Yamaha PSR-S775 Instrukcja obsługi

EN

This Reference Manual explains advanced features of the PSR-S975/S775.

Please read the Owner’s Manual first, before reading this Reference Manual.

Reference Manual

Digital Workstation

2 PSR-S975/S775 Reference Manual

Table of Contents

1Voices 3

Voice Types (Characteristics) ............................................ 3

Selecting GM&XG or Other Voices.................................... 5

Touch Response and Effect-Related Settings................... 6

Pitch-Related Settings ....................................................... 9

Editing Parameters Assigned to the LIVE CONTROL

Knobs............................................................................... 11

Editing Voices (Voice Set) ............................................... 15

Editing Organ Flutes Voices ............................................ 20

Adding New Contents—Expansion Packs....................... 22

2Styles 24

Chord Fingering Types .................................................... 25

Style Playback Related Settings ...................................... 27

Memorizing Original Settings to One Touch Setting........ 29

Creating/Editing Styles (Style Creator) ............................ 30

3 Songs 49

Editing Music Notation (Score) Settings .......................... 49

Editing Lyrics/Text Display Settings................................. 52

Using the Auto Accompaniment Features with Song

Playback .......................................................................... 53

Song Playback Related Parameters (Guide Function,

Channel settings, Repeat settings).................................. 54

Creating/Editing Songs (Song Creator) ........................... 58

4 USB Audio Player/Recorder 75

Displaying Lyrics of an Audio file ..................................... 75

5 Multi Pads 77

Creating Multi Pads (Multi Pad Creator) .......................... 77

Editing Multi Pads ............................................................ 79

6 Music Finder 81

Creating a Set of Favorite Records.................................. 81

Editing Records................................................................ 82

Saving the Records as a Single File ................................ 83

7 Registration Memory 85

Editing the Registration Memory...................................... 85

Disabling Recall of Specific Items (Freeze) ..................... 86

Calling Up Registration Memory Numbers in Order

(Registration Sequence) .................................................. 87

8 Microphone/Guitar Input 90

Making and Saving the Microphone/Guitar Settings

(EQ/CMP) ........................................................................ 90

Setting and Editing Vocal Harmony Types (PSR-S975).. 93

Editing the Synth Vocoder Types (PSR-S975) .............. 100

9 Mixing Console 104

Editing VOL/VOICE Parameters .................................... 104

Editing FILTER Parameters ........................................... 105

Editing TUNE Parameters.............................................. 106

Editing EFFECT Parameters ......................................... 107

Editing EQ Parameters .................................................. 111

Editing Master Compressor (CMP) Parameters ............ 113

Block Diagram................................................................ 115

10 Connections 116

Footswitch/Foot Controller Settings ............................... 116

MIDI Settings ................................................................. 120

Connecting with an iPhone/iPad via Wireless LAN........ 126

11 Other Functions 128

UTILITY.......................................................................... 128

SYSTEM ........................................................................ 132

Index 135

Each chapter in this Reference Manual corresponds to the relevant chapters in the Owner’s Manual.

• The illustrations and LCD screens as shown in this manual are for instructional purposes only, and may appear somewhat dif-

ferent from those on your instrument.

• Even though the example screens and illustrations pertain to the PSR-S975, the usage is the same for the PSR-S775.

• The displays are taken from the PSR-S975, and are in English.

• The “Data List” and “iPhone/iPad Connection Manual” documents can be downloaded from the Yamaha website:

http://download.yamaha.com/

• The company names and product names in this manual are the trademarks or registered trademarks of their respective compa-

nies.

Using the PDF manual

• To quickly jump to items and topics of interest, click on the desired items in the “Bookmarks” index to the left

of the main display window. (Click the “Bookmarks” tab to open the index if it is not displayed.)

• Click the page numbers that appear in this manual to go directly to the corresponding page.

• Select “Find” or “Search” from the Adobe Reader “Edit” menu and enter a keyword to locate related informa-

tion anywhere in the document.

NOTE The names and positions of menu items may vary according to the version of Adobe Reader being used.

1

PSR-S975/S775 Reference Manual 3

Voices

Contents

Voice Types (Characteristics) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

Selecting GM&XG or Other Voices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Touch Response and Effect-Related Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

• Setting the Touch Response of the Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

• Making Detailed Settings for Harmony/Arpeggio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

Pitch-Related Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

• Fine-tuning the Pitch of the Entire Instrument . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

• Scale Tuning. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

• Changing the Part Assignment of the TRANSPOSE Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . .10

Editing Parameters Assigned to the LIVE CONTROL Knobs . . . . . . . . . . . . . . . . . . . . . . . . . . . .11

Editing Voices (Voice Set) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

• Editable Parameters in the VOICE SET Displays. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

• Disabling Automatic Selection of Voice Sets (Effects, etc.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19

Editing Organ Flutes Voices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

Adding New Contents—Expansion Packs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

• Installing the Expansion Pack data from the USB Flash Drive. . . . . . . . . . . . . . . . . . . . . . . . . . . 22

• Uninstalling the Expansion Pack data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

• Saving the Instrument Info File to the USB Flash Drive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

The particular type of Voice is indicated at the upper left of the Voice name in the Voice Selection display.

The defining characteristics of these Voices and their performance advantages are described below.

Voice Types (Characteristics)

S.Art!

(Super Articulation)

These Voices provide many benefits with great playability and expressive con-

trol in real time.

For example, with the Saxophone Voice, if you play a C and then a D in a very

legato way, you will hear the note change seamlessly, as though a saxophone

player played it in a single breath.

Similarly with the Concert Guitar Voice and play the D note strongly, the D

note would sound as a “hammer on,” without the string being plucked again.

Depending on how you play, other effects such as “shaking” or breath noises

(for the Trumpet Voice), or finger noises (for the Guitar Voice) are produced.

For details on how to best play each S.Art! Voice, call up the information win-

dow (pressing the [6 ] (INFO) button in the Voice Selection display).

Live! These acoustic instrument sounds were sampled in stereo, to produce a truly

authentic, rich sound—full of atmosphere and ambience.

Cool! These Voices use sophisticated programming to capture the dynamic textures

and subtle nuances of electric instruments.

Sweet! These acoustic instrument sounds also benefit from Yamaha’s sophisticated

technology—and feature a finely detailed and natural sound.

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Voices

NOTE S.Art! and MegaVoices are not compatible with other instrument models. For this reason, any Song or Style you’ve created on this instrument using these

Voices will not sound properly when played back on the instruments which do not have these types of Voices.

NOTE S.Art! and MegaVoices sound differently depending on keyboard range, velocity, touch, etc. Hence, if you turn on the [HARMONY/ARPEGGIO] button,

change the transpose setting or change the Voice Set parameters, unexpected or undesired sounds may result.

For a list of preset Voices of this instrument, refer to the “Voice List” in the Data List on the website.

Drums Various drum and percussion sounds are assigned to individual keys, letting

you play the sounds from the keyboard. For information about what sound is

assigned to each key, refer to the “Drum/SFX Kit List” in the Data List on the

website.

Live! Drums These are high-quality drum sounds that take full advantage of Stereo Sam-

pling and Dynamic Sampling.

SFX Various special effect sounds and percussion sounds are assigned to individual

keys, letting you play the sounds from the keyboard. For information about

what sound is assigned to each key, refer to the “Drum/SFX Kit List” in the

Data List on the website.

Live! SFX These are various high-quality special effect sounds and percussion sounds that

take full advantage of Stereo Sampling and Dynamic sampling.

Organ Flutes! This authentic organ Voice lets you use the Voice Set to adjust the various foot-

ages and craft your own original organ sounds. See page 20 for details.

MegaVoice These Voices make special use of velocity switching. Each velocity range (the

measure of your playing strength) has a completely different sound.

For example, a guitar MegaVoice includes the sounds of various performance

techniques. In conventional instruments, different Voices having those sounds

would be called up via MIDI and played in combination to achieve the desired

effect. However, now with MegaVoices, a convincing guitar part can be played

with just a single Voice, using specific velocity values to play the desired

sounds. Because of the complex nature of these Voices and the precise veloci-

ties need to play the sounds, they’re not intended for playing from the key-

board. They are, however, very useful and convenient when creating MIDI

data—especially when you want to avoid using several different Voices just for

a single instrument part.

The MegaVoices are in the “MegaVoices” folder in the Voice Selection display.

For instructions on selecting MegaVoices, refer to the “Selecting GM&XG or

Other Voices” on page 5.

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Voices

This instrument features Voices provided specially for Style playback and XG/GM compatibility. These

Voices cannot be called up directly from the VOICE category selection buttons. However, they can be called

up as described below.

1 Turn on the PART SELECT button corresponding to the part you want to use.

2 Press one of the VOICE category selection buttons (other than the [ORGAN FLUTES]

and [EXPANSION/USER] buttons) to call up the Voice Selection display.

3 Press the [8 ] (UP) button to call up the Voice categories.

4 Press the [2 ] (P2) button to display page 2.

5 Press the desired [A]–[J] button to call up the Voice Selection display of GM&XG

Voices, GM2 Voices, etc.

NOTE You can find the “Legacy” folder in this display. This folder contains previous Yamaha keyboards’ Voices (such as PSR-S950, PSR-S750, etc.) for data

compatibility with other models.

NOTE The “MegaVoices” folder contains the MegaVoices (page 4).

6 Select the desired Voice.

Selecting GM&XG or Other Voices

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Voices

Setting the Touch Response of the Keyboard

Touch Response determines how the sound responds to your playing strength. The selected Touch Response

type becomes the common setting for all Voices.

NOTE Some Voices are purposely designed without Touch Response, in order to emulate the true characteristics of the actual instrument (for example, conventional

organs, which have no touch response).

1 Call up the operation display.

[FUNCTION] → TAB [E] MENU 1 → [D] CONTROLLER → TAB [F] KEYBOARD/PANEL

2 Use the [A] button to select “1 TOUCH RESPONSE.”

3 Use the [1 ], [2 ] and [4 ]–[7 ] buttons to set the Touch Response.

Touch Response and Effect-Related Settings

[1 ]/

[2 ]

TOUCH Determines the Touch Response type.

HARD 2: Requires strong playing to produce high volume. Best for play-

ers with a heavy touch.

HARD 1: Requires moderately strong playing for higher volume.

MEDIUM: Standard Touch Response.

SOFT 1: Produces high volume with moderate playing strength.

SOFT 2: Produces relatively high volume even with light playing

strength. Best for players with a light touch.

[4 ] TOUCH OFF

LEVEL

Determines the fixed volume level when Touch is set to “OFF.”

[5 ]–

[7 ]

LEFT–RIGHT2 Turns Touch on or off for each keyboard part.

2

3

Touch Response is applied to

the checkmarked parts.

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Voices

Making Detailed Settings for Harmony/Arpeggio

This lets you make detailed settings, including volume level.

1 Call up the operation display.

[FUNCTION] → TA B [ E] MENU 1 → [B] HARMONY/ARPEGGIO

2 Select the desired Harmony/Arpeggio category and type by using the [1 ]–[6 ]

buttons.

3 Use the [7 ] (DETAIL) buttons to call up the detailed setting window.

4 Use the [3 ]–[8 ] buttons to make various Harmony/Arpeggio settings.

When any one of the Arpeggio types is selected, only the parameters indicated by “*” in the list below can

be set. None of the parameters in the list below are available when the Harmony category “Multi Assign”

type is selected.

[3 ] VOLUME* Determines the volume level of the Harmony/Arpeggio notes generated

by the Harmony/Arpeggio function.

NOTE When you are using certain Voices, such as Organ Voices, in which the TOUCH SENSE DEPTH is

set to 0 in the VOICE SET display (page 16), the volume does not change.

[4 ]/

[5 ]

ASSIGN* Determines the keyboard part to which the effect is assigned.

AUTO: Applies the effect to the part (RIGHT 1/2) for which PART ON/

OFF is on. If the Harmony/Echo category is selected, the RIGHT 1

part is given priority over the RIGHT 2 part when both parts are on.

MULTI: This parameter is available when the Harmony/Echo category is

selected. When both parts are on, the note played on the keyboard is

sounded by the RIGHT 1 part and the harmonies (effect) are divided to

the RIGHT 1 and RIGHT 2 parts. When only one part is on, the note

played on the keyboard and effect are sounded by that part.

RIGHT 1, RIGHT 2: Applies the effect to the selected part (RIGHT 1 or

RIGHT 2).

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Voices

NOTE The settings for the Arpeggio Quantize function and the Arpeggio Hold function can be made on the display called up via [FUNCTION] → TAB [E]

MENU 1 → [J] UTILITY → TAB [E][F] CONFIG 2 (page 130).

[6 ] SPEED This parameter is only available when the “Echo” category (Echo, Trem-

olo, or Trill) is selected. It determines the speed of the Echo, Tremolo, and

Trill effects.

[7 ] CHORD NOTE

ONLY

This parameter is only available when the “Harmony” category is

selected. When this is set to “ON,” the Harmony effect is applied only to

the note (played in the right-hand section of the keyboard) that belongs to

a chord played in the chord section of the keyboard.

[8 ] TOUCH LIMIT It determines the lowest velocity value at which the Harmony, Echo,

Tremolo, or Trill note will sound. This allows you to selectively apply the

harmony by your playing strength, letting you create harmony accents in

the melody. The harmony effect is applied when you play the key strongly

(above the set value).

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Voices

Fine-tuning the Pitch of the Entire Instrument

You can fine-tune the pitch of the entire instrument such as keyboard, Style and Song parts (except the

keyboard part played by the Drum Kit or SFX Kit Voices, and audio playback)—a useful feature when

playing the PSR-S975/S775 along with other instruments or CD music.

1 Call up the operation display.

[FUNCTION]

→

TAB [

E

] MENU 1

→

[E] MASTER TUNE/SCALE TUNE

→

TAB [

E

] MASTER TUNE

2 Use the [4 ]/[5 ] buttons to set the tuning in 0.2 Hz steps.

Press both [] and [] buttons (of 4 or 5) simultaneously to reset the value to the factory setting of 440.0

Hz.

Scale Tuning

You can select various scales for playing in custom tunings for specific historical periods or music genres.

1 Call up the operation display.

[FUNCTION]

→

TAB [

E

] MENU 1

→

[E] MASTER TUNE/SCALE TUNE

→

TAB [

F

] SCALE TUNE

2 Use the [A]/[B] buttons to select the desired scale.

 Preset Scale types

Pitch-Related Settings

EQUAL

The pitch range of each octave is divided equally into twelve parts, with each half-

step evenly spaced in pitch. This is the most commonly used tuning in music today.

PURE MAJOR, PURE

MINOR

These tunings preserve the pure mathematical intervals of each scale, especially for

triad chords (root, third, fifth). You can hear this best in actual vocal harmonies—

such as choirs and a cappella singing.

PYTHAGOREAN

This scale was devised by the famous Greek philosopher and is created from a

series of perfect fifths, which are collapsed into a single octave. The 3rd in this tun-

ing are slightly unstable, but the 4th and 5th are beautiful and suitable for some

leads.

MEAN-TONE

This scale was created as an improvement on the Pythagorean scale, by making the

major third interval more “in tune.” It was especially popular from the 16th century

to the 18th century. Handel, among others, used this scale.

WERCKMEISTER,

KIRNBERGER

This composite scale combines the Werckmeister and Kirnberger systems, which

were themselves improvements on the mean-tone and Pythagorean scales. The

main feature of this scale is that each key has its own unique character. The scale

was used extensively during the time of Bach and Beethoven, and even now it is

often used when performing period music on the harpsichord.

ARABIC1, ARABIC2

Use these tunings when playing Arabic music.

The tuning of each note for

the currently selected scale

is shown.

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Voices

3 Change the following settings as necessary.

NOTE To register the Scale Tune settings to Registration Memory, be sure to checkmark the SCALE item in the REGISTRATION MEMORY CONTENTS display

called up via the [MEMORY] button.

Changing the Part Assignment of the TRANSPOSE Buttons

You can determine to which parts the TRANSPOSE [-]/[+] buttons are applied.

1 Call up the operation display.

[FUNCTION] → TAB [E] MENU 1 → [D] CONTROLLER → TAB [F] KEYBOARD/PANEL

2 Use the [B] button to select “3 TRANSPOSE ASSIGN.”

3 Press the [4 ]/[5 ] buttons to select the desired part assignment.

The assignment can be confirmed by the pop-up display called up via the TRANSPOSE [-]/[+] buttons.

[2 ] BASE NOTE Determines the base note for each scale. When the base note is changed,

the pitch of the keyboard is transposed, yet maintains the original pitch

relationship between the notes.

[3 ]/

[4 ]

TUNE Select the desired note to be tuned by using the [3 ] buttons and tune

it in cents by using the [4 ] buttons.

NOTE In musical terms a “cent” is 1/100th of a semitone. (100 cents equal one semitone.)

[5 ]–

[8 ]

PART SELECT Determines whether the Scale Tune setting is applied to each part or not.

KEYBOARD The TRANSPOSE [-]/[+] buttons affect the pitch of keyboard played Voices,

Style playback (controlled by the performance in the chord section of the key-

board), and Multi Pad playback (when Chord Match is on, and left-hand chords

are indicated)—but they do not affect Song playback.

SONG The TRANSPOSE [-]/[+] buttons affect only the pitch of Song playback.

MASTER The TRANSPOSE [-]/[+] buttons affect the overall pitch of the instrument,

except audio playback.

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Voices

The eight combinations of functions assigned to the LIVE CONTROL knobs are provided by default,

however, you can change the functions as desired from a variety of options.

1 Press the [ASSIGN] button to call up the LIVE CONTROL display.

2 Use the [A]/[B] buttons or the [1 ]–[8 ] buttons to select the number of the

functions you want to change.

3 Press the [I] (ASSIGN) button to call up the PARAMETER ASSIGN window.

4 Use the [2 ]–[4 ] buttons (for knob 1) and the [5 ]–[7 ] buttons (for

knob 2) to select the functions to be assigned.

For information on available functions, see pages 12–14.

5 Press the [EXIT] button to close the PARAMETER ASSIGN window.

6 If necessary, repeat steps 2–5 to change the functions for other numbers.

NOTE The settings here are maintained even when you turn off the power.

NOTE The settings here can be saved to a Registration Memory.

NOTE Depending on the panel settings or how you move the knob, you may not notice any change to the parameter value, or the knob may not work as

expected, even if you rotate it.

Editing Parameters Assigned to the LIVE CONTROL Knobs

2

3

4

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Voices

 Assignable Knob Functions

Voice/Filter/Cut/R1,R2 Adjusts the cutoff frequency of the filter for the RIGHT 1 and 2 parts.

Rotating the knob to the right makes the sound brighter.

Voice/Filter/Res/R1,R2 Adjusts the resonance of the filter for the RIGHT 1 and 2 parts. Rotating

the knob to the right makes the sound more pronounced.

Voice/Filter/R1,R2 Adjusts the cutoff frequency of the filter and the resonance for the RIGHT

1 and/or 2 parts to change the timbre or tone of the sound.

Voice/Filter/R1

Voice/Filter/R2

Voice/Attack/R1,R2 Adjusts the length of time until the RIGHT 1 and/or 2 parts reach their

maximum level after the key is played. Rotating the knob to the right

increases it.

Voice/Attack/R1

Voice/Attack/R2

Voice/Release/R1,R2 Adjusts the length of time until the RIGHT 1 and/or 2 parts decay to

silence after the key is released. Rotating the knob to the right increases it.

Voice/Release/R1

Voice/Release/R2

Voice/Effect/Rev/R1,R2 Adjusts the Reverb depth for the RIGHT 1 and 2 parts. Rotating the knob

to the right makes it deeper.

Voice/Effect/Cho/R1,R2 Adjusts the Chorus depth for the RIGHT 1 and 2 parts. Rotating the knob

to the right makes it deeper.

Voice/Effect/Rev,Cho/R1 Adjusts both the Reverb depth and Chorus depth for the RIGHT 1 or 2

part. Rotating the knob to the right makes it deeper.

Voice/Effect/Rev,Cho/R2

Voice/Balance/R1,R2 Adjusts the volume balance between the RIGHT 1 and 2 parts. Rotating

the knob to the left increases the RIGHT 1 volume, while rotating it to the

right increases the RIGHT 2 volume.

Voice/Arp/Velocity Adjusts the volume of Arpeggio. Rotating the knob to the right increases

it.

Voice/Arp/GateTime Adjusts the length of each note of Arpeggio. Rotating the knob to the

right increases it.

Voice/Arp/UnitMultiply Adjust the speed of Arpeggio. Rotating the knob to the right makes it

faster.

Style/Filter/Cutoff Adjusts the cutoff frequency of the filter for the Style. Rotating the knob

to the right makes the sound brighter.

Style/Filter/Resonance Adjusts the resonance of the filter for the Style. Rotating the knob to the

right makes the sound more pronounced.

Style/Filter/Cutoff,Res Adjusts the cutoff frequency of the filter and the resonance for the Style to

change the timbre or tone of the sound.

Style/Effect/Reverb Adjusts the Reverb depth for the Style. Rotating the knob to the right

makes it deeper.

Style/Effect/Chorus Adjusts the Chorus depth for the Style. Rotating the knob to the right

makes it deeper.

Style/Effect/Rev,Cho Adjusts both the Reverb and Chorus depth for the Style. Rotating the

knob to the right makes it deeper.

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Voices

Style/Retrig/Rate Adjusts the Style Retrigger length. The first part of the current Style is

repeated in the specified length. Rotating the knob to the right decreases

it.

Style/Retrig/OnOff Turns the Style Retrigger function on/off. Rotating the knob to the right

turns it on, while rotating it to the left turns it off.

Style/Retrig/OnOff,Rate Turns the Style Retrigger function on/off and adjusts its length. Rotating

the knob to the left-most turns the function off; rotating it to the right

turns the function on and decreases the length.

Style/Track-Mute A Turns playback of the Style channels on/off. Rotating the knob to the left-

most position turns on only the Rhythm 2 channel, and the other channels

are turned off. By rotating the knob clockwise from that position, chan-

nels are turned on in the order of Rhythm 1, Bass, Chord 1, Chord 2, Pad,

Phrase 1, Phrase 2, and all channels are turned on when the knob reaches

to the right-most position. Turning the channels on/off lets you easily

change the rhythmic feel.

Style/Track-Mute B Turns playback of the Style channels on/off. Rotating the knob to the left-

most position turns on only the Chord 1 channel, and the other channels

are turned off. By rotating the knob clockwise from that position, chan-

nels are turned on in the order of Chord 2, Pad, Bass, Phrase 1, Phrase 2,

Rhythm 1, Rhythm 2, and all channels are turned on when the knob

reaches to the right-most position. Turning on/off the channels lets you

easily change the rhythmic feel.

MIC(Gt)/Effect/Reverb Adjusts the Reverb depth for the microphone or the guitar input sound.

Rotating the knob to the right makes it deeper.

MIC(Gt)/Effect/Chorus Adjusts the Chorus depth for the microphone or the guitar input sound.

Rotating the knob to the right makes it deeper.

MIC(Gt)/Effect/DSP Adjusts the DSP effect depth for the microphone or the guitar input

sound. Rotating the knob to the right makes it deeper.

NOTE Depending on the selected DSP type or how the microphone or the guitar is connected, the sound

may not be changed.

MIC(Gt)/Volume Adjusts the volume of the microphone or guitar sound input from the

[MIC/GUITAR INPUT] jack. Rotating the knob to the right increases it.

MIC/VH-Balance

(PSR-S975)

Adjusts the volume balance between the lead vocal (your own voice) and

Vocal Harmony. Rotating the knob to the left increases the lead vocal vol-

ume, while rotating it to the right increases the Vocal Harmony volume.

Audio/Volume Controls the Audio playback volume. As you rotate the knob to the right,

it increases.

AUX/Volume Controls the input volume from the [AUX IN] jack. Rotating the knob to

the right increases it.

Balance/Voice,Style Adjusts the volume balance between the Voice and Style playback. Rotat-

ing the knob to the left increases the Style volume, while rotating it to the

right increases the Voice volume.

Balance/Style,M.Pad Adjusts the volume balance between the Style and Multi Pad playback.

Rotating the knob to the left increases the Style volume, while rotating it

to the right increases the Multi Pad volume.

Balance/Audio,AUX Adjusts the volume balance between the Audio playback and sound input

from the [AUX IN] jack. Rotating the knob to the left increases the Audio

playback volume, while rotating it to the right increases the input volume

from the [AUX IN] jack.

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Voices

Balance/Song,Audio Adjusts the volume balance between the Song and Audio playback.

Rotating the knob to the left increases the Song volume, while rotating it

to the right increases the Audio (USB Audio Player) volume.

Balance/Song,AUX Adjusts the volume balance between the Song playback and sound input

from the [AUX IN] jack. Rotating the knob to the left increases the Song

playback volume, while rotating it to the right increases the input volume

from the [AUX IN] jack.

Balance/MIDI,AudioAUX Adjusts the volume balance between the playback of MIDI data (Song,

Style, Multi Pad) and Audio (USB Audio Player and input from the

[AUX IN] jack). Rotating the knob to the left increases the MIDI volume,

while rotating it to the right increases the Audio volume.

Filter/Voice,Style Adjusts the cutoff frequency of the filter and the resonance for all key-

board parts and the Style to change the timbre or tone of the sound.

Reverb/Voice,Style Adjusts the Reverb depth for all keyboard parts and the Style. Rotating

the knob to the right makes it deeper.

Chorus/Voice,Style Adjusts the Chorus depth for all keyboard parts and the Style. Rotating

the knob to the right makes it deeper.

Master Tempo Changes the tempo of the currently selected Style or Song. Rotating the

knob to the left makes it slower, while rotating it to the right makes it

faster. Setting range is from 50% of the default tempo value to 150%.

<No Assign> No function is assigned.

PSR-S975/S775 Reference Manual 15

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Voices

The Voice Set function allows you to create your own Voices by editing some parameters of the existing

Voices. Once you’ve created a Voice, you can save it as a file to internal memory (USER drive) or a USB

flash drive for future recall.

1 Select the desired Voice (other than an Organ Flutes Voice).

Organ Flutes Voices have a different editing method than described here. For instructions on editing the

Organ Flutes Voices, see page 20.

2 In the Voice Selection display, press the [5 ] (VOICE SET) button of MENU 1 to call

up the VOICE SET display.

3 Use the TAB [E][F] buttons to call up the relevant setting page.

For information on the available parameters in each page, see the “Editable Parameters in the VOICE SET

Displays” on page 16.

4 As necessary, use the [A]/[B] buttons to select the item (parameter) to be edited and

edit the Voice by using the [1 ]–[8 ] buttons.

By pressing the [D] (COMPARE) button, you can compare the sound of the edited Voice with the original

(unedited) Voice.

5 Press the [I] (SAVE) button to save your edited Voice.

For details on the Save operation, refer to “Basic Operations” in the Owner’s Manual.

NOTICE

The settings will be lost if you select another Voice or turn off the power to the instrument without carrying out the Save operation.

Editing Voices (Voice Set)

5

4

3

16 PSR-S975/S775 Reference Manual

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Voices

Editable Parameters in the VOICE SET Displays

The Voice Set parameters are organized into five different pages. The parameters in each page are described

separately, below.

NOTE The available parameters differ depending on the Voice.

 COMMON Page

[1 ] VOLUME Adjusts the volume of the current edited Voice.

[2 ]/

[3 ]

TOUCH SENSE Adjusts the touch sensitivity (velocity sensitivity), or how greatly the vol-

ume responds to your playing strength.

DEPTH: Determines the velocity sensitivity, or how much the level of the

Voice changes in response to your playing strength (velocity).

OFFSET: Determines the amount by which received velocities are

adjusted for the actual velocity effect.

[4 ]/

[5 ]

PART OCTAVE Shifts the octave range of the edited Voice up or down in octaves. When

the edited Voice is used as any of the RIGHT 1–2 parts, the R1/R2 param-

eter is available; when the edited Voice is used as the LEFT part, the

LEFT parameter is available.

[6 ] MONO/POLY Determines whether the edited Voice is played monophonically or poly-

phonically. This setting can also be made from the VOICE EFFECT

[MONO] button on the panel.

[7 ] MONO TYPE Determines the behavior of the notes of decaying sounds, such as a guitar,

when they are played with legato with the edited Voice set to MONO

above.

When NORMAL is selected, the next note sounds after the previous note

is stopped. When LEGATO is selected, the sound of the previously played

note is maintained and only the pitch changes to that of the next note.

NOTE This parameter is unavailable for Super Articulation Voices, Organ Flute Voices and Drum/SFX Kit

Voices, and behaves the same as the NORMAL setting when these Voices are selected.

NOTE When LEGATO is selected, the behavior (other than what is described here) may be different from

NORMAL, depending on the panel settings.

[8 ] PORTAMENTO

TIME

Determines the pitch transition time when the edited Voice is set to

MONO above.

NOTE Portamento is a function that creates a smooth transition in pitch from the first note played on the

keyboard to the next.

0

64 127

64

127

0

64 127

64

127

Actual Velocity for

tone generator

Depth = 127 (twice)

Depth = 64 (normal)

Depth = 32 (half)

Depth = 0

TOUCH SENSE DEPTH

Changes to velocity curve according to

VelDepth (with Offset set to 64)

Received Velocity

(Actual KeyOn speed)

TOUCH SENSE OFFSET

Changes to velocity curve according to

VelOffset (with Depth set to 64)

Actual Velocity for

tone generator

Received Velocity

(Actual KeyOn

speed)

Offset = 96 (+64)

Offset = 127 (+127)

Offset = 64 (normal)

Offset = 32 (-64)

Offset = 0 (-127)

Depends

on offset

Depends

on offset

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Voices

 CONTROLLER Page

MODULATION

The [MODULATION] wheel can be used to modulate the parameters below as well as the pitch (vibrato).

Here, you can set the degree to which the [MODULATION] wheel modulates each of the following

parameters.

 SOUND Page

FILTER

Filter is a processor that changes the timbre or tone of a sound by either blocking or passing a specific

frequency range. The parameters below determine the overall timbre of the sound by boosting or cutting a

certain frequency range. In addition to making the sound either brighter or mellower, Filter can be used to

produce electronic, synthesizer-like effects.

[2 ] FILTER Determines the degree to which the [MODULATION] wheel modulates

the Filter Cutoff Frequency. For details about the filter, see below.

[3 ] AMPLITUDE Determines the degree to which the [MODULATION] wheel modulates

the amplitude (volume).

[5 ] LFO PMOD Determines the degree to which the [MODULATION] wheel modulates

the pitch, or the vibrato effect.

[6 ] LFO FMOD Determines the degree to which the [MODULATION] wheel modulates

the Filter modulation, or the wah effect.

[7 ] LFO AMOD Determines the degree to which the [MODULATION] wheel modulates

the amplitude, or the tremolo effect.

[1 ] BRIGHT.

(Brightness)

Determines the cutoff frequency or

effective frequency range of the fil-

ter (see diagram). Higher values

result in a brighter sound.

[2 ]HARMO.

(Harmonic Con-

tent)

Determines the emphasis given to

the cutoff frequency (resonance),

set in BRIGHT. above (see dia-

gram). Higher values result in a

more pronounced effect.

Volume

These frequencies are

“passed” by the filter.

Cutoff

range

Frequency

(pitch)

Cutoff Frequency

Volume

Frequency (pitch)

Resonance

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Voices

EG

The EG (Envelope Generator) settings determine how the level of the

sound changes in time. This lets you reproduce many sound

characteristics of natural acoustic instruments—such as the quick

attack and decay of percussion sounds, or the long release of a

sustained piano tone.

VIBRATO

Vibrato is a quavering, vibrating sound effect that is produced by

regularly modulating the pitch of the Voice.

 EFFECT/EQ Page

1 REVERB DEPTH/CHORUS DEPTH/DSP DEPTH/PANEL SUSTAIN

[3 ] ATTACK Determines how quickly the sound reaches its maximum level after the

key is played. The lower the value, the quicker the attack.

[4 ] DECAY Determines how quickly the sound reaches its sustain level (a slightly

lower level than maximum). The lower the value, the quicker the decay.

[5 ] RELEASE Determines how quickly the sound decays to silence after the key is

released. The lower the value, the quicker the decay.

[6 ] DEPTH Determines the intensity of the Vibrato effect. Higher settings result in a

more pronounced Vibrato.

[7 ] SPEED Determines the speed of the Vibrato effect.

[8 ] DELAY Determines the amount of time that elapses between the playing of a key

and the start of the Vibrato effect. Higher settings increase the delay of the

Vibrato onset.

[1 ]/

[2 ]

REVERB

DEPTH

Adjusts the reverb depth.

[3 ]/

[4 ]

CHORUS

DEPTH

Adjusts the chorus depth.

[5 ] DSP ON/OFF Determines whether the DSP effect is on or off.

This setting can also be made from the VOICE EFFECT [DSP] button on

the panel.

[6 ] DSP DEPTH Adjusts the DSP depth.

If you want to re-select the DSP type, you can do so in the “2 DSP” menu

explained on page 19.

[7 ] PANEL

SUSTAIN

Determines the sustain level applied to the edited Voice when the VOICE

EFFECT [SUSTAIN] button on the panel is turned on.

Time

Level

Key on Key off

Sustain

Level

ATTACK DECAY RELEASE

Pitch

DELAY

SPEED

DEPTH

Time

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Voices

2 DSP

3 EQ

Determines the Frequency and Gain of the low and high EQ bands. Use the [2 ]–[4 ] buttons for

the low EQ band, and the [5 ]–[7 ] buttons for the high EQ band.

 HARMONY/ARP Page

Same as the display called up via [FUNCTION] → TAB [E] MENU 1 → [B] HARMONY/ARPEGGIO

(pages 7–8), with the exception of the following points:

• The details set via the [7 ] (DETAIL) buttons are shown on the top of the display.

• The [D] (COMPARE) and [I] (SAVE) buttons are available (see steps 4–5 on page 15).

Disabling Automatic Selection of Voice Sets (Effects, etc.)

Each Voice is linked to its default VOICE SET parameter settings. Usually these settings are automatically

called up when a Voice is selected. However, you can also disable this feature by the operation in the relevant

display as explained below. For example, if you want to change the Voice yet keep the same effect, set the

EFFECT parameter to OFF (in the display explained below).

1 Call up the operation display.

[FUNCTION] → TA B [ E] MENU 1 → [F] VOICE SET FILTER

2 Use the [A]/[B] buttons to select a keyboard part.

[1 ]/

[2 ]

CATEGORY Selects the DSP effect category and type. Select a type after selecting a

category.

[3 ]/

[4 ]

TYPE

[6 ] VARIATION

ON/OFF

Turns the DSP Variation on or off for the selected Voice. This setting

can also be made from the VOICE EFFECT [DSP VARI.] button on the

panel.

[5 ]/

[7 ]

DETAIL Calls up a detailed setting display. Press the [5 ] button for editing

the standard parameter value, and the [7 ] button for editing the

Variation parameter value.

[2 ]

–[4 ]

PARAMETER Selects the DSP variation parameter to be set.

[5 ]

–[6 ]

VALUE Adjusts the value of the DSP variation parameter.

2

3

20 PSR-S975/S775 Reference Manual

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Voices

3 Use the [4 ]–[7 ] buttons to turn each item for the selected Part on or off.

When the button is set to ON, the corresponding parameter settings are called up automatically together

with the Voice selection. For information on which parameters are linked to each item, see below.

The Organ Flute Voices can be edited by adjusting the footage levers, adding the attack sound, applying

effects and equalizer, etc.

1 Select the desired Organ Flutes Voice.

1-1 Press the [ORGAN FLUTES] button.

1-2 Press the [I] (PRESET) button to call up the Voice Selection display.

1-3 Press one of the [A]–[J] buttons to select the desired Voice.

2 Press the [5 ] (VOICE SET) button to call up the VOICE SET display.

3 Use the TAB [E][F] buttons to call up the relevant setting page (FOOTAGE, VOLUME/

ATTACK or EFFECT/EQ).

For information on the available parameters in each page, see pages 20–21.

4 Edit the Organ Flutes Voice.

5 Press the [I] (PRESET) button to call up the Organ Flutes Voice Selection display.

6 Save your edited Voice.

For instructions on the Save operation, refer to “Basic Operations” in the Owner’s Manual.

NOTICE

The settings will be lost if you select another Voice or turn off the power to the instrument without carrying out the Save operation.

 FOOTAGE Page

Refer to the Owner’s Manual, chapter 1.

[4 ] VOICE Corresponds to the parameter settings of the COMMON, CONTROL-

LER, and SOUND pages.

[5 ] EFFECT Corresponds to the parameter settings of 1 and 2 in the EFFECT/EQ page.

[6 ] EQ Corresponds to the parameter settings of 3 in the EFFECT/EQ page.

[7 ] HARMONY/

ARPEGGIO

Corresponds to the HARMONY/ARP page.

Editing Organ Flutes Voices

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