

of the control panel.

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Once you’ve set up your PSR-1700/PSR-2700, try listening to the pre-programmed demonstra-

tion songs — they’ll give you a good idea of what the PSR-1700/PSR-2700 can do!

ZTurn the Power ON & Set the Volume ..................................................................................................

VPress DEMO [START/STOP] to Stop ....................................................................................................

Press the DEMO [START/STOP] button again to stop demo playback.

Before playing the demo turn the power ON by pressing the POWER

switch (the panel indicators and LCD display panel will light), and turn the

MASTER VOLUME control up (clockwise) about a quarter-turn from its

minimum position.

Listen to the Demo!

POWER

ON/ OFF

MASTER VOLUME

MIN MAX

DEMO

SONG #

START/STOP

XSelect a Song..........................................................................................................................................

DEMO

SONG #

START/STOP

POWER

ON/ OFF

MASTER VOLUME

MIN MAX

CPress DEMO [START/STOP] to Start ....................................................................................................

Press the DEMO [START/STOP] button to start playback, and use the

MASTER VOLUME control to set the ideal listening level. The selected

demonstration will play repeatedly.

NOTES

• During demo playback you can select different voices and play along

on the keyboard — see the “Selecting & Playing the Voices” section

beginning on page 11.

Press the DEMO [SONG #] button a few times until the number of the

desired demo song appears on the LCD display.

0 (ChainPlay): Repeat playback of all demo songs in sequence.

1-8: Repeat playback of the selected demo song number.

NOTES

• “0:ChainPlay” is automatically selected whenever the power switch is

turned on.

PSR-2700PSR-1700

DEMO

SONG #

START/STOP

Demo=0–:ChainPlay

08:Showtune 001:GrandPno

AccOff Demo=0–:ChainPlay

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Listen to the Demo!

QUICK PLAY

MINUS ONESTART/STOP

■Try the Disk Demo, Too!

The PSR-1700 and PSR-2700 also come supplied with demonstration floppy disks that you can play as

follows:

NOTES

• The PSR-1700 comes with one demonstration disk containing 4 dem-

onstration songs, while the PSR-2700 includes an additional disk

containing 2 demo songs that make use of the PSR-2700’s Digital

Sampling feature.

ZInsert the Demo Disk..............................................................................................................................

Insert demonstration disk into the disk drive unit with the sliding door

facing the drive slot and the label side of the disk facing upward. The disk

should click securely into place.

XStart Playback.........................................................................................................................................

QUICK PLAY

MINUS ONESTART/STOP

Press the QUICK PLAY [START/STOP] button to start playback. The

disk demo songs will play back in sequence.

NOTES

• If the demo requires sampled voice data included in the disk

(PSR-2700 only) the sampled voice data will automatically be

loaded into sampled voice number 128 before demo playback

begins. If there is already sampled voice data in memory or the

wave RAM is full, the disk may not load automatically. See page

60 for details.

• If you simply press the QUICK PLAY [START/STOP] button playback

will begin from the lowest file number on the disk. It is also possible to

specify the file number from which playback is to begin prior to press-

ing the [START/STOP] button.

CStop the Demo & Eject the Disk............................................................................................................

When you’re ready to stop the demo, press the QUICK PLAY [START/

STOP] button to stop playback, then press the disk drive eject button and

remove the disk.

QUICK PLAY

MINUS ONESTART/STOP

CAUTION

• Never attempt to eject the demonstration disk(s) or turn the

power off during demo playback. Doing so can damage both the

disk drive and the disk.

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The PSR-1700 and PSR-2700 feature a flexible-but-consistent interface that lets you edit just

about all of its parameters using the same basic procedure. Once familiar with the system,

you’ll be able to edit any parameter quickly and easily. Here’s the basic procedure:

Basic Editing Procedure

XEdit the Parameter..................................................................................................................................

The PSR-1700 and PSR-2700 let you edit parameters using four different

methods. Use the one that best suits the parameter you have selected:

Each time you press a function button after initially selecting the function,

the value of the corresponding parameter will be incremented (increased) by

one. If you hold the function button for a few seconds, the parameter will

begin to increment continuously as long as you hold the button.

2-1: The Function Button

If, for example, you press the [VOICE SELECT] button and LCD display

panel shows that voice number 36 (VCE=036:Fretless) is currently selected,

you can select voice number 37 (VCE=037:SlapBas1) simply by pressing the

[VOICE SELECT] button again.

+

–

1

_ _

0 234567891

–+

RESET

VOICE

SELECT

KEYBOARD

PERCUSSION

ZPress a Function Button ........................................................................................................................

First press the button corresponding to the function or parameter you want

to edit. To select voice numbers, for example, press the [VOICE SELECT]

button (its indicator will light). The name of the selected parameter and its

current value will be shown on the LCD display panel.

VOICE

SELECT

KEYBOARD

PERCUSSION

● The LCD Display Panel

The PSR-2700 and PSR-1700 feature backlit LCD display panels that make

it easy to select and edit parameters as well as perform all other operations.

The PSR-2700 display has two lines of 24 characters each, while the PSR-

1700 has one line of 16 characters.

The PSR-2700 display has four sections: STYLE, VOICE,

CHORD, and PARAMETER & VALUE. The STYLE and

VOICE sections on the upper line always show the currently se-

lected accompaniment style and voice. The CHORD section on

the lower line shows the detected chord when the Auto Accompa-

niment feature is used, and the PARAMETER & VALUE section

shows the parameter and value currently selected for editing.

The PSR-1700 display always shows the parameter and value

currently selected for editing.

NOTES

• “Now Processing” may appear on the LCD display panel while the PSR-

1700/PSR-2700 is processing the data (for example recorded data) or

ready to process it.

CHORD

STYLE VOICE

PARAMETER & VALUE

PSR-2700

PSR-1700

08:Showtune 001:GrandPno

AccOff VCE=00–1:GrandPno

VCE=00–1:GrandPno

NOTES

• The SPLIT POINT button, MAPPING button (PSR-2700), and PITCH

button (PSR-2700) are exceptions.

10

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Basic Editing Procedure

The [+] and [–] buttons can be used to increment (increase by one) or dec-

rement (decrease by one) the currently selected parameter. Press the [+] button

briefly to increment the parameter value, or the [–] button to decrement. If you

hold the [+] or [–] button down, the value will increment or decrement con-

tinuously — simply release the button when the desired value has been

reached.

2-2: The [+] and [−] Buttons

The number buttons — to the right of the [+] and [–] buttons — allow

direct numeric entry of the desired value, and are therefore the fastest way to

edit in many situations.

To select a voice, for example, choose one of the 128 voices — numbered

“01” through “128” — listed in the “Voice & Polyphony List” on page 77, then

enter its number using the number buttons. To select “Harmonica” (number

23), for example, first press [2] then [3]. The number “23” should then appear

on the LCD display panel along with the name “Harmnica”.

The [+/–] button is used to switch between positive and negative values

with parameters that allow negative values (Transpose, Tuning, Octave, and

Pan, for example). A “–” appears before negative values on the LCD display

panel.

When selecting voice numbers the [+/–] button is used to enter the hundreds

digit of the voice number (the button alternately selects no hundreds digit or

“1”), as required, prior to entering the tens and ones digits. The [1] number

button cannot be used to enter the hundreds digit when selecting voices.

Values outside the range of the selected parameter can not be entered.

2-3: The Number Buttons

This is undoubtedly the easiest way to edit most parameters. Simply rotate

the dial clockwise to increment or counter-clockwise to decrement.

2-4: The Data Dial

NOTES

• After editing a parameter other than [VOICE SELECT], the [VOICE SE-

LECT] parameter will automatically be re-selected after a brief delay.

• If you attempt to change a parameter that can not be edited in the

current mode, “IllegalOperation” will appear on the LCD display.

–+

RESET

+

–

1

_ _

789

02341

Example: Voice number “120”

+

–

1

_ _

02

Some operations that change important settings or erase data may require you to

confirm your choice by pressing the [YES] or [NO] button. When a choice needs to be

confirmed the ARE YOU SURE? indicator will flash and a digitally sampled voice will ask

“Are you sure?”. Press the [YES] button to execute the specified operation or the [NO]

button to cancel and leave the settings or data unaffected.

If you don’t want to hear the “Are you sure?” confirmation sound, hold down the [NO]

button while initially turning the power switch on. To restore the confirmation sound, turn

the power switch off, then turn it back on again while holding down the [YES] button. The

on/off status of the confirmation sound is retained in memory even when the power

switch is turned off as long as the backup batteries are installed or an AC plug is

connected.

● Yes/No Confirmation

ARE YOU SURE ?

YES NO

11

| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |

There are actually a number of variations on

each of the above orchestrations. The ORCHES-

TRATION buttons are used to choose the type of

orchestration you want.

● Single Modes

L1 R1

L2 R2

EDIT

ORCHESTRATION

Left-hand voice 2

Left-hand voice 1

Right-hand voice 1

(or single voice)

Right-hand voice 2

(or single voice)

The four available parts are turned on and off by

the [R1], [R2], [L1], and [L2] buttons. The indica-

tors next to each of these buttons tell you which

parts are on and which are off, and therefore indi-

cate the current orchestration mode. The [EDIT]

button determines which of the four orchestration

parts is to be edited. You can, for example, assign

any of the 128 voices to each of the orchestration

parts. But before we discuss voice assignment and

editing, let’s take a look at the various orchestration

modes:

In the “single” modes either the [R1] or [R2] part

voice can be played over the entire keyboard. The R1

and R2 single-voice modes are selected simply by

pressing either the [R1] or [R2] button if neither the

[L1] or [L2] indicators are lit. If the [L1] and/or [L2]

indicators are lit, press them so that both indicators

go out.

Note that when you select the [R1] or [R2] single-

voice mode, the triangular EDIT indicator for the se-

lected voice also lights. This means you can select a

different voice number or otherwise edit the current

voice using the procedures described on page 13.

L1 R1

L2 R2

EDIT

L1 R1

L2 R2

EDIT

The R1 voice is played across the

entire keyboard.

The R2 voice is played across the

entire keyboard.

The PSR-1700 and PSR-2700 have 128 stunning

voices plus 8 different drum and percussion kits

that you can select and play in a number of ways.

Selecting & Playing the Voices

■Orchestration

The unique ORCHESTRATION button group in the VOICE control section lets you select and play from one

to four “parts” at the same time using a variety of “orchestrations”. One of the 128 voices is assigned to each

part.

● Single: One voice over the entire keyboard.

● Dual: Two voices simultaneously over the entire keyboard.

● Split: Different voices with the left and right hands.

● Split & Dual: Combinations of the Split and Dual modes.

PSR-2700

PSR-1700

L1 R1

L2 R2

EDIT

VOICE

VOICE

SELECT

VOL OCTAVE DSP

DEPTH

PAN ORCHESTRATION HARMONY

TYPE

EFFECT

TYPE

KEYBOARD

PERCUSSION

ONE TOUCH

SETTING

HARMONY EFFECT

L1 R1

L2 R2

EDIT

VOICE

VOICE

SELECT

VOL OCTAVE DSP

DEPTH

PAN ORCHESTRATION HARMONY

TYPE

EFFECT

TYPE

KEYBOARD

PERCUSSION

ONE TOUCH

SETTING

HARMONY EFFECT

SAMPLED

VOICE

MODULATION PITCH BEND

12

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Selecting & Playing the Voices

L1 R1

L2 R2

EDIT

▼

L1 R1

L2 R2

EDIT

▼

L1 R1

L2 R2

EDIT

▼

L1 R1

L2 R2

EDIT

▼

L1 R1

L2 R2

EDIT

▼

● Dual Mode

L1 R1

L2 R2

EDIT

The R1 & R2 voices are played

across the entire keyboard.

● Split & Dual Modes

L1 R1

L2 R2

EDIT

▼

L1 R1

L2 R2

EDIT

▼

L1 R1

L2 R2

EDIT

▼

L1 R1

L2 R2

EDIT

▼

L1 voice.

R1 voice.

The PSR-1700 and PSR-2700 allow four different

split modes, with one voice played on the left-hand

section of the keyboard ([L1] or [L2]) and a different

voice on the right-hand section of the keyboard ([R1]

or [R2]). Selecting a split mode is simply a matter of

pressing the buttons corresponding to the desired

left- and right-hand parts.

The split point (i.e. the key at which the voices

change over) can be set at any desired key by using

the SPLIT POINT CHANGE function described on

page 20.

L2 voice. R1 voice.

L1 voice. R2 voice.

L2 voice. R2 voice.

● Split Modes

In the dual mode both the [R1] and [R2] part

voices are selected so they can be played simultane-

ously across the entire keyboard. To select the dual

mode, make sure that both the [L1] and [L2] indica-

tors are out, then press both the [R1] and [R2] but-

tons simultaneously (or hold one while pressing the

other).

You can switch back to either of the single modes

from the dual mode simply by pressing the [R1] or

[R2] button, as required.

There are five possible combinations of the split

and dual modes, as shown below. The part for the

single-voice side of the combination is selected sim-

ply by pressing the appropriate part button, while for

the dual-voice side both buttons must be pressed

simultaneously (or one while holding the other).

L1 voice. R1 & R2 voices.

L2 voice.

R1 & R2 voices.

R2 voice.

R1 voice.

R1 & R2 voices.

L1 & L2 voices.

13

| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |

■Voice Assignment

You can assign any of the 128 voices to each of the ORCHESTRATION parts, whether the part is currently

ON or OFF.

ZPress the [VOICE SELECT] Button .......................................................................................................

You don’t need to do this if the [VOICE SELECT] indicator is already

lit. Also make sure that the [KEYBOARD PERCUSSION] and [SAM-

PLED VOICE] (PSR-2700) indicators are out.

XSelect the Part You Want to Edit...........................................................................................................

Use the ORCHESTRATION [EDIT] button to select the part to which

you want to assign a new voice. The [EDIT] indicators light in sequence in

the clockwise direction each time the [EDIT] button is pressed.

NOTES

• You can edit the voice number of a part that is OFF while playing a

different part.

• Actually, the [VOICE SELECT] mode is automatically selected when-

ever the [EDIT] button is pressed, so you don’t really need to press

[VOICE SELECT] as described in step 1 if you’re going to use the

[EDIT] button prior to selecting a voice number.

EDIT

VOICE

SELECT

KEYBOARD

PERCUSSION

SAMPLED

VOICE

CSelect a Voice Number...........................................................................................................................

Use the [+] and [–] buttons, the number buttons, the data dial, or the

[VOICE SELECT] button itself to select the required voice number (see

page 9 for editing procedure details).

021

–+

RESET

When entering voice numbers higher than 99, use the [+/–] button to

enter the hundreds digit prior to entering the tens and ones digits: the button

alternately selects no hundreds digit or “1”.

+

–

1

_ _

02

Example: Voice number “120”

NOTES

• The voice categories are listed in the “VOICE” list on the PSR-1700/

PSR-2700 panel. See page 77 for a complete list.

• The optimum keyboard range is preset for each voice.

(PSR-2700)

14

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Selecting & Playing the Voices

■Volume

You can individually set the volume of each orchestration part to set up the ideal balance between parts.

ZSelect the Part You Want to Edit...........................................................................................................

Use the ORCHESTRATION [EDIT] button to select the part you want

to edit.

■Octave

You can individually shift the octave of each orchestration part up or down by up to two octaves. This makes

it easy, for example, to lower the pitch of a bass voice to an appropriate octave without affecting the other parts

in your orchestration.

ZSelect the Part You Want to Edit...........................................................................................................

Use the ORCHESTRATION [EDIT] button to select the part you want

to edit.

CSet the Octave ........................................................................................................................................

Use the [+] and [–] buttons, the number buttons, the data dial, or the

[OCTAVE] button itself to set the desired octave. The octave range is from

–2 (down two octaves) to +2 (up two octaves). The normal octave value for

the selected voice can be recalled instantly by pressing both the [+] and [–]

buttons at the same time.

XPress the [VOL] Button ..........................................................................................................................

Press the VOICE control section [VOL] button. The current volume

value of the selected part will appear on the LCD display panel.

VOL

PSR-2700PSR-1700

CSet the Volume .......................................................................................................................................

021

–+

RESET

Use the [+] and [–] buttons, the number buttons, the data dial, or the

[VOL] button itself to set the desired volume. The volume range is from 00

(no sound) to 24 (maximum volume). The default volume value (21) can be

recalled instantly by pressing both the [+] and [–] buttons at the same time.

XPress the [OCTAVE] Button ..................................................................................................................

OCTAVE

Press the VOICE control section [OCTAVE] button. The current octave

value of the selected part will appear on the LCD display panel.

PSR-2700PSR-1700

021

–+

RESET

08:Showtune 001:GrandPno

AccOff Volume=2–1

Volume=2–1

08:Showtune 001:GrandPno

AccOff Octave= 0–

Octave= 0–

15

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■DSP Depth

The PSR-1700 and PSR-2700 features a built-in digital signal processor (DSP) that can be used to apply a

range of reverb and delay effects to the voices. The [DSP TYPE] button in the OVERALL CONTROL section

(page 22) determines the type of effect to be applied, while the VOICE section [DSP DEPTH] button lets you

individually set the amount of effect applied to each orchestration part.

ZSelect the Part You Want to Edit...........................................................................................................

CSet the DSP Depth ..................................................................................................................................

021

–+

RESET

XPress the [DSP DEPTH] Button.............................................................................................................

DSP

DEPTH

PSR-2700PSR-1700

■Pan

The PSR-1700 and PSR-2700 delivers true stereo sound, and you can use this parameter to individually set

the stereo (pan) position of each orchestration part to create a broad stereo image of your sound.

ZSelect the Part You Want to Edit...........................................................................................................

Use the ORCHESTRATION [EDIT] button to select the part you want

to edit.

XPress the [PAN] Button..........................................................................................................................

PAN

Press the VOICE control section [PAN] button. The current pan value of

the selected part will appear on the LCD display panel.

CSet the Pan Position...............................................................................................................................

021

–+

RESET

Use the [+] and [–] buttons, the number buttons, the data dial, or the

[PAN] button itself to set the desired pan value. The pan range is from –7

(full left) to +7 (full right). A setting of “0” places the sound of the selected

part in the center of the stereo sound field. Other settings produce in-be-

tween positions. “–4”, for example, would place the sound between center

and full left.

The center pan position (0) can be recalled instantly by pressing both the

[+] and [–] buttons at the same time.

NOTES

• The new pan value will apply from the next note played — i.e. you

can’t pan the sound of a note while it is playing.

Use the [+] and [–] buttons, the number buttons, the data dial, or the

[DSP DEPTH] button itself to set the desired DSP depth. The depth range

is from 00 (OFF: no effect, direct sound only) to 15 (maximum effect).

The default DSP depth value (06) can be recalled instantly by pressing

both the [+] and [–] buttons at the same time.

Press the VOICE control section [DSP DEPTH] button. The current

DSP depth value of the selected part will appear on the LCD display panel.

Use the ORCHESTRATION [EDIT] button to select the part you want

to edit.

DSP Depth=0–6

08:Showtune 001:GrandPno

AccOff DSP Depth=0–6

PSR-2700PSR-1700

Panpot= 0–:Center

08:Showtune 001:GrandPno

AccOff Panpot= 0–:Center

16

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Selecting & Playing the Voices

■Auto Harmony

Auto Harmony is used with the Auto Accompaniment feature (see page 24). It automatically adds appropriate

harmony notes to a single-note melody line you play on the keyboard. You can choose from 10 different types of

harmony that can be assigned to the right-hand orchestration parts.

NOTES

• The Auto Harmony feature cannot be used when Auto Accompani-

ment fingering mode 5 “Full” is selected (page 28).

This harmony type produces a duophonic melody

with the second voice below the melody line. If

you turn both the R1 and R2 voices on (DUAL

mode) the notes you play on the keyboard will be

played by the R1 voice, and the harmony notes by

the R2 voice. You can individually set the R1 and

R2 voices and voice parameters as required.

A parallel voice is produced a fifth above the

melody voice. As in the Duet type, the R1 and R2

voices can be set individually in the dual mode.

Similar to Duet, but the second voice is above the

melody line. The R1 and R2 voices can be set

individually in the dual mode.

This harmony type generates two voices in addi-

tion to the melody voice. Both of the harmony

voices are assigned to R2 in the dual mode.

Three or four notes are added to the melody to

produce four or five-note chords. In the dual mode

the highest and lowest voices (always one octave

apart) are assigned to R1, and the inner two or

three notes are assigned to R2.

Three harmony notes are generated to produce a

four-note chord. If both the R1 and R2 voices are

turned on (dual mode), the 1st (melody) and 3rd

notes are assigned to R1 while the 2nd and 4th

are assigned to R2.

Similar to the preceding type, but depending on

the chords played this type will sometimes pro-

duce a more colorful sound. The note assignment

in the dual mode is also different: 1st and 2nd

notes to R1, 3rd and 4th notes to R2.

Four-note chords with open voice (large intervals

between the notes). The result is a very “open”

sound. Since the harmony notes can be as much

as two octaves below the melody, avoid playing in

the lower registers. With certain voices you might

find that changing the octave (see “Octave” on

page 14) results in better sound. In the dual mode

the top (melody) note is assigned to R1 and all

three harmony notes are assigned to R2.

One note is added an octave below the melody.

In the dual mode the melody is assigned to R1

and the lower note to R2.

The notes and assignments are the same as in

the Block type, but the notes are arpeggiated.

06:4-way

close 1

07:4-way

close 2

08:4-way

open

09: Octave

10: Strum

01: Duet

02: 1 + 5

03: Country

04: Trio

05: Block

The Harmony Types

ZTurn Auto Harmony ON .........................................................................................................................

HARMONY

TYPE

HARMONY

Press the [HARMONY] button so that its indicator lights. This turns

Auto Harmony ON.

NOTES

• The HARMONY can’t be engaged when Keyboard Percussion is ON.

CSelect a Harmony Type ..........................................................................................................................

XPress the [HARMONY TYPE] Button ....................................................................................................

HARMONY

TYPE

HARMONY

021

–+

RESET

Use the [+] and [–] buttons, the number buttons, the data dial, or the

[HARMONY TYPE] button itself to select the desired effect.

Press the VOICE control section [HARMONY TYPE] button. The

number of the currently selected harmony type will appear on the LCD dis-

play panel.

PSR-2700PSR-1700

Harm.=0–1:Duet

08:Showtune 001:GrandPno

AccOff Harm.=0–1:Duet

17

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VTurn Auto Harmony ON or OFF as Required .......................................................................................

■Effects

The PSR-1700 and PSR-2700 have a range of 12 delay-based effects — in addition to the DSP effects (pages

15 and 22) — that can be selected and applied to the right-hand orchestration parts (the left-hand orchestration

parts are not affected).

ZTurn the Effect ON..................................................................................................................................

Use the [HARMONY] button to turn Auto Harmony ON or OFF. Auto

Harmony is ON when the [HARMONY] button indicator is lit.

NOTES

• Only a single note can be played at a time on the keyboard (or the

right-hand section of the keyboard) when the Auto Harmony feature is

used.

• If you play more than one note at the same time while Auto Harmony

is ON, only the highest note will sound.

• Auto Harmony will only function when the Auto Accompaniment func-

tion is being used (page 24).

XPress the [EFFECT TYPE] Button .........................................................................................................

Press the VOICE control section [EFFECT TYPE] button. The number

of the currently selected effect will appear on the LCD display panel.

CSelect an Effect.......................................................................................................................................

Use the [+] and [–] buttons, the number buttons, the data dial, or the

[EFFECT TYPE] button itself to select the desired effect.

HARMONY

TYPE

HARMONY

EFFECT

TYPE

EFFECT

EFFECT

TYPE

EFFECT

PSR-2700PSR-1700

021

–+

RESET

Press the [EFFECT] button so that its indicator lights. This turns ON

the effect.

NOTES

• The EFFECT can’t be engaged when Keyboard Percussion is ON.

Eff.=0–4:Echo4

08:Showtune 001:GrandPno

AccOff Eff.=0–4:Echo4

01 Echo 1

02 Echo 2

03 Echo 3

04 Echo 4

3

05 Tremolo 1

06 Tremolo 2

07 Tremolo 3

08 Tremolo 4

09 Trill 1

10 Trill 2

11 Trill 3

12 Trill 4

The Effects

VTurn the Effect ON or OFF as Required ...............................................................................................

Use the [EFFECT] button to turn the effect ON or OFF. The selected

effect is ON when the [EFFECT] button indicator is lit.

NOTES

• You can change the effect type whether the effect is ON or OFF.

EFFECT

TYPE

EFFECT

3

18

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Selecting & Playing the Voices

■Keyboard Percussion

The PSR-1700 and PSR-2700 have 8 different drum and percussion “kits” that can be played on the keyboard

when the Keyboard Percussion function is turned ON. The types of drum and percussion instruments played by

the various keys when Keyboard Percussion function is selected are marked by symbols above the keys.

ZTurn Keyboard Percussion ON .............................................................................................................

Press the [KEYBOARD PERCUSSION] button so that its indicator

lights to turn Keyboard Percussion ON. The percussion kit number will

appear on the LCD display panel.

XSelect a Percussion Kit..........................................................................................................................

Use the [+] and [–] buttons, the number buttons, the data dial, or the

[VOICE SELECT] button to select the desired percussion kit (1 through

8). See page 338 for a complete list of the percussion kit instruments.

The Percussion Kits

1 Standard

2 Room

3 Rock

4 Electronic

PSR-2700PSR-1700

021

–+

RESET

5 Analog

6 Jazz

7 Brush

8 Classic

NOTES

• The HARMONY, EFFECT, and TRANSPOSE functions (pages 16,

17, and 21) do not affect the percussion sounds. The HARMONY and

EFFECT functions will be canceled when Keyboard Percussion is

turned ON.

• The ORCHESTRATION [EDIT] button does not function when Key-

board Percussion is turned ON.

● Setting the Pitch Bend Range

The maximum amount of pitch bend produced by the PITCH BEND wheel can be set anywhere from ±1

semitone to

±12 semitones (i.e. plus or minus one octave).

■Pitch Bend

The PITCH BEND wheel to the left of the keyboard allows the pitch of

notes played on the keyboard to be bent up or down — roll the wheel away

from you to bend up, and toward you to bend down (this situation can be

reversed, as described below). When the PITCH BEND wheel is moved

almost all the way in either direction, the current pitch bend range value

will appear on the LCD display panel (see below).

PITCH BEND

+

–

VCE=1–:STANDARD

08:Showtune 1:STANDARD

AccOff VCE=1–:STANDARD

VOICE

SELECT

KEYBOARD

PERCUSSION

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